Escapay wrote:These aren't the droids you're looking for?pap64 wrote:Move along...
albert
Man I thought we were a gonna back there!
Escapay wrote:These aren't the droids you're looking for?pap64 wrote:Move along...
albert
I'm sorry to burst your bubble, Duster, but that's the reality for a whole lot of people. Not only in 1920's New Orleans, but still this very day, in the US, too. Single mothers working three (!) jobs to support their families is no rarity, sadly. You think those people have time to dream or have fun? You may say that Disney's films don't naturally have to reflect everyday reality, because we watch them to escape reality. I, for one, found it to refreshing to see a tiny bit more realism in a Disney film --even though that aspect of the lives of poor black people in the South in the 1920's is the *only* aspect that's accurately represented.Disney Duster wrote:Scarred4life, well, it was more like Tiana didn't seem to have any time for fun or dreaming. She was even working at the costume party, wasn't she? And she hardly slept (or was that only one day some days? They don't tell us). It is much more realistic and keeping you sane/alive to make yourself happy equal to/more than to work doing things you don't like.
Tiana was wishing upon a star as a little girl, at the beginning of the movie. And her father's message was to not trust upon that solely; that you have to work hard to reach your goals. She took that advice by heart. Wishing upon stars was *not* the core of his advice --far from that. But you reverse it and pretend it was --to fit your 'classic Disney princess'-narrative.Disney Duster wrote:I don't remember her wishing on the star as a little girl. And when he died, why didn't she take both of his advice in? You could say maybe she was so hardened by his death and the real world and living conditions, but wouldn't she want to keep her father's beliefs, all of them, including the star, alive together?
Oh no? How else could a black person work herself up the social ladder? Tiana's family didn't live comfortably. They lived in a wooden shack in a poor neighbourhood. If you want to move away from that and make a better life for yourself and your offspring, you have to get a better social position, and owning a restaurant was part of that for Tiana. It seems like you're saying people shouldn't try to get into a better place, because that means they have less time to dream...Disney Duster wrote:Atlantica, yes, her dad practically broke his back working for them. For all we know, he truly had to work that hard so they could live comfortably at all, and he suffered for it. Tiana didn't have to work that hard, she didn't need to get the restaraunt to live, and she didn't need to get it that soon.
I've told you already: because Tiana undermines your delusional worldview in which everything magically turns better simply by wishing upon a star. Tiana's character and the whole movie takes a swing at the previous Disney princesses by mocking what Cinderella and Aurora did: sitting around, doing nothing, and only wishing upon a star.Disney Duster wrote:PS I hope I don't sound rude or argumentative this time, I am trying to say why Tiana made me feel so...bad about what she was doing, and defending the other characters.
I'm sorry, but Cinderella did nothing, nada, zero. After being abused for years by her stepmother and stepsisters, she was still naive enough to believe she would be allowed to go to the prom if she got all her chores done. If it wasn't for the mice, she would never have a dress ready in time. So the mice did all the work. Then when that dress got torn apart by the stepsisters, what did Cindy do? Nothing, except crying in the yard. And then, like the perfect deus ex machina, the Fairy Godmother shows up and provides everything Cindy needs. After the prom, by her behavior, she foolishly reveals to her stepmother she was at the prom. When she gets locked up, it's thanks to the mice and Bruno that she gets out in time.Disney Duster wrote:Like Cinderella did. You see, I see Cinderella as like Walt Disney in the way that she dreamed, and she did work for it (either in wokring to survive or working to go to the ball when her stepmother said she could), but she also had others help her.
She wanted to be human. Look at it this way: she felt she was trapped inside the wrong body. She felt she should be somebody else than who she was. She needed to change herself in order to be the person she really felt she was inside. Now, as someone who's part of the LGTB 'community', you surely can understand that, and realize it has nothing to do with being 'spoiled', right?Disney Duster wrote:Oh, and I don't mean Ariel was spoiled, I was aying she could be called that. She had a great life and lots of things. However, what she wanted, she really needed (and she wanted something a lot more important than the human things she collected, she wanted experience and feeling and being part of the right life for her). So, it's all fine, just saying she may have been a little spoiled.
Haven't you heard? Dusty's opinions are similar to Walt's. And since Walt was the infallible deity of Disneyanity, to have an opposing opinion would be blasphemy. Must I tread out the Walt's Prayer again?DisneyAnimation88 wrote:I don't understand why you can't accept someone else's opinion if it is in opposition to your own.
Actually, Song of the South has been getting criticism so long that it developed an immunity. Now no matter what anyone says about it, the criticism will not affect it.DisneyAnimation88 wrote:The films Walt Disney made are not immune to criticism
That's why I have stopped reading the replies. I knew what Disney Duster was going to reply the moment I started typing my long reply. But I cannot help myself, I have to answer him from time to time. But I'm not going to read that huge-ass reply of his. And why is that? Why do I not reward his hard and long work on such a long answer to one of *my* posts? Simply because of the first line of his message. Immediately, I can see that he hasn't understood the essence of my post (or that he didn't *want* to understand it). If even the first line is like that, I can foresee the rest. It will be one big rehash of all the points that I had already argued against. So I just give up... for now.atlanticaunderthesea wrote:I really dont know what to say sometimes about Cinderella .... it seems as if there cannot be any other view expressed that is opposite to what you think Disney Duster, and it makes it incredibly frustrating to try and get an opinion accross to you.
I'm not saying Cinderella is a weak film, nor am I saying Cinderella is a bad or annoying character. Far from that. I do like her character and I think she's sympathetic. I always root for her when I watch the film. So it's not like I'm annoyed with her. Her role fits the film. It wouldn't be the memorable film it is, if she behaved totally different. And let's not forget the film portrays women like they were seen back in 1950: helpless and inept. The film reflects its time. So while I don't fault the film or the character Cinderella, I will point out that Cindy didn't *do* anything herself. And that's one stone-cold, hard FACT Duster can't deal with.atlanticaunderthesea wrote:If you talk about Ariel being silly for making the deal with Ursula, I could again come back with how unbelievably STUPID was Cindy for saying, "look, i know youve been a total cow / bitch to me for YEARS now, but as youve just said I can DEFFO to the ball if I'm a good girl, then I belive YOU, yes sireeee" Watching it back now, it is kind of annoying how soft she is, and how much help she does need.
I dunno... I think they keep the movie interesting.atlanticaunderthesea wrote:In fact, I actually get annoyed at how much the mice are focused on in the film; I would have preferred to have seen more of Cinderella's character developed.
I guess it all depends on your definition of levity. Many people, even if it's just for a brief time, go through periods of life where they are burned out, having to work work work and not having time for fun and don't have anyone to come home to or don't have the energy to interact with anyone by the time they get off their shift, come home from class, etc.Disney Duster wrote:Goliath, real people cannot live without dreaming or having fun, they can't live without some levity. Tiana's father did have some when he got home at least, and Tiana did with him, but when she was older, she gets home and sleeps for one minute, then the next job. Also, you missed that I was saying she didn't have to work so much to live, she could have kept going at a reasonable pace to eventually climb the social later and get her dream restaraunt, but she wanted it now, now, now.
Credit for Macguffin should go to Alfred Hitchcock, actually.Chernabog_Rocks wrote:Aurora didn't really do anything to earn her happily ever after. She sat around being a macguffin while everyone else carried her through the film to the ending.
(Credit to Scaps for the term 'Macguffin')
You will always be infinitely wrong on this, and I explained why, and I didn't even explain all of why, but it's your choice to ignore posts and information and things others see that you refuse to see.Goliath wrote:I will point out that Cindy didn't *do* anything herself. And that's one stone-cold, hard FACT Duster can't deal with.
Wishing and dreaming are not acts of DOING something.Disney Duster wrote:You will always be infinitely wrong on this, and I explained why, and I didn't even explain all of why, but it's your choice to ignore posts and information and things others see that you refuse to see.Goliath wrote:I will point out that Cindy didn't *do* anything herself. And that's one stone-cold, hard FACT Duster can't deal with.
You fail to see the system of kindness she used to get what she wanted with help. You also fail to see that in the world of the film, having faith got the Fairy Godmother to her. Does that happen in real life? Doesn't seem to. But in the world of the film, she did something that made something happen.Goliath wrote:Wishing and dreaming are not acts of DOING something.