2099net wrote:I've just finished listening to the War of the Worlds (1953) second commentary track with Joe Dante ...
I've heard all three of his Gremlins commentaries (cast-1, crew-1, crew-2) and his commentaries for The Howling and Piranha. If it wasn't for this nod, I wouldn't have thought of him.
One truly
legendary solo audio commentary was Bruce Campbell's for The Evil Dead (1982). And I have to second that nomination. It's been almost a decade (1998) since he sat down to record it and no one's ever been more fun to listen to about 1 movie.
Then, I have to go with James Woods/Deborah Harry on Videodrome (1982), because it's amazing to see any actors so passionate and articulate about such a strange film, which Videodrome surely is. Though I can't find any record of it, people say James Woods is a member of Mensa (or was at one point). And he is in great form talking about this movie. Though more than anything, I really got a kick out of hearing Deborah talk about the movie and her comments are definitely both valid and add a real element that the film didn't completely have. She could have easily just felt her way through shooting this scene and that, but she has a real idea of what the movie was and what the material meant. She's really worth listening to on this. It's probably better that Criterion melded their separate commentaries together.
And my vote for #1 best audio commentary to date, certainly that I've heard - John Waters on his 1998 film Pecker. Here's a guy who prides himself on bad taste and has made some of the most cinematically reprehensible films of all-time, and he's smart, well-spoken, knowledged on much of the history of art / film / culture, and no-holds-barred hilarious. Nothing seems to make this man uncomfortable, and that can only be a good thing when it comes to filmmaking.
Also : Heathers (1989) - director Michael Lehman (Meet the Applegates), producer Denise Di Novi (Batman Returns), writer Daniel Waters (Batman Returns). With a film this important, there's no way the filmmakers could put us to sleep. And their insights about the film are a real lesson on the conceptual side of filmmaking.
I wonder if we'll see a Worst Commentary tracks post anytime soon...