drf wrote:As far as the aspect ratios go, I don't really study old movies,
And there lies the problem. Widescreen didn't start with
Star Wars.
drf wrote:And since you seem to be the expert on aspect ratios
That honor belongs to
deathie mouse. I'm a mere novice compared to him.
Wire Hanger wrote:drf wrote:why is Atlantis: The Lost Empire 2.35:1? It was animated using CAPS, wasn't it? Going from 1.66 to 2.35 is a HUGE change, that's like cutting the film in half. The DVD also has a fullscreen version, but I think it's just cropped from the 2.35 version like Lady and the Tramp was...
It was done in that ratio to be more like the old epic adventure films of the 1950s and 1960s which had ratios between 2.20:1 and 2.55:1. Since that was the kind of film they were trying to make in the first place, a larger ratio made more sense.
Wire Hanger already explained it, but there's additional info as well.
Atlantis was animated in both 2.35:1 and in 1.66:1, but it's not as simple as it sounds.
It was always the intention of the filmmakers to present the movie in 2.35:1. So no matter how much animation is seen or unseen, it will be presented in 2.35:1 and no amount of argument or debate will change the statement
"2.35:1 is the Intended Aspect Ratio of Atlantis: The Lost Empire"
(I purposely chose not to use the word "original" because it has been overused and misused many times regarding aspect ratios)
For some scenes, they storyboarded in 2.35:1 and initially animate in 1.66:1, then "extended" the sides with additional animation (to get the intended 2.35:1 frame). This is similar to how some of Pixar's re-animated scenes from 2.35:1 to 1.33:1 (for the fullscreen version) would simply extend the top and bottom of a frame.
And for other scenes, it's again storyboarded in 2.35:1 and animated in 1.66:1. However, it is then matted down to 2.35:1, because they know that the central 2.35:1 dimensions of the 1.66:1 frame is what they wanted to be seen in the first place.
And I must re-iterate once again, the filmmakers WANTED it in 2.35:1, so the unseen animation from the 1.66:1 frame is NOT NECESSARY.
It's been awhile since I watched the making-of documentary for
Atlantis, but I'm very certain that either in the documentary or in the commentary, they discuss animating in 2.35:1, touching on both methods (extending the frame or matting the frame).
Regarding the DVD fullscreen version, I have no idea whether it's P&S or a hybrid of P&S and open-matte (since CGI and visual effects shots would naturally be hard-matted to 2.35:1). It's only on the single-disc version (which in itself is quite nice for a single-disc), and I have the two-disc collector's edition (which is the better buy for fans of the film and of excellent DVD presentations).
Wire Hanger wrote:(IMO Atlantis is no where near as good as those old adventure films anyway, but that's a different topic)
That's because when it comes to old adventure films, nothing tops the epic known as
The 7th Voyage of Sinbad
Albert