At this point I'm pretty much done with Iger. They need to get better executives who believe in creativity, and not just bean-counting. This is getting so damn tedious, and the fact that they are so out of touch with their audiences is something that needs to be called out. Also, jettisoning 2D animation was a mistake. They need someone who has a vision, not just a bean-counter with zero creativity.
There are many qualities that will be required to become the next CEO of the Walt Disney Co. Boldness. Intelligence. Poise. But at a recent off-site corporate retreat, Disneyโs current leader, Bob Iger, offered another piece of advice for a top-level executive: โYou need to be more selfish.โ What Iger meant, according to the source who relayed the comment, was that the execs vying to succeed him must be willing to go to extraordinary lengths to beat out their competitors. It might seem like odd advice coming from a leader with a public image as a smooth strategist whose roughest edge is that he works so hard, he showers in his office (sometimes twice). But as Iger himself has noted, when he ran ABC in the early 1990s, he employed what he called โsoft autocracyโ to push through ideas that met resistance. More recently, after hand-selecting Bob Chapek as his successor back in 2020, he reportedly spent the next two years undermining and outmaneuvering his successor behind the scenes, setting the stage for his own triumphant comeback. When it comes to advice about taking power, the man clearly knows what heโs talking about. (Disney firmly denies the executiveโs account of the conversation. โThat is not something Bob said, or would ever say, and the incident described simply never happened,โ says Chief Communication Officer Kristina Schake.)
Sources say that DโAmaro โ the parks and experiences chief โ is now in pole position. The 54-year-old already was overseeing a $60 billion expansion of the parks business before Abu Dhabi โ Disneyโs first new park since 2016 โ was announced in May. He also is overseeing Disneyโs expansion into video games via a billion-dollar deal with Epic (the maker of Fortnite), which Iger views as a legacy project. One hurdle for DโAmaro is the continuing fallout from Chapekโs disastrous run. Before his ascension, he also was the parks guy, and that showed in his inability to communicate with top Hollywood talent and their gatekeepers. DโAmaro has publicly tried to highlight the personal relationships he has with creatives to try to preempt that criticism.
By contrast, Walden, the longtime television executive who has been rumored as a potential frontrunner since Iger returned, is a popular well-known figure within Hollywoodโs talent community. As Disneyโs first female CEO, her appointment also would carry major symbolic weight. One impediment for Walden, however, is her close friendship with Kamala Harris (which had been a boon just a few years ago). Given the vindictiveness of the Trump administration, itโs hard not to see the relationship as a potential liability, unfair as that may be.
Rounding out the shortlist of top internal candidates are Alan Bergman, co-chairman of Disney Entertainment, and ESPN honcho Jimmy Pitaro. The 58-year-old Bergman is a company man, having joined back in 1996, and is regarded as sharp and skilled at overseeing a portfolio that includes Marvel, Pixar, Walt Disney Animation and Lucasfilm. But replacing Iger โ an unmatched brand ambassador who looks like talent โ probably requires a magnetism that Bergman canโt match (a liability heโs said to be aware of).
Disney Boss Bob Iger Says โCreating New IPโ Is of โGreat Valueโ but Thereโs No โPriorityโ Among Sequels, Remakes and Originals: Just โGreat Moviesโ https://variety.com/2025/film/news/bob- ... 236480494/
They are releasing lots of sequels or LA adaptations so yes, there are priority for this kind of media because it's easy money. About the "great stories" I disagree. They are making mediocre original movies because they've been focusing on being politically correct or making what they think that something is marketable.
Historically, Disney has always struggled to find original IP that appeals to boys/men. Thatโs why Iger bought Marvel and Lucasfilm. I donโt expect theyโll be any better at it now.
But Iโm all for the major studios exploring original IP again.
If we may fantasize for a moment ... it would be very nice to imagine that a movie successfully capturing the attention of young boys--a modern "Treasure Planet," if you will--might be the movie to put the studio back on track.
This wouldn't be necessary if Disney hadn't horribly mismanaged their "boy" brands like Star Wars, Marvel, and Pixar in the first place. Even if they were able, by some miracle, to launch a new male-oriented franchise, they would run it into the ground sooner rather than latter. This is really an executive & creative problem, not an IP problem.
They have a problem with that and I don't think that they can find any solution soon. Today boys have preferences for anime and Japanese culture. There are lots of IP that are working really great like Naruto, Demon Slayers, Dragon Ball and many other and they also have videogames. They need a really good brand to make these people forget about these IP and honestly I think that they are not gonna find it.
But we all know its the fact that they promote the Disney Princess movies as "girl exclusives" with its girly Princess marketing and formula. A male fairytale protagonist could Literally change it all. Boys wouldnt feel ashamed to see a "girls" movie anymore. Disney was a bit smarter in the 2010s with the title changes and stuff
๐ฒ๐๐๐๐ ๐๐๐บ๐ ๐๐ ๐บ๐ ๐๐๐๐๐ ๐๐๐:
1. When did you get hot? (Sabrina Carpenter)*new
2.House Tour (๐ฒ๐บ๐ป๐๐๐๐บ ๐ข๐บ๐๐๐พ๐๐๐พ๐)*new
3. Tears (Sabri- Carpen-)*new
4. Sugar talking(...๐ฒ๐บ๐ป๐๐๐๐บ ๐ข๐บ๐๐๐พ๐๐๐พ๐!) *new
5. 9 to 5 (Dolly Parton)
6. ๐ฉ๐๐๐ (๐ฒ๐บ๐ป๐๐๐๐บ๐บ๐บ๐บ) 7. ๐ง๐บ๐๐ฝ ๐๐ ๐๐บ๐ ๐๐ ๐๐๐๐๐ (๐ข๐๐๐ผ๐บ๐๐)
8. ๐ข๐บ๐๐๐ป๐ป๐พ๐บ๐ ๐ฐ๐๐พ๐พ๐! ( ๐ก๐๐ ๐ ๐ ๐ฎ๐ผ๐พ๐บ๐)
9.๐ณ๐๐พ ๐ถ๐๐๐๐พ๐ ๐๐บ๐๐พ๐ ๐๐ ๐บ๐ ๐ (๐ก๐ ๐ก๐ก๐ )
10. Upside down (Diana Ross)
They've been chasing the male demo since 2000 with Atlantis, which is part of the reason they fail to capture it because what they think will capture the interest of that demo is usually stale stereotypes about how boys don't like music, or the film should only be dominantly brown and green colors, etc. Ironically, the last time they actually did draw the interest of that demo was with TLK, Tarzan, Hercules, and Aladdin--all unashamed musicals, colorful designs, etc. I don't think any film of the Revival actually made much traction with "boys." Both Big Hero 6 and WIR were fairly unnoteworthy at the box office compared to Frozen, Tangled, Zootopia, Moana, etc. And they're still using dumb titles like Wish and Encanto, that really doesn't make much difference.
EDIT: Well, I suppose that Lilo & Stitch may have drawn the male demo post-Renaissance. That's also a colorful, dramatic, and fairly musical film. Stitch is an irreverent character, so that makes sense, too.
Listening to most often lately:
Taylor Swift ~ ~ "The Fate of Ophelia"
Taylor Swift ~ "Eldest Daughter"
Taylor Swift ~ "CANCELLED!"
If Bob Iger and Disney bow down to Trump in order to not endanger the plans for their upcoming mergers and not back first amendment rights of free speech and โsacrificeโ Jimmy Kimmel for it, all for the sake of corporate greed than that is the last straw in Disney completely and totally selling itโs soul! Absolutely disgusting what is going on on the United States.
Yeah, I have a lot of feelings wrapped up in that which I don't feel totally good about articulating here. But "scary," "cowardly," and "disgusting" are certainly floating around in the whirlpool.
Disney is going to destroy itself and honestly, in its current form, it deserves to be destroyed.
The company is a soulless monstrosity. Weโll have to see whatโs left of it, or of society in general, if we make it through the collapse of the U.S. somewhat unscathed. But it will be hard to come back from this.
And Iger folding like a lawn chair was to be expected. Spineless ghoul.