Thanks for the correction. I was in a hurry and didn't notice. It's funny that the meaning remains the same either way though.Disney's Divinity wrote:You mean "Can You Feel the Love Tonight," right?I’ll have to listen to it later this week when I’m at someone else’s house. I can barely get Instagram to work here when it's just pictures.
Only a single shot in the film is live-action.blackcauldron85 wrote:A co-worker told me today that "The Lion King with real animals looks good." I had to tell her that it's CGI except for one scene (frame?) of live action background.
No, because real animals don't talk or sing.blackcauldron85 wrote:Are you guys hearing a lot of people thinking it's live animals??
To your co-worker's defense, Disney has shown very little footage of them speaking. Maybe she thought they used a combination of real animals and CG. 
1. “Circle of Life”/“Nants’ Ingonyama” – Performed by Lindiwe Mkhize; African vocals performed by Lebo M; written and composed by Elton John and Tim Rice; “Nants’ Ingonyama” written by Lebohang Morake and Hans Zimmer; produced by Hans Zimmer; vocals produced by Stephen Lipson
2. “Life’s Not Fair” – Hans Zimmer
3. “Rafiki’s Fireflies” – Hans Zimmer
4. “I Just Can’t Wait to Be King” – Performed by JD McCrary, Shahadi Wright Joseph and John Oliver; written by Elton John and Tim Rice; produced by Pharrell Williams; co-produced by Stephen Lipson
5. “Elephant Graveyard” – Hans Zimmer
6. “Be Prepared” (2019 Version) – Performed by Chiwetel Ejiofor; written by Elton John and Tim Rice; produced by Hans Zimmer and David Fleming
7. “Stampede” – Hans Zimmer
8. “Scar Takes the Throne” – Hans Zimmer
9. “Hakuna Matata” – Performed by Billy Eichner, Seth Rogen, JD McCrary and Donald Glover; written by Elton John and Tim Rice; produced by Pharrell Williams; co-produced by Stephen Lipson
10. “Simba is Alive!” – Hans Zimmer
11. “The Lion Sleeps Tonight” – Performed by Billy Eichner and Seth Rogen; written by Luigi Creatore, Hugo Peretti, George David Weiss and Solomon Linda; produced by Pharrell Williams
12. “Can You Feel the Love Tonight” – Performed by Beyoncé, Donald Glover, Billy Eichner and Seth Rogen; written by Elton John and Tim Rice; produced by Pharrell Williams; co-produced by Stephen Lipson
13. “Reflections of Mufasa” – Hans Zimmer
14. TBA
15. “Battle for Pride Rock” – Hans Zimmer
16. “Remember” – Hans Zimmer
17. “Never Too Late” – Performed by Elton John; African vocal and choir arrangements created and produced by Lebo M; written by Elton John and Tim Rice; produced by Greg Kurstin; additional production by Elton John and Matt Still
18. “He Lives in You” – Performed by Lebo M; written by Mark Mancina, Jay Rifkin and Lebohang Morake; produced by Lebo M and Mark Mancina
19. “Mbube” – Performed by Lebo M; African vocal and choir arrangements created and produced by Lebo M; written by Solomon Linda; produced by Pharrell Williams
Read more at https://www.comingsoon.net/movies/news/ ... Uu0ztsO.99
Source: https://www.fandango.com/movie-news/exc ... ing-753799Q: Is her new song still the only new song?
Jon Favreau: Yeah, it doesn't replace anything. We have all the original songs, but there's a song that she performed and wrote in the spirit of the production along with working with Lebo M., who's part of it with Hans Zimmer. They were all collaborating with her and helping to bring this new piece of music into a film where there's already a very established musical personality to the piece. So it was nice of them to have them working with her to allow the new song to feel organically a part of the new production.
Source: https://www.fandango.com/movie-news/exc ... ing-753799Q: Is The Lion King more of a straight remake than The Jungle Book was?
Jon Favreau: Yes.
Q: But are there any places where you veer away from being totally faithful to the original?
Jon Favreau: Well, we wanted to differentiate ourselves from the animated feature and from the stage production, but we wanted to still take into account that people have memories and a connection to those productions. So, the trick was to do something that fulfilled everybody's expectations of what The Lion King should be but still surprise them and put our own fresh take on it.
Some of that was through casting. Some of that was through the technology that we used. Some of it was trying to make the movie appear to be live-action even though it was completely animated. So we had a strategy going in to how we can make this feel like there was a reason to make it and how it was going to build upon what was already out there, but also still stay true to the thing that everybody loves so much about the original.
Source: https://www.fandango.com/movie-news/exc ... ing-753799Q: What was the biggest challenge in crossing over the characters into photorealistic live-action? Movement? Facial expression?
Jon Favreau: We learned a lot on The Jungle Book, and one of the things we learned is that if you push the facial expressions on an animal too much it starts to look less like an animal and more like a human. Part of the naturalistic approach of The Lion King that would have not fit in with our tone. Part of it is trying to make the animals express emotions without facial expression, so like in the case of Pumbaa, who is a very comedic character who has a lot of facial expressions in the old one, how do you make a warthog comical if you can't make him make faces? You have to look at the reference of warthogs in nature, and you start to see that they're very comical in the way that they move.
So, part of it was directing the animators to express the emotions of the characters, be it the lion or the meerkat or the warthog, in a way that is both consistent with what people would see in nature, but also to express the performance choices the actors are making. So, there’s a lot of body language that was worked into this piece. What’s nice is that as you watch the film all together, I think it's very successful. But it definitely is one of the things that created one of the bigger challenges, to try to help bring the charm and humanity of the original productions into this without having the ability to manipulate the facial expressions and the naturalism of the animals to the extent that you could in animation.
