Disney's Divinity wrote:Listening to the new album right now. Honestly, I wish she'd kept the title 'The Art of Letting Go,' because the song of the same name is one of my favorites on the album, personally. I'm enjoying it for the most part. It may just be that I came to the Mariah train late that her newer albums work for me more, even though her earlier albums have a more classic sound to them.
You're not alone. I became a Mariah fan in 2008, and I really prefer her work from 2001 and onward (though
Glitter and
Charmbracelet don't rank very high for me). I just think her work from the '00s on is more fun. Not to dismiss any of her early work, it's got some great stuff and it's what made her. Then again I might be a little biased because I don't know it all that well.
As for
The Elusive Chanteuse, I think it's a solid entry into her catalogue, being a big step up from
Memoirs, especially lyrically. That being said, I don't think it's as good as
E=MC². Overall, it's a very long album. I prefer shorter albums, 10 songs minimum and 14 maximum. Even if they had trimmed down the length of several songs the length wouldn't bother me as much. My favorites are "Meteorite", "Money ($*/...)", "Make It Look Good" and "You're Mine", among others.
I think the inclusion of the remixes for "Betcha Gon' Know" and "It's A Wrap" is a bit of a lazy move on her team's part, seeing as we've known of their existence for almost 5 years. They would have been better off saving these for a second Remix collection or as part of a collection of previously unreleased material. I would have rather seen "Triumphant" and "Almost Home" in place of the two remixes.