and 20 animated films in production??? YEAH RIGHT, that would mean one movie for every artist... because what do they have left? a bunch of computer nerds... its over eisner, your out!


My first thought when reading that... and of course it is your opinion and you are perfectly entitled to it... is that what is it about Disney movies that you enjoy? I mean, I'm assuming there is more to it than simply seeing a Disney logo at the start of the film... there must be qualities to these movies that you identify as being "Disney" and therefore I wonder is it possible for Pixar to continue having these 'Disney-esque' qualities that made you enjoy their work in the past now that they have split with the actual Disney company itself? Is it possible for another studio--aside from Disney--to have those qualities that you associate with Disney?dizfan wrote:That's just my position. I do not care about animated films in general. I would not consider myself an animation fan at all. I like Disney movies animated or not. That's probably why it's so easy to just turn my back on Pixar now that the partnership has ended.
I don't think the Lasseter variable will be much of an issue... my understanding was that he signed a 10 year exclusive contract with Pixar so that should keep him with Pixar long after the last of the Disney-Pixar films.Dumbobuzz wrote:The deal with Pixar may or may not be dead. This could be posturing on both sides. The real deal is who is going to get John Lassiter. A deal between Disney and Pixar does not necessarily include Mr. Lassiter. The pixar movies have had excellent stories that have been lucid and clever for young and old kids. Mr. Lassiter is a big part of that success with the Toy Stories and Bug's Life. In my humble opinion he is the important piece.
That I grew up watching Disney films since as long as I can remember. I don't have the same admiration for Pixar, even if Disney hasn't made their films as good as they used to. Who knows? Maybe it just is Sleeping Beauty Castle at tje beginning pf the movies that makes me bias.Athena wrote:My first thought when reading that... and of course it is your opinion and you are perfectly entitled to it... is that what is it about Disney movies that you enjoy? I mean, I'm assuming there is more to it than simply seeing a Disney logo at the start of the film... there must be qualities to these movies that you identify as being "Disney" and therefore I wonder is it possible for Pixar to continue having these 'Disney-esque' qualities that made you enjoy their work in the past now that they have split with the actual Disney company itself? Is it possible for another studio--aside from Disney--to have those qualities that you associate with Disney?dizfan wrote:That's just my position. I do not care about animated films in general. I would not consider myself an animation fan at all. I like Disney movies animated or not. That's probably why it's so easy to just turn my back on Pixar now that the partnership has ended.
subzero wrote:Pixar should leave Disney, they are milking them good, every Pixar film is like GOLD.. but then I would miss the Disney Pixar name though, FOX Pixar would not be the same
 
  
  
 Jobs disparages Disney as Pixar earnings soar from 'Finding Nemo'
(02-04) 17:23 PST LOS ANGELES (AP) --
Boosted by a record quarterly and full-year performance, Pixar Animation Studios chief Steve Jobs on Wednesday explained his company's decision to split with The Walt Disney Co., blasting Disney as weak creatively and unwilling to compromise on a new agreement.
In a conference call with analysts to discuss Pixar's earnings, Jobs took a slap at Disney's recent animated films.
"The truth is there has been little creative collaboration with Disney for years," Jobs said. "You can compare the creative quality (of Pixar films) with the creative quality of Disney's last three films and judge each company's creative ability yourselves."
Pixar announced last week it was ending 10 months of exclusive talks to renew its deal with Disney to produce and distribute films. The company has two more films to deliver on its contract, including "The Incredibles," due out in November, and "Cars," to be released in 2005.
Pixar has been in business with Disney since 1991. The two companies released their first film, "Toy Story," in 1995. The two companies co-finance each film and split the profits evenly, with Disney claiming an additional 12.5 percent distribution fee.
Pixar's latest film, "Finding Nemo," has earned more than $800 million at the international box office to date, surpassing the record previously held by Disney's 1994 film, "The Lion King."
Jobs said he offered Disney better terms than he knew he could get from a rival studio during their negotiations, but said Disney balked at allowing Pixar to fold the last two movies due under the current deal into a new agreement with more favorable terms for Pixar.
Jobs also said the Pixar brand has become more powerful in animation than the Disney brand and expressed confidence about Pixar's chances with a new studio.
Jobs said every major studio has expressed interest in working with Pixar. Negotiations with at least four of them will begin in March and Pixar hopes to have a new deal in place by the fall.
Any new deal would begin with a Pixar film due to be released in 2006.
"Honestly, we're sad about it," Jobs said about the breakdown of talks with Disney. "I'm confident ... Pixar's golden age will continue to evolve without missing a beat."
Jobs criticized Disney's last two animated efforts, this year's "Brother Bear" and last year's "Treasure Planet," as "flops."
"No amount of marketing will turn a dud into a hit," Jobs said.
Jobs said it is unlikely Pixar would ever agree to make a sequel of the five films co-produced by Disney and said he would not want to see Disney exercise its right to make sequels on its own.
"We feel sick about Disney doing sequels," Jobs said. "If you look at the quality of their sequels, such as 'Lion King 11/2' and (the Peter Pan sequel 'Return to Neverland'), it's pretty embarrassing."
Disney called Jobs' remarks "unfortunate."
"It is unfortunate that Steve Jobs has grossly mischaracterized good faith negotiations to reach agreement on an extension of the present, successful partnership that has been beneficial to shareholders of both Pixar and Disney," Zenia Mucha, a Disney spokeswoman, said in a statement. "It's also sad and unfortunate that he has resorted to insults and name-calling in the wake of the disagreement. We expected better of him."
Earlier Wednesday, Pixar said its earnings more than quadrupled in the fourth quarter on the strength of its animated fish tale "Finding Nemo."
Pixar, based in Emeryville, Calif., reported net income Wednesday of $84 million, or $1.44 per share, in the quarter ended Jan. 3, compared to $17 million, or 31 cents per share in the same quarter last year.
Analysts surveyed by Thomson First Call had expected earnings of $1.26 per share.
Revenue rose sharply during the quarter to $165 million compared with $39.4 million in the same period last year on the better-than-expected performance of "Finding Nemo."
The film has also sold more than 24 million home video units.
For the full year, Pixar reported net income of $125 million, or $2.17 per share, compared to $90 million, or $1.68 in 2002.
Revenue for 2003 rose to $262 million, compared to $202 million in 2002.
Shares of Pixar fell 66 cents to close at $63.54 on the Nasdaq Stock Market before the results were released. The shares gained 99 cents in the extended session.
Yeah, I agree with what you said, Choco Bear. Even after I read the article again, I went back and edited my post saying that I disagree when he treats the REAL Disney movies as crap... I mean, talk about respect with the artists.Choco Bear wrote:Joe you beat me to it...
But my opinion of the article is slightly differnt...
Wow I have just lost a little respect for Pixar. Im not saying that Disney isn't stupid for letting them go financialy speaking but I would think they deserve more respect than that, they are the ones who made the Pixar label famous and if it wasnt for Disney Im gonna take a wild guess here and say that people would be saying today "What's Pixar?". Also he makes a shot at Disney's marketing abd saying they should have done a better job marketing their own feature animtion when Pixar themselves depended on Disney to market their films. He also goes on and criticizes the fine job of the animtors and story team of Disney and says his movies are way better than Disney's. I think Pixar has gotten to big of an ego and I really hope their next film flops so then they will maybe just maybe their heads will deflait and come back from under the clouds. Actually
i made a mistake when reading this article he made a shot at the animtors and writters and the creative team behind Disney critisizing their movies saying they were "duds" or in other words..crap! Im just amazed that they would steep so low. It just makes me so mad! Im liking Eisner a little bit more right now than I do Jobs.
Oh well the small version of my rant is that im pissed at Pixar for their overinflated heads and disrespect towards the company that made Pixar a household name, and that they would steep so low and take shots and fellow animators and their stories.
Why would a Pixar movie bomb due to the break from Disney? Disney has had virtually no creative input into the Pixar movies.MickeyMouseboy wrote:I really don't care what happens to Pixar once they leave Disney. They will be like Dreamworks and other animation studios for me. But I know that they will not make the money they did with Disney and we might see their first theatrical bomb soon.
February 5, 2004 -- STANLEY Gold and Roy Disney think Steven Jobs, the renowned boss of Apple Computer and Pixar, would be just dandy as the head of Walt Disney Cos.
It's not that either Messrs. Gold or Disney at this point actually have anything to say about who runs Disney, the company whose contract renegotiations with Job's Pixar animation outfit recently went blooey.
A few weeks back, both Stanley and Roy left the Disney board of directors in a huff, despite the fact that Roy, nephew of founder Walt, is a large shareholder.
Now, Stanley and Roy are out to make trouble, and we in the journalism business, of course, like it when company namesakes create a ruckus. The two dissidents are meeting these days with institutional investors in hopes of getting Disney's CEO Michael Eisner, once their friend but lately their mortal enemy, shown the door.
OK, so I figure if Stanley and Roy want Eisner out, whom do they want in? I tracked Stanley Gold down yesterday to see what he has in mind.
"There are five or six guys I believe can run this company," said Gold in a phone interview. "Steve Jobs would absolutely be one of them," he said truthfully, only after I brought up the name.
Gold wouldn't name the others, but he did offer that one of his choices was a woman. (OK, Hilary Duff? Melissa Gilbert?)
The dissident said he hasn't approached Jobs, nor has Jobs asked him for the job. (Did you notice how Steve's last name causes awkward sentences?)
But this much is clear: Steve Jobs and Michael Eisner weren't the best of buddies even before the negotiations between Disney and Pixar broke down.
Insiders say that while Roy Disney and Gold were on the board and talking up the importance of Disney's Pixar connection, Eisner never seemed so sure.
The attempt by Stanley and Roy to overthrow Eisner has about as much chance right now as Howard Dean's run for the presidency.
But that could change if Jobs is persuaded by the dissidents to join the anti-Eisner movement. The key date: the March 3rd Disney shareholders meeting in Philly.
Count on the dissidents to do a good job (see, there's that word again) to make trouble beforehand.
Pixar Animation Studios CEO Steve Jobs ripped into Disney CEO Michael Eisner on Wednesday evening with all the intensity of an unrepentant shark.
Although professing some regret over Pixar's decision to end the company's distribution deal with Disney, Jobs made clear his disdain for Eisner and much of the rest of the Disney organization, and made it clear there was minimal chance of extending Pixar's current deal with Disney, under which Disney will distribute two more films over the next two years.
Jobs' comments, which came on a conference call with analysts, made it all but official that Pixar will have as little as possible to do with Disney over the coming years, and that one of the other four major studios in Hollywood will be distributing Pixar's future movies.
Thus, in coming years, Disney will have to look inward or elsewhere to duplicate the success it has enjoyed with Pixar, whose releases have been a major boost to Disney's bottom line.
Jobs' comments, which came as the company reported earnings for the fourth quarter ended Jan. 3, also add fuel to the fire already tended by disgruntled former Disney director Roy Disney, who is loudly complaining that Eisner has fallen down on the job of preserving the legacy of Roy's Uncle Walt.
Indicating his low regard for Disney's current creative output, Jobs told analysts, "We feel sick about Disney doing sequels" of Pixar-produced movies that the companies co-own, given Disney's recent sequels of The Lion King and Peter Pan. "It's pretty embarrassing."
Pixar's shares fell 66 cents Tuesday to close at $63.64, while Disney's shares fell 7 cents to $23.19.
Driven by the success of Finding Nemo, Pixar reported revenue of $164.8 million, ahead of the Thomson First Call consensus of $161 million. Diluted net income per share amounted to $1.44, ahead of the $1.26 expectation.
On the call, Jobs said that representatives of the other major studios had all called Pixar within the past five days regarding deals to distribute Pixar's movies. The company hopes to negotiate a successor agreement to the Disney relationship by the end of this year, Jobs said.
Jobs spoke highly of "the original spirit of Disney" and the company's marketing organization headed by Disney movie executive Dick Cook. But he discounted the company's creative efforts. "There has been little creative collaboration with Disney for years," Jobs said.
Indeed, Jobs opened up his comments about Disney by quoting a Los Angeles Times story reporting that, before Finding Nemo had been released, Eisner had told Disney's board he was not impressed with the movie. "We've been told the same story by several folks at Disney," Jobs said.
Oh dear. Perhaps I am Eisner after all. Because I hold the same opinion. Still.Indeed, Jobs opened up his comments about Disney by quoting a Los Angeles Times story reporting that, before Finding Nemo had been released, Eisner had told Disney's board he was not impressed with the movie. "We've been told the same story by several folks at Disney," Jobs said.
If you know anything about Steve Jobs, you should know that saying that his comments are arrogant is somewhat redundant.2099net wrote:Does anyone see Job's comments as being arrogant? Pixar seem to be filled with self-importance recently. Pride often comes before a fall.