- Sorry but where were you in the 90's??
Just kiddin'
I look at the 2 this way : Kristy Swanson as the Movie Version of Buffy and Sarah as the Soap Opera Version of Buffy. And since more than 9 out of 10 soap operas always suck, Kristy is better than Sarah. The only reason all those fans of the show get away with saying Sarah is better is because she worked on the show for a lot longer than Kristy worked on the movie. And 1 more thing - Kristy came before Sarah, by more than 5 years. No offense to Joss Whedon, but the movie version of Buffy is still way more entertaining than the TV show!Escapay wrote:I could never truly get into it because Kristy Swanson was a much better Buffy than Sarah Michelle Gellar ever could be.![]()
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Nitpick: There's only 9 soaps on the air now, so it'd be 8 out of 9 soap operas suck. (and if anyone cares, the one that doesn't suck at the moment is and always will be The Young and the Restless).Lazario wrote:And since more than 9 out of 10 soap operas always suck, Kristy is better than Sarah.
I agree, except that I don't think the series' Buffy was even that ambitious. The movie was a wonderful precursor to Clueless - Valley Girl humor is just always fun. And the movie itself was actually funny. Pee Wee Herman as that Vampire (I don't remember which one) was hilarious! And it didn't try to be too serious. In fact, in that 5-minute stretch of the film when it actually did - Merrick's death - was the only real weak part of the movie. It was fun, lighthearted, dark enough, a little scary, energetic, and truly entertaining.Escapay wrote:Kristy is the better Buffy, because the character was more in her element than in the series, which was trying to be too many things at once. Kristy played Buffy as the comedic heroine in a successful (or at least well-received) teen slasher comedy. Sarah is trying to be a cold killer, a high school girl, and a romantic lead all at the same time.
I wouldn't consider it a confession, probably more a proclamation.nordic wrote:Wow. I never thought I'd see the day when someone would openly confess to liking the movie better than the show.
And that's why it worked with the story.nordic wrote:The movie was campy, and... well campy.
Much more = too much of different genres that it was an unbalanced and uneven show to watch for story alone.nordic wrote:But the show was so much more.
I did see Hush, and it was an interesting concept with a predictable ending, but the other names don't sound familiar at all (mainly because of the few episodes of Buffy I've seen, I don't think they showed any on-screen episode titles). Buffy is a show that tries to be dramatic, action-packed, melodrama-ed, comedic, and serialized, and it fails at all because it just can't pick a genre to stick to. It took itself too seriously and at the same time didn't take itself seriously enough, that it was either a love it or hate it series and in the end, the only factor about the show that will be remembered in years to come will be that it was one of the few successful vampire and supernatural shows (though of course, none will top the genius that was "Dark Shadows" or "Kolchack the Night Stalker").nordic wrote:But most of the other episodes are miles better than the movie could ever hope to be. Did you ever see Innocence, Passion or The Body? Or Hush, Restless or Once More With Feeling? And those are just the obvious ones.
To each his own.nordic wrote:While SMG may not be the best actress in the world, I think she did a brilliant job on Buffy. I felt quite the opposite about Kristy Swanson.
I guess that's the only conclusion we can draw from this thread.Escapay wrote: To each his own.
How quaint.nordic wrote:While SMG may not be the best actress in the world, I think she did a brilliant job on Buffy. I felt quite the opposite about Kristy Swanson.
None of the singular elements the show was comprised of were strong enough for the show to exist without the others. Therefore, it's an amalgamation of several lackluster pieces, forming an underwhelming and weak whole. Which is one of the reasons it was aimed at young people. Older audiences buy into sci-fi / action programs on TV all the time, but this show wasn't ripe enough for more than just kiddies to enjoy.nordic wrote:I, on the other hand, think Buffy (the show) worked because of all the elements it combined.
You know something... who cares? I'm dead serious. If this stupid project had never been made into a TV show, nobody would care. Nobody would even know this guy's name. So as far as the movie version not being true to the original, it doesn't matter. It's also really pathetic for people to be splitting hairs over actresses. "The Buffy he always wanted"? Wow, let's just gift-wrap her in his saliva, if there's so much left over for other people to make this big of a deal out of it.Siren wrote:First, the movie version was NOT true to the original.
Okay - another obvious example of someone refusing to look at the movie for what it was. Because of their fanlove for the TV show. The movie wasn't the show - it's a simple concept. The sooner you accept it, the less hang-ups you're going to have. Maybe the movie was taken away from Joss. Boo hoo. Dust yourself off and move on (you're forcing me to say these things, you know that). The movie was a comedy boardering on a spoof. Again, maybe not in Whedon-World, but in the Real one. And it didn't have to have horribly realistic vampires who posed any threat to anyone. More often than not, the vampires were there for comic effect. And you know what? The movie's actual physical techniques of achieving special effects worked better than the stuff on the show, which was so overbearingly sparkly, it bordered on "Dungeons and Dragons" fantasy programs, which are anything but dark and edgy, m'friend. This show was always only 1 step away from being completely animated, with pencils and computers. It tried to be serious but it was way too silly. Yet, everyone pimping the show are trying to get away with saying it's so brooding and confrontational. My ass! At least the movie had the balls to actually admit, every step of the way, it was a sell out.Siren wrote:And after reading the graphic novel of Joss' original script, I can see how it would have made a better movie.
Unfortunately, even though we've had sitcoms with characters and jokes like those in the Will and Grace in the UK since the '60s. As far as the US is concerned Will and Grace really was considered 'cutting edge'.2099net wrote:Wow. That show really pushed the boundries. It was so daring. American TV is so cutting edge.
Much in the way you were saying Buffy the series paved the way for Veronica Mars and Alias, Will and Grace was the first show on American television where the audience were laughing with the gay characters and not at them. You're right that the show compromised a lot just to stay on, because even during the Clinton administration, "gay" wasn't always okay if it were too visual. And even at its heart, it's a sort of Friends with Seinfeld humor (because Friends had no humor at all, it was so stiff!). But unlike Buffy which inspired a couple dinky action shows, Will and Grace actually did a lot to boost the exposure of gay characters to TV. And in case you hadn't noticed, gay people needed all the positive exposure they could get at the time.2099net wrote:Will and Grace shook the landscape of TV?
At you? Always.2099net wrote:Surely you're having a laugh Lazario?
Jack was a very realistic portrayal of a gay man, because y'know we're not all the same.2099net wrote:A show about two gays, one of which is a textbook comedy stereotype and as a result is almost a live-action cartoon character and the other is gay only in words, because he's not (dramatically) "allowed" to have any gay relationships, you know, in case it actually offends anyone who is watching.