Julian Carter wrote:Wonderlicious wrote:Just because JC called Lasseter a moron doesn't mean that anybody should call JC a moron.

He has explained that he was over-reacting, and it is technically against the rules to throw rude names at forum members.
Thanks, though I did kind of deserve it. I admit I do feel kind of bad now. While I've always been sceptical of Lasseter I don't think I really, really meant what I said. At least I don't think it came from the bottom of my heart. I just get very annoyed at the man.
*shakes hands with Mr. Lasseter*
Me: "I promise I won't call you a moron again."
Lasseter: "That's be nice."
Me: "Yes. it would."
Also, despite the disappointment I must make it clear that I am
still hugely looking forward to Tangled. And I expect to enjoy it. Jerry Beck's review simply lowers my expecations, that is, I won't be expecting Best Picture material.
Though if you ask me, WDAS should be making Best Picture material. It's about time!
mawnck wrote:I just know that Tangled is really, really, really, really good.
I have a question. As somebody who's seen the film, do you think Tangled feels inferior to a movie like Toy Story 3 (which I thought was outstanding despite my slight* bias against Pixar)? Or is it just a different kind of film? Perhaps it needs not delve into mature themes as does Toy Story 3? What I mean is, if it is more "light-hearted" entertainment than Toy Story 3 (which it may not be, it's just my suspicion), is it better off that way?
Do you guys think I can atone for my sin by sending Lasseter a "Sorry" card? 
A card would be a nice gesture

. We are all passionate about animation and/or Disney, so I think some heated discussions once and a while are healthy on this board. It's all good.
Anyway, after reading Jerry Beck's review of the film, I think he has some legitimate gripes about it. It doesn't sound vindictive, mean-spirited, or snarky, even if he sometimes can indeed be that way towards mainstream animation. He does praise
Tangled quite a bit, particularly the "first-rate" artwork and visuals and the character of Maximus (who, judging from the trailer, seemed to be my early favorite).
But for me, it brings up a few interesting questions to ponder. Are these fairy tale/princess musicals outdated? Even if these films are skillfully animated and carefully produced by Disney, the company that started it all with
Snow White over 70 years ago? Is there still a place for animated musicals with full-length songs, which has nearly disappeared from mainstream American animated cinema? Does the general audience in 2010 want more biting humor in their fairy tales like in a
Shrek or
Hoodwinked?
I don't know much about
Tangled's story that Beck calls "trite, cliche, generic" (I've stayed away from most of the clips and spoilers), but I think the American movie-going audience (over the age of, say, 12 who would have a definitive, rational opinion of a movie) are spoiled by Pixar because although Disney Animation has a certain amount of "magic" to many of their films, Pixar's stories (particularly more recent works like the
Toy Story trilogy,
Up, and
WALL-E) are more layered, complex, and deal with real-life issues (ex. abandonment and immortality in
Toy Story 3, death and aging in
Up, the future of humanity in
WALL-E). Not to say that Disney Animation is a slouch in that area, but fairy tales sometimes can't quite deliver the same impact that those films can. So its understandable if
Tangled's more simplistic story is not going to stack up against some of Pixar and even Dreamworks best stuff, but I like to believe that they can make up for it with strong traces of humor, drama, human emotion, charm, great music, and fun characters.
One area of concern I have is the soundtrack that was singled out in the review as "unmemorable". Being Alan Menken, that should be an easy slam dunk for the film, and if it doesn't resonate with the audience, that is bad news for the success
Tangled. And during the "Disney Renaissance" period (which Menken had a huge role in), the songs were so artfully placed to advance and enhance the story and keep things moving at a healthy pace. And the majority of them were engraved in your head after a viewing. I did enjoy the songs in
The Princess and the Frog (and thought songs like "Friends on the Other Side" and "Ma Belle Evangeline" were the strongest Disney has had in a film in well over a decade), so I'm hoping I disagree with Beck in this area.