https://www.telegraph.co.uk/theatre/wha ... came-thro/
Alan Menken and Howard Ashman had been working on another film when Ashman died: a Thief of Baghdad story based on a tale from The Arabian Nights. Despite having been started at the same time as The Little Mermaid, Aladdin required more tinkering, and by the time The Little Mermaid was released, Aladdin was still embryonic.
It was conceived as a Bing Crosby/Bob Hope-style buddy picture, and Aladdin had four sidekicks. ‘I love Fats Waller, and that helped define the tone – 1940s Harlem jazz,’ Menken says. The Genie was described as black, larger than life and wearing an earring. ‘A lot of what we were doing was kind of edgy and made Disney a little nervous,’ he continues.
‘We thought we’d finished writing the score, but unknown to us there were major story changes. At that point Howard was really ill in a hospital bed, and they also kept me out of the loop.
'There was a day when they decided to scrap the treatment of Aladdin and start again. The whole film went back into development; songs were cut; the hero’s mother was cut; the sidekicks were cut – they took a whole new approach.’