Movie Reviews and Ratings
Beetlejuice Beetlejuice
This long-in-the-works sequel lets Tim Burton play in his old wheelhouse in a way that feels right and well-earned.
Continue reading →
🍿 DVDizzy Top Stories
- Now in theaters: Beetlejuice Beetlejuice, Alien: Romulus, Blink Twice, Deadpool & Wolverine.
Alien: Romulus
Taking its cues largely from the two most esteemed entries in the franchise, “Romulus” keeps us invested with rich suspense, gripping spectacle, and the incomparable production design that comes with the territory.
Blink Twice
First-time director Zoë Kravitz does a pretty good job of justifying her privilege and hiding her inexperience in this stylish and trippy thriller.
Dìdi
Alternately funny and heartbreaking, nostalgia-inducing for the tail end of Millennials, and generally life-affirming for all of us, Dìdi is a sharp and satisfying debut.
Deadpool & Wolverine
Messy and a tad overlong, but also a lot of fun and decidedly unlike any other tentpole entertainment that Hollywood is putting out these days.
Twisters
Despite the impressive talent at the helm, “Twisters” is big, dumb, and not much fun.
Fly Me to the Moon
It’s not intellectual or cutting-edge, but there is some mild charm to be found in the retro setting and gee-willikers tone.
Sing Sing
A mix of feel-bad and feel-good moments complement one another and add up to something stirring, life-affirming, and not soon forgotten.
MaXXXine
A clear increase in budget does nothing to dilute the passion that writer-director Ti West and leading lady-producer Mia Goth hold for this A24 horror universe.
Kinds of Kindness
Yorgos Lanthimos’ new anthology is a master of cinema at the top of his game sharing some of his weirdest work yet.
A Quiet Place: Day One
A serviceable prequel that never comes close to approaching the lofty heights of the two films from which it is spun.
Janet Planet
Award-winning playwright Annie Baker makes a slow but absorbing film debut.
Tuesday
A wildly uneven tragicomic fantasy whose hold on your appreciation is weak and fleeting.
Young Woman and the Sea
Familiar and corny, Disney’s “Young Woman and the Sea” plays like a sober, feature-length version of a “Drunk History” segment.
I Saw the TV Glow
Jane Schoenbrun’s second narrative feature is an unnerving mystery, a psychological character study, and an art film with both style and substance.
Kingdom of the Planet of the Apes
Though questionable on paper and short on well-known talent, this new Apes sequel is a smart, rich and technically stunning adventure.
Challengers
Tennis has never before been as cinematic as it is in the capable hands of director Luca Guadagnino.
Abigail
“Abigail” is high-concept, low-intelligence horror where your mind has nowhere to turn but predicting the order and manner in which characters are killed off.
Civil War
Distributed by A24 and in IMAX, “Civil War” is a union of arthouse and popcorn, one that won’t fully satisfy the distinct needs of either audience but comes pretty darn close most of the time.
Monkey Man
Seasoned young actor Dev Patel undergoes a baptism by fire here, making his writing, producing, and directing debuts with a well-stretched $10 million budget and seemingly infinite amounts of ambition.
Ghostbusters: Frozen Empire
In quality, tone, and composition, Frozen Empire is extremely similar to its immediate predecessor, Afterlife. Without the emotion and nostalgia of a direct legacy sequel, though, it doesn’t hit as hard.
Dune: Part Two
This is legit, rewarding, high-octane mainstream cinema, the kind that Steven Spielberg used to make and that only Christopher Nolan now seems capable of delivering on a regular basis.
Drive-Away Dolls
Despite an intermittently witty original screenplay, Ethan Coen’s latest solo comedy lacks the narrative cohesion, aesthetic allure, and cinematic formalism of the offbeat triumphs he’s made with his brother.
Lisa Frankenstein
In this messy but entertaining horror romance comedy, first-time director Zelda Williams and Academy Award-winning screenwriter Diablo Cody take great pains to make something that looks and feels like it truly hails from 1989.
Argylle
What begins like a better version of Sandra Bullock’s hit 2022 adventure comedy “The Lost City” continues to get worse at every turn.
