Kelvin wrote:
So I guess the old commentary (or as Scaps calls it, the audio documentary) will be dropped. Considering how great that was, I'm hoping the new documentary is essentially a video version of that track mixed with new comments (the latter of which we know they've filmed).

Kelvin remembered "audio documentary"! Makes me feel warm and fuzzy inside (unless it's the peach I just ate...though normally one doesn't eat the fuzz of a peach...)
I'm hoping that it does get retained as well, and like you said, as a video version. The one problem, of course, would be that it'd likely be edited down to something that's in the 45 minute range. Not that 45 minutes is bad, but the past few Platinum docs always have that feeling that the interviewees always have more to say, but it had to be cut out so that an hour's worth of game footage could be included instead. I forget who said it here, but I always agreed with him/her that any documentary for a DAC should be 90 minutes.
steve wrote:From the above link:
the "Sleeping Beauty" Blu-ray Disc also features the original Super Technirama 70 (similar to CinemaScope) 2.55:1 widescreen format for the first time since its initial theatrical release, a restored hi-def print, and 7.1 HD sound sourced from the original recording tapes found in Germany.
From earlier in this thread:
Escapay wrote: 2.55:1 has never been, nor should it ever be, the aspect ratio for Sleeping Beauty.
Again:
...the original Super Technirama 70 (similar to CinemaScope) 2.55:1 widescreen format for the first time since its initial theatrical release...
And again:
Escapay wrote: 2.55:1 has never been...the aspect ratio for Sleeping Beauty.
SAY WHA?!
EDIT/UPDATE: On this video
http://www.youtube.com/watch?v=GqsVrZrA4rk at 2.59: "We were actually able to create the original aspect ratio of the film, which was two-five-five, which has never been done before in
any medium."
For starters, 2.55:1 has been done before
Sleeping Beauty, so whoever said the youtube quote (I haven't watched the video) is wrong.
Also, while I'm sure Scott Hennrick knows his stuff when it comes to hidef or whatever he specializes in, he's still wrong about 2.55:1
Both
Super Technirama 70 and
Technirama are the same process (horizontally shooting a film through 35mm) but with different names based on what type of film the print is derived from. It's called
Super Technirama 70 when they transfer the negative to 70mm blow-ups, and that will only yield a 2.20:1 ratio (actually 2.21:1, but it's a minor quibble). It's
Technirama all by its lonesome when it's vertically transferred to 35mm film.
Widescreen Museum goes into better detail and provides a comparison picture...
Technirama Specs
Anything larger than 2.35:1 (such as the 2.55:1 or the 2.59:1 that's mentioned) is wrong for
Sleeping Beauty, no matter how Disney tries to spin it. This is one of the few cases where wider *is not* better. In addition, the remark of how Super Technirama 70 is similar to CinemaScope...that's a rather empty statement as any projection process after 1952 with an anamorphic lens will undoubtedly be "similar to CinemaScope". It's like saying "Ariel is similar to Aurora" because both are Disney Princesses.
Albert