Marky wrote:Well, obviously he's talking rubbish. And let me tell you why.
Took you long enough, Marky.
Marky wrote:They had a lot of experience in making these animated classics.
Yes, they do. You don't.
They have access to a vast amount of storyboards, sketches, pencil animation, CAPS files, and technology that brings it all together, be it in 1991 or 2010. They've worked extensively on these films from conception to animation to release, to revisiting them again ten years later, and again ten years later.
You spent the past 19 years watching a laserdisc. Which came from a film print. Which itself is not a true representation of the movie they were making. Re-read Hahn's first statement:
- Back then you went through all these processes of digital intermediates and cobbling prints and by the time it gets to the theater it looks a little muddy and scratchy.
I think what's fun about having it on Blu-ray is you get this pristine image that looks exactly as it looked when we were sitting at these CAPS monitors seeing the movie and making it.
As others pointed out, there was a trial-and-error process for the first few CAPS films when transferring it from one media (original CAPS files) to another (physical home video).
Color timing and color correction is done on all movies, regardless if they're shot digital or 35mm. Watch this interview excerpt with director David Lynch. It's a great example of what happens in post-production:
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Sunny Wing wrote:SWillie! wrote:It's a completely different process, and so of course there are going to be surprises along the way. Yes, even for the experienced filmmakers that they were.
Exactly! Do we have any experts here on the process of transferring a digitally produced image to film?
Marky seems to think he is. I eagerly await for Disney to hire him to consult on making proper transfers of their films from laserdisc to Blu-Ray. Should be exciting!
jpanimation wrote:I’ve never watched any of the Platinum Edition extras, any documentaries on the movie or read any books on the making of the movie and yet I feel like I learned nothing from the entire Beyond Beauty experience.
So without any prior knowledge on the making of the film...you already knew how they made the film? I'm confused.

I can understand if it's something like "Alan Menken's told the 'Streisand it up and say aLARming' story a million times", but you think the entirety of supplements offered nothing you didn't already know?
jpanimation wrote:(I didn’t see David Ogden Stiers anywhere).
I was annoyed at that too. There were several crew members I would have loved to have seen interviewed as well, but they weren't featured either. Some of it may be understandable (Chris Sanders noticeably absent), but when they've got Brenda Chapman one building away (well, one town away since Pixar is in Emeryville) directing
Brave, surely they could have scheduled an hour of her time to interview her.
albert