Disney Week Mar. 28 - Apr. 3

All topics relating to Disney-branded content.
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Goliath
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Post by Goliath »

Disney's Divinity wrote:You're not the only one. :wink: For some reason, a lot of people hate her voice, but--on this song, at least (and "WWYW")--I really like her. Not as crazy about "Someday..." though.
I love 'With a smile and a song'. Funny, 'Someday my prince will come' is probably the best-known song from the movie, but I never cared for it much.
Disney's Divinity wrote:I only wish he had been alive for the whole Disney renaissance, to see what he might've contributed to the other films--both song-wise and story-wise.
That would've been interesting for sure, but many people seem to forget how much of Ashman's ideas also had to be cut to make for better films. In Waking Sleeping Beauty, the directors of Beauty and the Beast tell how strongly Ashman felt about having a sequence with the prince as a young boy and how he grilled them when they threw it out. Ashman's character of Aladdin's mother was cut out; Aladdin was made older; and a lot of his songs were thrown out. That's not to say Ashman wasn't a good lyricist or storyteller, but it just goes to show he needed a lot of 'editing' to get a desirable result.

I had to edit my last post two times because I kept thinking of better 'showstopping numbers'. It's interesting to see how, judging by this thread, Walt's own pictures aren't nearly as popular as the 1990's pictures. Is that nostalgia talking?
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Super Aurora
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Post by Super Aurora »

Sorry I'm not keeping up with this one. I'm just so damn lazy and photoshoping is time consuming. I'll do all of this on weekend from sidekicks and on.
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Goliath
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Post by Goliath »

Super Aurora wrote:Sorry I'm not keeping up with this one.
Don't feel bad; topic-starter had trouble with it also. Looking forward to your post. Still have to list best openings/endings and top 10 Disney Classics. Tough job.
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BwayJ
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Post by BwayJ »

Goliath wrote:
Super Aurora wrote:Sorry I'm not keeping up with this one.
Don't feel bad; topic-starter had trouble with it also. Looking forward to your post. Still have to list best openings/endings and top 10 Disney Classics. Tough job.
Yep. Well, here's the next one.

Disney's Five Best Opening Numbers
1. Belle
2. The Bells of Notre Dame
3. Winnie the Pooh
4. When You Wish Upon a Star
5. Circle of Life
Just Missed the Cut: Down in New Orleans, He Mele No Lilo, I'm Wishing/One Song

Disney's Five Best Finales:
1. One Song/Someday My Prince Will Come
2. Ave Maria
3. You Can Fly
4. A Dream Is A Wish Your Heart Makes
5. Once Upon a Dream
Just Missed the Cut: The Bare Necessities, Two Worlds, When I See an Elephant Fly
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avonleastories95
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Post by avonleastories95 »

Best Endings10. The Legend of Sleepy Hollow
9. Peter Pan
8. Pinocchio
7. The Little Mermaid
6. The Hunchback of Notre Dame
5. The Many Adventures of Winnie the Pooh
4. Snow White and the Seven Dwarfs
3. Beauty and the Beast
2. Lady and the Tramp
1. Ave Maria in FANTASIA
Best Openings
10- Tarzan
9- The Princess and the Frog
8- Sleeping Beauty
7- The Black Cauldron
6- Lady and the Tramp
5- Beauty and the Beast
4- Peter Pan
3- Aladdin
2- Fantasia
1- Pinocchio
Best Disney Movies
10- The Princess and the Frog
9- The Many Adventures of Winnie the Pooh
8- Sleeping Beauty
7- The Fox and the Hound
6- The Black Cauldron
5- Peter Pan
4- Lady and the Tramp
3- Fantasia
2- Snow White and the Seven Dwarfs
1- Beauty and the Beast
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Goliath
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Post by Goliath »

Best openings:

1. The Rescuers: Anybody surprised about this pick? The opening shot of Medusa's boat in the bayou immediately sets the mood and pulls you into the film. I still get the chills everytime I hear that door open and see little Penny walking through it to deliver her cry for help to the world. And then the wonderful song has even yet to begin!

2. Hunchback of Notre Dame: That one still blows me away every time I watch it. I love the heavy, almost opera-like tone to it and the religious tones to it (how the saints of Notre Dame seem to look at Frollo). Though the lyrics are a bit too obvious at times ("who is the monster and who is the man"), it's one of Disney's strongest songs/openings.

3. The Little Mermaid: Not really the part with Eric, but the underwater sequence with the credits. That little piece of music is just wonderful. Even just thinking about it, it gives me goosebumps. This opening really must have signaled: "Disney is BACK, baby!" Nowadays, it's a bittersweet reminder of what Disney was once capable of.

4. Lilo & Stitch: Not so much the part with Stitch, even though that was really cool, but the 'He Mele No Lilo' sequence. That kind of animation, music and characterization really screams "Disney Essence".

5. Tarzan: I really like how the story of Tarzan's parents is interwoven with that of Kerchak and Kala, emphasizing how much of a 'human' family these gorillas form; how much they're like Tarzan's parents. That song is fantastic, really epic.


Best endings:

1. Lilo & Stitch: After all Lilo and Nani have been through, it's so rewarding to see in this montage how everything worked out well for them; how they made their extended, alternative family work. It's a real feel-good ending, yet I don't want it to end. I don't want to say goodbye to these characters. Don't even mention the cheapquels and tv series. They ruined the heart, warmth and sincerity of the original film (which can all be found in this ending).

2. Pocahontas: An unhappy ending for a Disney film, I like that. It's so bittersweet. Really touching to see that handwave. Bold.

3. The Great Mouse Detective: Not really the part in the Big Ben (though that's what the movie is famous for), but the last part where Basil has to say goodbye to Olivia and Dawson. I think there's some of Disney's best character acting in it. Basil tries to keep a straight face and doesn't want to show his feelings, but it's very clear he deeply regrets having to say goodbye to Olivia. He was really hoping Dawson would stay and is disappointed to see him go, but jumps on the first opportunity to convince him not to leave. Then again Henry Mancini's magnificent score --and, in the Dutch version, hearing Basil, Dawson and Olivia song "Goodbye, so soon" over the end credits, as if they've been reunited. I like that thought.

4. The Little Mermaid: "She really loves him, doesn't she, Sebastian?" and then her transformation into a human again... So sweet to see King Triton giving up being with his daughter just to make her happy. "I love you, daddy" also always gets me.

5. Jungle Book: "My home town" is a beautiful little song and you've got to love how Mowgli was lured into the village: a pretty girl is all it took... just like real life. ;)
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BwayJ
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Post by BwayJ »

Disney’s Five Best Opening Numbers

1. Belle – Could it really be anything else? “Belle” is the culmination of opening numbers throughout musical theatre history. It’s as expository as “Tradition,” as catchy as “Wilkommen” and as delightful as “Comedy Tonight.” The memorable melody, marvelous lyrics and bustling animation make this sequence an opening so grand you can’t wait to see what the movie will pull off next.

2. The Bells of Notre Dame – This opening perfectly sets the deep, operatic tone for the movie’s songs and score, as well as relaying exposition in a timely and tuneful manner. The singing by Paul Kandel, David Ogden Stiers and Tony Jay dollops the right amount of eerie solemnity to start off this unexpectedly dramatic film.

3. Winnie the Pooh – This anthem of childhood, one of Disney’s most instantly recognizable songs, is an understated introduction to the harmless whimsy of Winnie the Pooh’s world. It establishes the short, hummable structure that Pooh’s songs will take, and it visually demonstrates the film’s “living storybook” approach to this material. I know this sequence will be updated for the new Winnie the Pooh movie coming in July, but it would have to be something special to match this charming opening.

4. When You Wish Upon a Star – Surely everybody in the English-speaking world (if not the whole world) has heard the song at some point in their lives. Upon a recent listen, I found a tint of solemnity in the original rendition that I had not realized before. I think it foreshadows the perils Pinocchio endures to attain his wish, which makes this song a strong opening number as well as a Disney anthem.

5. Circle of Life – This wordless opening was prodigious enough that Disney used it as The Lion King’s first trailer. Its portraits of the savannah and its realistically drawn animals suggest an elegant film full of grandeur, like a “Bambi” for the 1990s. The rest of the movie may not quite live up to that promise (this sequence doesn’t exactly point to Timon and Pumbaa), but it is still one of Disney’s most impressively massive musical numbers, especially when seen in a theater.

Just Missed the Cut: Down in New Orleans, He Mele No Lilo, I'm Wishing/One Song


Disney’s Five Best Finales

1. One Song/Someday My Prince Will Come - How can you compete with a finale of such unadulterated happiness? From the buildup of “Someday My Prince Will Come” to the joyful character animation, this ending makes my eyes water every time I watch it.

2. Ave Maria – I’m including this one since it is the only portion of “Fantasia” with any singing in it. It may be one of the least exciting parts of “Fantasia,” but it is a fitting way to end the film. It is a peaceful transition out of the chaotic “Night on Bald Mountain,” and the final image parallels the opening segment, “Toccata and Fugue in D Minor,” to majestic effect.

3. You Can Fly! - This one is a sentimental favorite of mine. Preceded by a touching line from Mr. Darling, this reprise is a lovely reminder that merely growing up doesn’t always overpower youth. The ending says that one way or another, you can always rediscover the things that make you happy.

4. A Dream is a Wish Your Heart Makes - The “Cinderella” finale is not very different from the “Snow White” finale. It just has less buildup and it uses a lesser song. Still, we still love seeing this finale because Cinderella finally overcomes Lady Tremaine and gets her perfect reward.

5. Once Upon a Dream – This finale falls a bit short because we don't feel much for Aurora and Philip over the course of the picture, but it is still memorable for the choral singing and the resumed bickering between Flora and Merryweather. (I’d love to know how they got the dress in the live-action storybook to change colors.)

Just Missed the Cut: The Bare Necessities, Two Worlds, When I See An Elephant Fly
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BwayJ
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Post by BwayJ »

Oh crud. I forgot I already put this list up. Oh well. I'll just keep it here since I didn't provide the sentences earlier.
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