
C'mon, Disney! We actually WANT you to keep hand-drawn animation alive, not bury it again! We actually WANT to see The Snow Queen in its hand-drawn glory! Not have it canceled and/or CGI-fied!

Or do you mean someone who used to WORK for Disney, but ended up ruining the company and stepping down in 2005? And if you don't know who I mean, I mean Michael "Buttheaded Scrooge" Eisner. God, I wish he NEVER became chairman of the company in the first place!Prince Edward wrote:Someone at Disney should be very ashamed of what they have done to the company.

You have a very good point there, but I am also thinking about the guys that runs Disney at present: Stabbing The Chronicles of Narnia-franchise in the back, talk and talk about the return of Disney-animation but then cancelling movies like The Snow Queen, making Hannah Montana and Disney Channel what people in general think about when they hear the name Disney... The list goes on.DisneyJedi wrote:Or do you mean someone who used to WORK for Disney, but ended up ruining the company and stepping down in 2005? And if you don't know who I mean, I mean Michael "Buttheaded Scrooge" Eisner. God, I wish he NEVER became chairman of the company in the first place!Prince Edward wrote:Someone at Disney should be very ashamed of what they have done to the company.
I'm personally of the opinion Disney needs out outsider - somebody unfamiliar with the current culture (and people) and not afraid to take prisoners and judge people on their merits. They need to come in, take a long hard look at the company and start slashing & burning what (and who) is not helping the people and start re-building.Prince Edward wrote:You have a very good point there, but I am also thinking about the guys that run Disney at present: Stabbing The Chronicles of Narnia-franchise in the back, talk and talk about the return of Disney-animation but then cancelling movies like The Snow Queen, making Hannah Montana and Disney Channel what people think about when they hear the name Disney... The list goes on.DisneyJedi wrote: Or do you mean someone who used to WORK for Disney, but ended up ruining the company and stepping down in 2005? And if you don't know who I mean, I mean Michael "Buttheaded Scrooge" Eisner. God, I wish he NEVER became chairman of the company in the first place!
I keep telling my friends that they need to have some faith in Disney and that Disney will have a comeback regarding quality over the coming years. I tell them Disney have stopped making straight to DVD-sequals and that they want to make animated movies and release them in cinemas again, but my friends remain sceptical. Not all that strange when one takes into consideration that Disney the last 10 years have been all about sequals, Disney Channel and merchandising (at least it seems that way for those out there who are not die-hard fans like us).
Great. Just what we need. Another chairman to finish something that Eisner started, AKA the downfall of classic Disney animation!drnilescrane wrote:He is of the same mold. A continuation of the status quo, just with better people skills/less personality.DisneyJedi wrote:You mean Iger's turning into what Eisner became?

I personally like Bolt and love TP&tF, but it's an interesting point- how many "flops" must WDFA have before Lasseter takes the heat that he probably deserves?Anonymous wrote:I am willing to cut [Lasseter] a lot of slack, but every film that's been touted as his proving ground has been an underwhelming performer... clearly the guy can only do so much and cannot work miracles. I do believe that the stories in Bolt and PATF were much weaker than they should have been despite his insistence that story is king.
But, at the same time, if Rapunzel does well, will it be due to the fact that it's CGI? That the heroine is all into grrrl-power? If Rapunzel does a lot better than TP&tF, then why will that be, other than the animation method...could the "controversy" surrounding TP&tF have anything to do with it? Damned if they do, damned if they don't...perfectly flawed wrote:I personally believe it will take time and patience for the audience to rediscover the magic of Disney at the animation standpoint. "Rapunzel" is probably our saving grace if we want to see more fairy tales coming out of the Mouse ouse, the pressure must be on...

But are [stereotypical] boys interested in seeing a film about a prince?!?Mike Luzzi wrote:Disney did a lot of press for this film, but maybe putting the word "Princess" in the title was a poor business move. What is wrong with "The Frog Prince?" (I suspect that Princess was desireable to link the title to their ever popular franchise and with that move they alienated the boys)
Was TP&tF's intent to "recreate the '90s"? I mean, does hand-drawn fairy tale have to = the '90s? Snow White, Cinderella, and Sleeping Beauty are hand-drawn fairy tales, and they don't = the '90s. (And The Little Mermaid was the '80s, anyway.) I think that the public, then, needs to not think of hand-drawn Disney fairy tales as being associated with the '90s...except that the '90s had a couple (a couple!) hand-drawn Disney fairy tales.J wrote:...movie viewing public has changed. They don't want a repeat of the 90's they want something new. A reminder of the classics is one thing, but down right trying to recreate the entire 90's is stupid.
I agree- I mean, granted, I do genuinely like all the DACs, but movies like The Emperor's New Groove, Atlantis, and Treasure Planet are great films...what is the reasoning behind their unsuccessful box office runs?!?Doopey wrote:The last few years are littered with quality Disney films that failed to find a broader audience.
I agree, in the sense of Disney catering to people complaining during the production of TP&tF, catering to outside people just so Disney doesn't offend others. Disney, TP&tF wasn't the first situation you've been in where your movies have offended others...and I mean, if TP&tF was so offensive, why did Anika Noni Rose, Oprah Winfrey, Jennifer Lewis, etc., agree to participate?!? I mean, if the script was so offensive, you'd think that they would've quit. Someone is going to be offended by everything. You can't please EVERYONE. There is just no way you can.Rafa wrote:Those higher ups and all those idiots should just shut up and let them have half a chance of producing a movie slate rather than panicing after every movie and causeing upheaval after upheaval.
I agree- again, damned if they do, damned if they don't.Cory Gross wrote:Unfortunately, when Disney does do some experimentation, nobody wants to go see it. Fantasia was a flop for crying out loud. Atlantis and Treasure Planet were already mentioned, and are perfect examples of films that aren't any worse than anything from the classic era, but just didn't fly because they weren't fairy tales. But then you get this thing where people don't want to see Disney fairy tales anymore either.
I agree (but I also think, why does B&tB have to be a "girly" film? Why does TLK have to be a film for "boys"? Just because the lead characters are a female and a male, respectively?). But, yeah, maybe Disney does need to space out it's films more...I mean, you'd go from Enchanted to TP&tF to Rapunzel to Pooh to The Snow Queen, and THEN King of the Elves, while Pixar gets all the male audience (not to mention Chipmunks and whoever else from competitors...Anonymous wrote:What's wrong with creating a "girlie" film? When movies try to appeal to too many demographics, they end up appealing to no demographic. Just alternate between boys and girls - make a Lion King for every Beauty and the Beast!
 ). *edit* Okay, Bolt was between Enchanted and PT&tF, so I can't fault Disney for that.
). *edit* Okay, Bolt was between Enchanted and PT&tF, so I can't fault Disney for that.How much was Disney hoping for?!?!? Enchanted was a pretty freaking big hit.But despite the fact that [Enchanted] was a hit, it turned out to not be the blockbuster that Disney was hoping for(Budget: $85 mil, Domestic: $127.8 mil, International: $212.7 mil).
 We just can't win with the money-hungry suits.
  We just can't win with the money-hungry suits.
That's what I whisper-screamed to the computer screen while reading some of those things. Seriously, UGH. I mean, how much money do they want? As long as it makes a good amount more than the production costs (and, yes, marketing costs- we can't forget that, since that can be a good $10-$15 million), then don't be so greedy- why does Disney call everything a flop now?Kyle wrote:Seriously, they need to stop expecting every single movie with animation to be as big as the Lion King.




Valid point! Perhaps the suits at Disney have been spoiled by the box office for such movies as Pirates of the Caribbean, The Lion King, Finding Nemo and the first Narnia-movie. So now everything that does not make at least 500 million dollars is considered a flop? But then again, they are making a sequal to Enchanted (box office 340-something millions). They seem a bit inconsistent when it comes to deciding if movies are sucsessful or not.blackcauldron85 wrote:That's what I whisper-screamed to the computer screen while reading some of those things. Seriously, UGH. I mean, how much money do they want? As long as it makes a good amount more than the production costs (and, yes, marketing costs- we can't forget that, since that can be a good $10-$15 million), then don't be so greedy- why does Disney call everything a flop now?Kyle wrote:Seriously, they need to stop expecting every single movie with animation to be as big as the Lion King.
I thought it made $167-78 million?KubrickFan wrote:I think it is a flop. Making 113 million dollar while your movie cost 105 million to make can't be called making a profit. Remember, Disney also spends a lot on advertising, so the actual money spent is even higher. This isn't called greed, it's running a business.