Movie Reviews and Ratings
28 Years Later
Director Danny Boyle reminds us he is a supremely talented filmmaker with a knack for capturing humanity.
Director Danny Boyle reminds us he is a supremely talented filmmaker with a knack for capturing humanity.
The chick flick wedding fare and action shenanigans are fused together so haphazardly that we’re never in the right mindset to enjoy either.
It looks and sounds great and does a surprisingly stellar job of holding the viewer’s attention for a staggering 2½ hours
Dragons may not be real, but they absolutely feel real here.
“The Phoenician Scheme” is a Wes Anderson film for Wes Anderson fans, who should heartily enjoy this sharp, witty comic adventure.
“Ballerina” does not recreate the weight or captivating nature of the John Wick franchise from which it spins off.
Like a slice of stuffed crust, there’s more cheese in this requel than anyone could possibly need. But you’re not likely to walk away unsatisfied.
The offbeat sensibilities of sketch comic Tim Robinson and A24 come together beautifully in “Friendship”, one of the funniest movies of the past fifteen years.
Writer-director Alex Scharfman’s feature debut raises some interesting notions of folklore, but disappoints with a standard-issue horror movie final act.
Whether as comedy or horror, “Heart Eyes‘” attempts to win you over feel like a chore and a bore.
Leigh Whannell’s latest update of a classic Universal Monsters flick is a tepid January horror movie that has more success at making you wince than unsettling you.
Against all odds, an abundance of candor and an excess of flair together turn this head-scratching Robbie Williams biopic into compelling cinema.
One of the year’s best films, “Nosferatu” disarms with intoxicating ambience, this time bringing Robert Eggers’ distinct cinematic sensibilities to something with mainstream horror appeal.
Director James Mangold and his cast are good enough to keep “A Complete Unknown” from settling into routine musician biopic mediocrity.
Rich with history, art, and the themes of grand literature, Brady Corbet’s ambitious epic drama proves to be engaging, profound, and an instant landmark of cinema.
One of 2024’s very best films hits physical media just in time for Christmas.
Elevating the material tremendously, Amy Adams is back on her A game here.
This spry and polished sequel has clearly been given time to develop instead of being rushed out.
Only those with an irrational hatred of musical theatre will be immune to this jaunty production’s considerable charms.
Someone, somewhere justified spending a quarter of a billion dollars on the most convoluted and hard-sell holiday lore since DreamWorks Animation’s “Rise of the Guardians.”
It’s remarkable how much emotional weight Jesse Eisenberg packs into his sophomore directorial effort, a film that runs just 90 minutes and feels even shorter.
A dastardly Hugh Grant carries a really good A24 horror movie on his able back in “Heretic.”
As overtly Christian as any mainstream Christmas film, this “Pageant” prioritizes spreading a message over elevating the craft.
A questionable achronological approach does nothing to derail this tender, heartwarming, and well-acted romance.
“Monster Summer” evokes the vibe of ’90s “Goosebumps” but with better production values and less silliness than the R.L. Stine TV series.
For a movie that opens with fantastical hallucinogens, “My Old Ass” has a firm grip on reality and a deep understanding of what it’s like to look back at one’s formative years with perspective.