But thank you for the great news!
I'm glad we held off buying this movie even though Target put the 1-Disc on sale for $7.50...thanks for the heads up!
Personally, I thought the movie deserved more than 1-disc.
Glad to see Miramax realized it too!
R[APRIL.23]K: High School SweetheartsHe doesn't need to. Click here.Alan wrote: Please make a press release on Ben-Hur
I'm with you on that. I mean, it was good, but not best picture worthy!Luke wrote:I've tried to merge everything neatly. Even though it looks like Aaron posted this two weeks ago and no one noticed today, it will have to do.![]()
I know a certain fan of the color pink who is happy about this news. Personally, I think it's one of the weaker Best Picture winners I've seen, but what do I know?
MickeyMousePal first wrote:mmm....Chicago: SE.........must get it.
MickeyMousePal then wrote:I'm totally getting Chicago: CE!!!!!!!!
Which is it MMP??And just now, MickeyMousePal wrote:I'm thinking of buying it.
R[APRIL.23]K: High School SweetheartsUnfortunately, the Academy decided to implement it's new vote-against-type philosophy when they actually had a completely worthy World War II film on their hands. Leave it to the Academy to screw things up.Disneykid wrote:Well, I think Chicago is a better film than The Two Towers, The Hours, and Gangs of New York. I have yet to see The Pianist, but I'm really not that interested in it at all. Two Towers couldn't have won because the Acadamy was waiting for the trilogy to be complete to start showering it with awards, which makes sense. The Hours is the type of film that normally would win Best Picture (melancholy drama and a real life person thrown in, to boot), but perhaps the Acadamy was looking for a change, for once. Gangs of New York was too bloated for its own good and not one of Scorsese's best. I don't know if any of that man's films will ever win Best Picture (I would've thought The Aviator was a shoe-in, but apparantly not). I can't speak for The Pianist, but I think like The Hours, the Acadamy was trying to avoid the stereotypical "let's let the WWII drama win" mind-set. That's the only reason I can think of considering (besides The Two Towers), The Pianist had the strongest reviews of all the nominees. In the end, I think Chicago deserved its win. I do have to wonder, though, what would've happened if Moulin Rouge had won the previous year instead of A Beautiful Mind. Would The Hours or The Pianist have won for 2002?
