Of the five nominees, I've seen all but
Master & Commander. Like Sulley, I really need to give
Lost in Translation another viewing, because the one time I've seen it thus far, I came away with no comprehension of
why the film was so hyped. I understood the themes and the message of the film well enough, but it just left me cold overall. Nothing about the film really
moved me - unless it's the film's simplicity that's supposed to be so spectacular. O_o
Kind of the same thing with
Mystic River.
What is it about this film that's supposed to be so great? I'm not saying it's bad - it was definitely well-made - but
what is the big deal? I felt like a long episode of
CSI with some soap-like melodrama thrown in. For all their travails, I felt no sympathy for any of the characters whatsoever. The ending was outrageously confusing, and the film's main theme music was annoying and ill-fitting (it was oddly "chipper" for such a bleak film). The only slightly interesting part was the climax; which, like
CSI, had all the revolutions and answers revealed in one fell swoop, and was pretty tense and violent. Maybe I need to read the book... 'cause hell knows the characters weren't very well-developed in the film. *gag*
These two films may have simply been "over-hyped" for me, 'cause by the time I saw them, I'd heard so much praise that I was expecting the sun and the moon. And when I only got stars, I was disappointed.
Seabiscuit's a great film (I've got the Collector's Edition dvd), but it's got that waft of "Oscar fodder" on it - like it was made chiefly with the Academy Awards in mind. Same thing with
Master & Commander, although I haven't seen it yet. Not really eager to see it, either - since the P.C. pricks in Hollywood changed the book's
American enemies to
French ones - topical modification, anyone? I mean, God forbid that the infallible, all-powerful Americans ever be portrayed as
bad guys...
And while I love the LotR trilogy, I do think that RotK, by itself, isn't the best... movie... EVER. But, like many Hollywood insiders have speculated, this will be the year that Peter Jackson and the
Lord of the Rings project in general will be awarded - by giving the big wins (picture, director, etc.) to the last chapter. The Oscars are just as much about politics, and about the voting members making a statement, as it is about the actual
best film/actor/director, etc. of the year. RotK's awards will be symbolic for the whole trilogy. And they definitely deserve it.
