You’re all really overthinking Tigerlily sticking to her native tongue. What’s to get about that? It’s something you literally see in every other movie, such as Lord of the Rings where Legolas Switches back between English and Elvis when talking to Aragorn and Gimli, not to mention Aragorn and Arwen‘s pretty much every conversation and interaction with each other always has them constantly switch back-and-forth between Elvish and English, even around other characters; My mom Literally asked me the second time watching the theatrical edition of two Towers, “Why do they sometimes speak in English and sometimes not?” Again, what’s the difference here?Marce82 wrote: ↑Sat May 06, 2023 4:39 pm A few comments about this movie and Peter Pan in general:
Regarding Tigerlily's use of her native tongue... ridiculous.
I am fully bilingual, and I have been in groups where everyone was bilingual. We may switch from one language to the other occasionally, but I have NEVER been in a situation where each speaker stuck to a different language.
That said... it is basic courtesy (and logic) that if I am bilingual, and the other person speaks only one of the languages I speak, that I will use that language with them, so we can communicate. Tigerlily would have stuck to English when a) she realized Wendy didn't speak her language and b) when she was WAY outnumbered by characters whose first language is English.
So it seems that the Lost Boys being brought to the real world is from the original book. And this is something that I think Disney improved upon in the '53 version. Putting in the idea that kids from the past (and from the future) will be taken to Neverland to enjoy an adventure and then be brought back home when they realize they cannot stay a child forever. But in this new version (and the book, it seems), if any other kid were to be taken to Neverland after the events of this movie, they would encounter a sulking, lonely Peter Pan. No more adventures with the Lost Boys.
I think Peter Pan was always somewhat unlikeable (even in the 53 version)... arrogant, conceited, self centered incosiderate... but also fun and charismatic. He represents the arrogance of youth... and this is a story of letting go of the carelessness of childhood and taking on starting to become an adult.
And it shows the other side of adulthood too: the fear of our time alive running out (Hook, the ticking crocodile).
We inevitably move on from childhood to adulthood, knowing the our days are numbered. Pretty heavy theme, but very true.
Something missing from the new version is the idea that it's all a game: Pirates vs Lost Boys vs Indians (the 53 movie states the Indians let them go when captured)... not in this new version.
As for the depiction of Neverland... it's just a bare, grassy land in this new version. The film Hook is hardly perfect, but look at that fun, imaginative version of Neverland! Plants that move and sneeze, several moons, beautiful mermaids, the ability to manifest food from imagination... I wanna go THERE!!!
Also, as for Neverland’s look, It actually looks very much like how it’s portrayed in some of the kingdom hearts games, but in live action. Again, it’s also like what never land would look like if portrayed realistically As a place to escape which would (need to) look familiar as an appealing spot for one to connect to instead of coming up to this random “alien” Like foreign place which would more likely make them want to turn around and go home/leave even if you were a child. And again, unfortunately it’s also result of that very dated 2003 movie and Pan (2015) Having already portrayed Neverland as such, This would look too much like a rip off and wouldn’t fit with the overall take and style they’re going forward with this version/be its own thing