Battle With The Forces of Evil - George Bruns' Score
Battle With The Forces of Evil - George Bruns' Score
How many of you seriously, and I mean SERIOUSLY paid attention to the music of the climax - the battle with Prince Philip and the Dragon. My opinion - Best Disney Thrilling Moment. George Bruns really struck gold with this track - again, that's just my opinion. Enough of what I think, what do you all think about this score?
Last edited by TonyWDA on Mon Aug 06, 2007 10:04 am, edited 1 time in total.
- Flanger-Hanger
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Right! I was going to say the movie overall, but I just wanted to focus on this part of the film. What do YOU think of it?Flanger-Hanger wrote:Sleeping Beauty was George Bruns best score. Not just the climax, but everything is so perfect it's hard not to like it. Although I can't give him all credit. The music is based on a certain ballet(1/3 is an exactly from the ballet).
- lord-of-sith
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That's the case with me! No matter how many times I've seen it, it leaves me at the edge of my seat - sometimes literally because of the score.lord-of-sith wrote:Yes, I certainly have paid close attention to the score during this scene, and I agree that it is amazing and makes the scene even more exciting! Every time I watch it, it still gets me very excited, even though I've watched it countless times.
- SpringHeelJack
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The score to "Sleeping Beauty" is genius in every way. I love it. It was a brilliant move on Bruns' part to work with the existing ballet instead of coming up with an entire new score, and to utilize parts of it in a new way (the score during the part where Maleficent lures Aurora to the spinning wheel is chillingly excellent).
I think this is the only Disney made before the 80's where I could listen to the whole score over and over again and never tire (though "The Rescuers" holds a soft nostalgic spot for me).
I think this is the only Disney made before the 80's where I could listen to the whole score over and over again and never tire (though "The Rescuers" holds a soft nostalgic spot for me).
"Ta ta ta taaaa! Look at me... I'm a snowman! I'm gonna go stand on someone's lawn if I don't get something to do around here pretty soon!"
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While we're on the subject of SB's score, I'd like to ask - how much of it is Tchaikovsky's? And how much of it is new material? If, as Flanger-Hanger said, 1/3 of it stems from Tchaikovsky's presently pretty dead brain cells, then doesn't that mean that the other 2/3 is an original score?
Or am I mistaken? I love SB but I never managed to get my hands on the DVD, so I can never feel dingly-dongly familiar with it.
Or am I mistaken? I love SB but I never managed to get my hands on the DVD, so I can never feel dingly-dongly familiar with it.
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