Actually, yes. Just this week I watched through Mickey in B&W V1+V2 and enjoyed them. I'm a bit more forgiving when it comes to black and white films, so while I agree that there are a lot of scratches, dust and dirt, I think that despite that they are still very sharp and clear. I suppose with B&W film it's also a bit more difficult to restore simply because it's more difficult to discern what is an artifact and what is actually part of the animation. Pretty much the only thing you can reasonably do then is run some kind of digital process to remove the noise, also known as DVNR. (See here why you don't want that and why we should be happy Disney doesn't seem use it.)ichabod wrote:A lot of you seem to be criticising this wave because the restoration is not up to scratch, and all I would like to ask is "Have any of you actualy been through the previous waves recently in their entirity?"
Also, a thing to remember is that these cartoons look very grainy, and they should, because the grain is an inherent part of the physical film unlike scratches and dirt, and should therefore not be confused with the latter. My preference is that they not try to remove it either lest they end up at the DVNR mess linked to above. They use more elaborate and complicated processes to remove it from the PEs, but as has been said this is time-consuming and is not really feasible to do for all of the shorts. The PEs have actually also been criticised for looking "unnatural" after having the grain removed, as many people (including me) feel that restoring cartoons should not make them look like new, completely clean and sterile digital animation, but make them look like they did when they were first shown (i.e. trying to undo the deterioration of time.)
So anyway, for the colour cartoons in the previous sets, I have to disagree as I think most of them look very good. I mentioned in a post before that there were some shorts that didn't look as good but they were pretty few and far between. Here's a little comparison:
Shot from Elmer Elephant - Notice, while grainy, how vibrant and clear the colours are and how the entire picture comes across as very crisp.
Shot from a Three Little Pigs short on the SS set - There is just no comparison to the previous shot. Uneven brightness and colours, video artifacts around the rose and back of the hair, almost looks like a cross-hatching pattern over the entire picture. Very muted and dull, just doesn't have any definition.
Here are the intro cards for the same shorts:
Elmer Elephant
Three Little Pigs
Notice how dark the second shot is and the composite video artifacts around the letters (the annoying dot-pattern.)
The problem with these new sets as I see it is not necessarily that they have more dirt and other such artifacts, but that many shorts seem to look a lot closer to my second example than my first, mainly affecting how the colour, brightness and contrast in the overall picture comes across. Probably due to them using inferior video masters and similar, instead of going to the original source. (Someone also mentioned earlier that many shorts on the previous sets probably were video masters too, which I have to disagree on as well because the difference is huge and it's pretty clear that most of the ones that look like Elmer are from film.)