brotherbear wrote:Thanks Escapay, but I already knew about Rarities having 3 widescreen shorts. I was asking about On the Front Lines. Sorry, I can see I wasn't clear enough, even vague. But I think I found my answer on the review page: they're in 1.33:1 (full screen). Right? But then why are the screen caps in widescreen? Or is this just my computer??
Again, thanks for the speedy reply!
-BB
Sorry, I thought it was about Rarities since your last comment mentioned it as well!
Okay, lemme check OTFL on UD...
**runs off to check**
**spots a lemonade stand. Stops and gets a drink**
**Buys the lemonade stand, turns it into a lucrative business**
**remembers what I was supposed to do, goes to the OTFL review**
**looks at review**
**returns**
Well, aside from my lemonade company, I just realized something that didn't require looking for a review.
All the material on OTLF was from 1941-1945. And aside from a widescreen sequence in 1927's
Napoleon and very few shorts and films in the early 1930s, the actual widescreen practices weren't used until Cinerama came along in 1952, followed by Cinemascope in 1953, and naturally, several others like VistaVision, Panavision (and Super Panavision, Ultra Panavision, etc), Todd-AO, Technirama, etc.
So the shorts should all be in 1.33:1 (though deathie will eventually chime in with "mmm, actually that should measure 1.37:1 because that's the actual Academy Ratio of the time"), and not widescreen. Methinks your computer is acting odd and is stretching the page, making it look widescreen. Right click it, go to properties, and see how it measures. If it measures 213x160, then they are 1.33:1 ("1.37:1!" deathie says) caps. Widescreen on UD will usually have 320-width caps, with the height depending on the aspect ratio.
Escapay