Super Aurora wrote:
Personally, although i don't hate CGI, I think that this movie would been better off going 2-D. It would save the stress and difficulty of trying making CG movies to be like 2D. To me, it just doesn't work. It's like trying to make an apple like an orange.
Since I think that hand-drawn animation is more magical and I love the process of it, and I think it looks better, I think that
Rapunzel would be amazing as a hand-drawn feature. At the same time, though, I do admire Glen Keane for wanting to push the medium of CG animation. I'm not sure if the film will end up being all that he wanted it to be, animation and technology wise, but for his sake, I hope it is.
I think that some people could argue, why bother making the film with computers if your intent is to make it look like a hand-drawn film? I think that the answer could be, just to see if it can be done. Moviemakers love challenges. And pushing the form of animation into a new level would be a huge accomplishment.
I enjoy
Chicken Little,
Meet the Robinsons, and
Bolt- I like all the stories, and they all have some great characters, and the first two are quite funny. And I love
Dinosaur, which is sort of in a different category, since part of the reason it looks more realistic is because of the backgrounds.
It's a hard balance: Story is king (and characters are for me, too), so technically a movie could utilize stick figures and if the story is good enough, it should be a good movie. At the same time, Disney is known for its lavishness, it's beautiful animation, and that adds greatly to the films.
I guess I'm rambling all to say: Hopefully
Rapunzel will fit in nicely with the other princess films- hopefully it'll be a great Disney classic fairy tale. I'm very glad that they're not going the Unbraided route, but I'd be lying if I said that I wasn't nervous at all. I'm thrilled that Alan Menken is doing the project; otherwise, I'd be a heck of a lot more nervous. He has never let me down. I am a little more nervous that Glen Keane isn't directing the film; I adore the man, and think that he is pure genius. I'm thrilled that he's still working on the picture, though. I like
Bolt, and the directors had to go from what was
American Dog (RIP) and turn it into
Bolt, and I applaud them for doing what they had to do. At the same time, John Lasseter's influence bothers me. He wasn't involved with
Meet the Robinson,
Bolt, or
Rapunzel in their earlier incarnations, and then here he comes, changing everything. True, maybe he rescued the pictures- we really don't know. Or at least I really don't know. And I am so happy that
Rapunzel isn't Unbraided anymore. But will any elements of the Unbraided-ness be in the new movie? For example, the tidbit that Rapunzel's
hair will be used like an Indiana Jones whip- I'm intrigued, sort of, but is that the sort of thing a princess would need/do/use? I mean, I can imagine the Shrek princesses using something like that, but a classy Disney princess? I mean, sure, Jasmine, Meg, and Mulan are tougher girls than some of the others, and all the girls have some strength, but I'm just concerned.
I know that I shouldn't be all, OMG, the film won't be as good as it should be, because obviously I should reserve judgment until I see the final film. I just want the film to be a wonderful classic. Not that
Chicken Little isn't a wonderful classic, but there is definitely polarization here on that issue. Heck, there is polarization here on
The Lion King, and that for sure is a wonderful classic.
I just want the film to be great, as good as it can be, as classic as it can be. I don't want laughs in it just so there can be cheap laughs in it. If theer are laughs in it, I want them to be genuine. I don't want Unbraided, I want classic, wonderful.