Well, yeah. But the Best Picture category is "best Picture". How often does a comedy win? And has a children's film ever won? I'll happily eat my hat if Depp wins!The category is Best Actor, not "Best Performance in a Drama".
Disney Oscar Noms (Johny Depp! Finding Nemo! Destino! etc)
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Mr. Toad
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Random Thoughts
Luke - thank you from the lazy among us.
Joe - Sorry I liked Brother Bear and thought it should have done better, but it didnt hold a candle to Finding Nemo.
Jake - I saw every performance except for Alec Baldwin's and Astin was not as good as the other four.
Johnny Depp - he made an average movie a very good one. Just for that he deserves the nomination. But Bill Murray was amazing - he deserves it.
LOTR - a far far better movie than Pirates. I thought the acting in Pirates was really good and the writing was good too. But the visual and sound stuff left something to be desired.
Joe - Sorry I liked Brother Bear and thought it should have done better, but it didnt hold a candle to Finding Nemo.
Jake - I saw every performance except for Alec Baldwin's and Astin was not as good as the other four.
Johnny Depp - he made an average movie a very good one. Just for that he deserves the nomination. But Bill Murray was amazing - he deserves it.
LOTR - a far far better movie than Pirates. I thought the acting in Pirates was really good and the writing was good too. But the visual and sound stuff left something to be desired.
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Ernest Rister
Shakespeare in Love was a comedy, and it won Best Picture in 1998. Chicago was a black comedy, and it won Best Picture in 2002.
No children's film has ever been nominated. There have been some FAMILY films nominated for Best Picture, like Beauty and the Beast, Mary Poppins, and Sound of Music, and Music took home Best Picture. As far as I'm concerned, the most juvenile film on this year's list of Best Picture contenders is Return of the King, and it is probably going to win, even though Mystic River is light-years ahead of it in terms of writing, acting, and directing.
No children's film has ever been nominated. There have been some FAMILY films nominated for Best Picture, like Beauty and the Beast, Mary Poppins, and Sound of Music, and Music took home Best Picture. As far as I'm concerned, the most juvenile film on this year's list of Best Picture contenders is Return of the King, and it is probably going to win, even though Mystic River is light-years ahead of it in terms of writing, acting, and directing.
I completely agree. I'm a big fan of all 3 LOTR movies and I appreciate everyone's (including Jackson's) hard work on them, make no mistake about that. But IMO, Peter Jackson's directing didn't have much to do with their success. I think the cast is the most responsible for that. Really, if you watch the films and pay attention to the directing, it takes itself too seriously and is incredibly repetative (i.e. - contant swirling, swiveling "epic shots" cutting to extreme close ups).2099net wrote:Personally, I'm not sure Peter Jackson deserves best director (!), as now more than ever there's a blur between actual directing and simply technical co-ordination. I'm by no means suggesting Jackson is a 'hack' or anywhere near it (so please don't hate me!), but I'd rather have the best Director award won by a director who has a small budget, small cast and just a couple of cameras. After all, the bigger the film, the bigger the crew and creative staff. It's hard to judge a director on what is obviously a massive collaboration with hundreds (if not thousands) of individual's input.
I think someone like Sofia Coppela or Peter Weir deserves it the most because I think overall, their directing is more fresh and the success of their projects is tied a bit more to what they individually did.
Last edited by Jack on Tue Jan 27, 2004 3:00 pm, edited 1 time in total.
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I reluctantly agree with you. I absolutely LOVED his performance in POTC, but it is by no means what the Academy looks for (we are, after all, talking about an institution that believes putting on a prosthetic nose and waving a cigarette around wildly mean "best" actress). But the Academy is also infamous for awarding the performance AFTER the good one - which is probably why Sean Penn will win this year. (Even though I don't think Mystic River was all that good - not a bad film by any means - just not great).2099net wrote:I'm surprised Depp's been nominated. It's not an "Oscar" performance [*] and I'm certain the nomination is more to do with the Academy acknowledging their past indiscretions to Depp in previous ceremonies. (I'm still bitter Depp got no recognition for Edward Scissorhands or Ed Wood).
Nor is Bill Murray's performance what the Academy looks for. But both are incredibly fine performances that, in my opinion, carry their respective pictures.
It is still the most intersting list I've seen in a long time.
2099net wrote:As for Lord of the Rings, it was obvious from the Fellowship of the Ring that the final "chapter" would get all the acclaim from the Academy. Personally, I'm not sure Peter Jackson deserves best director (!), as now more than ever there's a blur between actual directing and simply technical co-ordination.
Anybody who has seen the Extended DVDs knows that Jackson was more than a mere technical co-ordinator. He LIVED the film. And that may sound like a sound-bite from a wanky 'making of', but I think in his case it is true. And a very talented team worked with him, sure, and they all did brilliant jobs. But I think that being the technical co-ordinator ona production this large entitles you to at least 3 best director awards.
It may be an inevitable win, but out of the 3 I honestly don't think it was the "best picture" of the trilogy. It kinda drags on repeat viewings (don't hit me, I LOVE the Trilogy). But let's face it - it shits all over the competition.
On a more general Disney-related note...
I think it is great they are recognised in almost every major category. Some may scoff at POTC's inclusion, and yes it isn't what the Academy looks for - but they are a stuffy archaic institution that is fairly pointless in this day and age. But the honours they give are bankable. The inclusion of all these Disney films is something that will mean more cred for Disney ultimately. Hopefully, POTC's inclusion will mean a less stuffy Academy in the future...
Destino was interesting to see included there - I just hoep it means it gets shown on a DVD somewhere.
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Well, don't get me wrong. It helps to have a good cast. But the director often has to work with the cast to get a good performance. Not knowing the on-set details perhaps Jackson has worked hard at motivating and directing the cast to get the best performances. I'm just not sure how much of the actual "spectacle" of the movies is down to Jackson personally - even if he initiated it all.Jack wrote:I completely agree. I'm a big fan of all 3 LOTR movies and I appreciate everyone's (including Jackson's) hard work on them, make no mistake about that. But IMO, Peter Jackson's directing didn't have much to do with their success. I think the cast is the most responsible for that. Really, if you watch the films and pay attention to the directing, it takes itself too seriously and is incredibly repetative (i.e. - contant swirling, swiveling "epic shots" cutting to extreme close ups).2099net wrote:Personally, I'm not sure Peter Jackson deserves best director (!), as now more than ever there's a blur between actual directing and simply technical co-ordination. I'm by no means suggesting Jackson is a 'hack' or anywhere near it (so please don't hate me!), but I'd rather have the best Director award won by a director who has a small budget, small cast and just a couple of cameras. After all, the bigger the film, the bigger the crew and creative staff. It's hard to judge a director on what is obviously a massive collaboration with hundreds (if not thousands) of individual's input.
I think someone like Sofia Coppela or Peter Weir deserves it the most because I think overall, their directing is more fresh and the success of their projects rely more on them.
I think it's wrong to automatically reward "epics" when it comes to these awards. Often the smaller, independent films have much better "direction" IMOHO. But I'm happy for them to win Best Picture, because after all, epics to provide entertaining and thrilling viewing.
I have my own cynical opinion of Chicago winning.Shakespeare in Love was a comedy, and it won Best Picture in 1998. Chicago was a black comedy, and it won Best Picture in 2002.
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Ernest Rister
"As for Lord of the Rings, it was obvious from the Fellowship of the Ring that the final "chapter" would get all the acclaim from the Academy. Personally, I'm not sure Peter Jackson deserves best director (!), as now more than ever there's a blur between actual directing and simply technical co-ordination."
Technical co-ordination? Then why do Ian McKellan and Christopher Lee laugh at how exacting Jackson was with their delivery, shooting dozens of takes of the same line just to get the reading he was looking for? Jackson's personal stamp is all over the LOTR movies. Just because he had multiple units shooting action scenes doesn't mean he wasn't in charge of guiding every performance in that film, or planning the shots he wanted to capture. Jackson deserves a directing nod, even though I don't think his work is the "best" of the year. That honor should go to either Clint Eastwood for Mystic River, Weir for Master and Commander, or Coppola for Lost in Translation. Jackson will probably win though, as the LOTR hype machine rolls over everyone in Hollywood.
Technical co-ordination? Then why do Ian McKellan and Christopher Lee laugh at how exacting Jackson was with their delivery, shooting dozens of takes of the same line just to get the reading he was looking for? Jackson's personal stamp is all over the LOTR movies. Just because he had multiple units shooting action scenes doesn't mean he wasn't in charge of guiding every performance in that film, or planning the shots he wanted to capture. Jackson deserves a directing nod, even though I don't think his work is the "best" of the year. That honor should go to either Clint Eastwood for Mystic River, Weir for Master and Commander, or Coppola for Lost in Translation. Jackson will probably win though, as the LOTR hype machine rolls over everyone in Hollywood.
That's true, but I view the camera as the biggest aspect of directing. Yes, it is a director's responsibility to help lead the cast and crew, but really, a director's job is to control the camera and use to the tell the story.2099net wrote:Well, don't get me wrong. It helps to have a good cast. But the director often has to work with the cast to get a good performance. Not knowing the on-set details perhaps Jackson has worked hard at motivating and directing the cast to get the best performances. I'm just not sure how much of the actual "spectacle" of the movies is down to Jackson personally - even if he initiated it all.
Jackson's use of the camera in the movies, is IMO, too repetetive. Those huge shots that swoop and swirl are nice for a while, but they get old quick. The only other trick Jackson has in his bag is to focus really close on a character as they cry. That's really it.
On the other hand, I'd say the rest of the directors nominated used the camera in a more inventive way. But again, I respect the possibility that Jackson may have been a real helper in driving the performances in the film. But I think if someone is getting an award for directing, it should mostly be for what he does with the camera.
Nevertheless, because Jackson has helmed this trilogy for years and years, I say he does deserve to get the award just for that.
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goofystitch
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Looks like Disney is dominating the category. Brother Bear and Nemo, with Nemo being a dead cert to win.goofystitch wrote:I'm most excited for the score of "Finding Nemo" being nominated. I love the music.
I have to admit to not having seen or heard much about 'Triplets', but I think it would be very odd for them to not award Best Animated to Nemo.
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SNERWW22785
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Depp's nomination ties in a lot with the fact that fellow actors in the academy nominate for these awards. Depp is tremendously popular in Hollywood and gave a real "people's performance". Even if you had only a lukewarm opinion of PoTC, you couldn't help but be sucked in by the truth and humor of his performance. It was as effective as any performance this year.
In terms of what all call "Bum Performances" he ranks right behind Jeff Bridges as "The Dude" in The Big Lebowski.
In terms of what all call "Bum Performances" he ranks right behind Jeff Bridges as "The Dude" in The Big Lebowski.
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What does everyone think of the Academy Award nominations?
Hey, everyone! I wanted to know what everyone thought about this year's Academy Award Nominations for Best Animated Feature Film. The three nominees are:
Brother Bear
Finding Nemo
The Triplets of Belleville
The Nominations were announced January 27, 2004. Maybe we could discuss our opinions in comparison to each of the films. Such as who we think should win, and who shouldn't. Finding Nemo was nominated for three additional awards (Original Screenplay, Original Score, Sound Editing) and The Triplets of Belleville recieved one additional nomination (Best Original Song). Brother Bear was shut out of everything else. Other animated movies that probably threatened the shortlist were Millenium Actress, Tokyo Godfathers (a double shut-out blow for director Satoshi Ken) and Looney Toons: Back in Action. For a minute there, I though The Jungle Book 2 might actually make it in, considering how many mentions is was getting at the precursors.
Side Note: As much as I love animated films, I think this is one of the easiest categories to predict. My year-in-advance predictions were 2/3 missing The Triplets of Belleville for Sinbad: Legend of the Seven Seas (which wasn't even submitted for consideration). However next year, I'm sure there will be five nominees and here's who I predict will make the shortlist:
Howl's Moving Castle
The Incredibles
The Polar Express
A Shark's Tale
Shrek 2
Any opinions on this or next year's race?

Brother Bear
Finding Nemo
The Triplets of Belleville
The Nominations were announced January 27, 2004. Maybe we could discuss our opinions in comparison to each of the films. Such as who we think should win, and who shouldn't. Finding Nemo was nominated for three additional awards (Original Screenplay, Original Score, Sound Editing) and The Triplets of Belleville recieved one additional nomination (Best Original Song). Brother Bear was shut out of everything else. Other animated movies that probably threatened the shortlist were Millenium Actress, Tokyo Godfathers (a double shut-out blow for director Satoshi Ken) and Looney Toons: Back in Action. For a minute there, I though The Jungle Book 2 might actually make it in, considering how many mentions is was getting at the precursors.
Side Note: As much as I love animated films, I think this is one of the easiest categories to predict. My year-in-advance predictions were 2/3 missing The Triplets of Belleville for Sinbad: Legend of the Seven Seas (which wasn't even submitted for consideration). However next year, I'm sure there will be five nominees and here's who I predict will make the shortlist:
Howl's Moving Castle
The Incredibles
The Polar Express
A Shark's Tale
Shrek 2
Any opinions on this or next year's race?
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I feel Brother Bear missed out on song...because Disney submitted the wrong ones. Instead of pushing "Great Spirits" and "No Way Out," they should've chosen just one, and it should've been either "Look Through My Eyes" or "On My Way." It's not like Disney is inexperienced in getting into (and winning) the song category, so...
But I'm happy Brother Bear is represented in Animated Feature. But I do agree that Nemo is the "better" film, a marvelous film. It should win, and surely will. But I REALLY hope Nemo wins for score. I love the music for that film, by Thomas Newman. It's so beautiful, and perfectly fits...the entire mood and atmosphere, and it's one of my favorite CD's I own, so...
As for the other categories, I'm wanting and waiting for The Return of the King to own the night, but I do hope Lost in Translation wins Best Actor, and Original Screenplay. I also am rooting for Master and Commander.
This is a great field, though. Most of my favorite films made it in, so I'm very happy about it...and look forward to the ceremony. And I'm eager to see Destino...someday. Whenever the DVD is released...
But I'm happy Brother Bear is represented in Animated Feature. But I do agree that Nemo is the "better" film, a marvelous film. It should win, and surely will. But I REALLY hope Nemo wins for score. I love the music for that film, by Thomas Newman. It's so beautiful, and perfectly fits...the entire mood and atmosphere, and it's one of my favorite CD's I own, so...
As for the other categories, I'm wanting and waiting for The Return of the King to own the night, but I do hope Lost in Translation wins Best Actor, and Original Screenplay. I also am rooting for Master and Commander.
This is a great field, though. Most of my favorite films made it in, so I'm very happy about it...and look forward to the ceremony. And I'm eager to see Destino...someday. Whenever the DVD is released...
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goofystitch
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I think "Home on the Range" might end up surprising everybody. I read a review from Jim Hill a while back from somebody who was invited to a test screening of the whole film and said it was one of the best Disney films in years. I wouldn't be surprised if it is nominated based on what I've read about it.
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It was sent in as Brazil's candidate for a nomination last year but it wasn't picked. A real shame and a big error in judgement from the Academy in my view. This was easily the most surprising movie and probably even the best movie I saw this year. And I *am* a big LOTR-fan.Joe Carioca wrote:I'm glad "City of God" got all the nominations it did, but I'm still surprised they didn't give it a "Best Foreing Language Picture" nomination.
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Yes... I took notice of that some time after I posted this message.bean:therio wrote:It was sent in as Brazil's candidate for a nomination last year but it wasn't picked. A real shame and a big error in judgement from the Academy in my view. This was easily the most surprising movie and probably even the best movie I saw this year. And I *am* a big LOTR-fan.Joe Carioca wrote:I'm glad "City of God" got all the nominations it did, but I'm still surprised they didn't give it a "Best Foreing Language Picture" nomination.