• First look at the Isabela doll itself:
Source: https://twitter.com/ashrose31/status/14 ... 1624035328
• First look at a Mirabel singing doll, also from Jakks Pacific. I hope someone records and shares the snippet of the song she sings.
Source: https://www.instagram.com/p/CUb0BsrrhWI/
• A
karaoke and a
microphone have also been added on Walmart's website. According to the back of the box, the microphone plays the song "The Family Madrigal".
• Speaking of the songs, I've compiled the info that has been revealed so far about "The Madrigal Family" and two other musical numbers from the film:
The Family Madrigal
As part of the Early Press Day, we were shown about 20 minutes of footage still under development to get a sense of how the film begins. It starts with Mirabel being begged by the neighborhood children to tell them about her magical family, which she does at length, in a musical number that introduces the family members and their powers. Although she tries to avoid mentioning it, the fact that Mirabel is the only non-magical member of the family quickly becomes evident and she is the object of their sympathy and pity.
Source: https://allears.net/2021/09/29/the-crea ... haracters/
Miranda liked the unique sound of the Colombian instrumentation and orchestration, and especially liked the emphasis on the accordion. He mixed genres, using a reggaeton vibe for Luisa. But, for the opening song, "Family Madrigal," in which Mirabelle introduces her large extended family, Miranda was inspired by Howard Ashman and Alan Menken's "Belle," which opens "Beauty and the Beast."
"The fun was finding a song that could hold all of that information across three generations," said Miranda in the production notes. "Then it becomes a puzzle to put together, as Stephen Sondheim might say. We start with [the grandmother] Abuela [María Cecilia Botero] and work through each generation."
Source: https://www.indiewire.com/2021/09/encan ... 234667778/
How was it working on that opening number where we get introduced to the entire family?
Kai Martinez (Animation Reference Consultant): It was a task. When we heard that song, at first we were like, "Wow!". First of all, it's a very long song, and then when you think it ends, oh no, it keeps going! And she (Mirabel) is telling a lot of story; she's saying a lot. And we were in this space of just a dance studio, so we had to recreate spaces of being in the town, being in the house... The way we recreated the house and the drawers was that we had shoe boxes and some of the dancers would just hold out the shoe box when it was their time to the music. And we had her going upstairs and we didn't have stairs to go up, so we would just kind of walk. So it really made us use our imagination. Also, we had a limited cast because we're doing this during Covid, and we can only have a certain number of people there, so we were playing multiple roles. There was a time when I was the mom, and then I was the uncle, and then we had someone being the grandmother and being Antonio... So we had to mentally shift our minds to get into the different characters. And lastly, what I'll say is that we were also wearing masks because of Covid, so imagine dancing and creating and emoting with the mask on. It really causes to emote more with our bodies, get into our bodies more. It was a fun challenge, though, I would definitely say.
Source: https://youtu.be/TU7MAEPHDGg?t=490
Surface Pressure
Director Jared Bush further explained how the songs worked to deepen a character. Regarding a song called "Surface Pressure," sung by Mirabel's ultra-strong sister Luisa (Jessica Darrow), Howard told IGN that Miranda's lyrics gave Luisa more depth.
"I think early on we knew that we had this sister who is incredibly strong and had all of these responsibilities but what [Miranda] added to that song, that really informed her character and changed her, was this notion of that responsibility being so hard and how behind-the-scenes with her it was a struggle," said Bush. "And I think he looked to his own family for that, and to give voice to that. It's a responsibility that some people take on, happily, but it does take a toll. And then knowing that with that character actually really grounded her. She's a fun, comedic, and broad character but to have this grounded soul really changed the way we saw her as she moved through the script."
Source: https://www.ign.com/articles/encanto-di ... da-mirabel
Jared Bush (director) wrote:All three of us and Lin together really crafted the story for years together. And so it's really this amazing circular back and forth process where Charise and I would be working on characters and backstories. And then trying to find places that we thought maybe or maybe not a song would work and we talked to Lin about it and he'd think about it and come back with an amazing piece of music that we would then fold back in. I think Louise's song "Surface Pressure" is a really good example of that, where he wrote this awesome reggaeton song for Louisa and really grounded her as a character and we loved it so much and incorporated that into Louisa for the rest of the story and even sort of rippled it back through the script.
Source: https://thenerdsofcolor.org/2021/09/29/ ... el-miranda
Jared Bush (director) wrote:Louisa's been a standout for us for so long. We knew we had this character who was super strong and the rock of the family and was carrying all these responsibilities. Charise and I spent a lot of time getting into that frame of mind. But to be honest, when we talked to Lin [Manuel Miranda] about that, he was like, "I definitely know what that needs to be. It's gotta be reggaeton." And we're like, “Okay. Great!” And then he disappeared. And then he came back with that song, and the first time we heard that beat come in, we were super excited. But then getting into the lyrics where you get all this fire and this strength – and then it gives way to these really emotional moments and this vulnerable secret side. It was really exciting to us. Lin has this amazing ability to deliver songs that are really exciting and you've never heard before but speak to something so relatable to so many of us and really distill it down to something that is super catchy. That song gets stuck in your head but also makes you feel it and you feel you're a part of that song as well.
Source: https://www.animationscoop.com/intervie ... e-encanto/
Lorelay Bové (assistant production designer) wrote:One of the songs I worked on the design and color for was Luisa's song, for example. I was listening to the music, and it was with Lin's voice. Earlier on, we didn't have the cast yet, so a lot of the songs that we listened to in the art [department] for the color were by Lin.
It was amazing because, at some point, I was so used to Lin's voice that it was very odd to listen to the new cast. It was definitely inspiring because we needed that piece to be able to do our work. And they're definitely beautiful songs.
Source: https://screenrant.com/encanto-movie-lo ... interview/
Thus, the animators had to take advantage of various details of the home, such as having "the beautiful Colombian shutters open up and down like a wave." And, on the other hand, to play with a color palette in the absence of environments, as when at one point in the film Luisa - one of the characters - sings a song.
"It was a challenge because it was a bit abstract, it wasn't set in a place and it was very emotional. How could we show an emotion through color and not with a lot of things? Everything in this film was very challenging," Bové said.
Source: https://rpp.pe/tv/streaming/disney-plus ... ia-1359871
We Don't Talk About Bruno
There is a song in the movie called "We Don't Talk About Bruno." I'll avoid spoilers here but just know he's an incredibly important character and worth taking note of here.
Source: https://www.slashfilm.com/618926/encant ... -colombia/
John Leguizamo is Bruno, who is mysterious and as viewers will learn very quickly, we don't talk about Bruno. He perfectly captures the mystery, ambiance, and singing that the creators wanted with that character.
Source: https://mamasgeeky.com/2021/09/disney-e ... amily.html
Mirabel's Tio Bruno… "We don't talk about Bruno," Jared Bush explained. It's a mysterious part of Mirabel's family tree and there's even a song about it in the film, written by Lin-Manuel Miranda. Actually, we do know a little about Bruno. He's voiced by John Leguizamo and his special gift is the ability to see the future, but the family was freaked out by the darkness of some of his visions and he disappeared mysteriously.
Source: https://www.laughingplace.com/w/article ... atability/
We usually have one or two huge numbers in a Disney animated film, but there are many in this film. When you look at a song like "We Don't Talk About Bruno," which is a huge ensemble number, it is so fantastic. And there's so much more of that in the film that people are going to be super excited to see.
Source: https://screenrant.com/encanto-movie-yv ... interview/
And then there's Bruno (John Leguizamo), the black sheep of the family, whose visions of the future cause nothing but trouble for the Madrigals. No one ever talks about him, at least not in conversations. Miranda wrote a song dedicated to the character.
"We Don't Talk About Bruno" is one of Encanto's biggest musical numbers, which visualizes Pepa breaking the rule of not talking about Bruno, and how his visions ruined her wedding day, not to mention the lives of the entire town.
Source: https://thenerdsofcolor.org/2021/09/29/ ... cal-story/
One of the really interesting ways culture is being brought to life on screen in Encanto is through dance. We got to see a really cool extended play-by-play of how they brought to life one of the big dance numbers in the movie to a song called "We Don't Talk About Bruno," which is the biggest earworm I've had in a while. Disney brought in Kai Martinez as an animation reference consultant when it came to the dancing and, alongside choreographer Jamal Sims created the intricate dances that we see in the movie.
Source: https://bleedingcool.com/movies/encanto ... ugh-dance/
Kai Martinez (animation reference consultant) wrote:As we continued to move on, on top of having the amazing storytelling of Lin-Manuel Miranda - and he gave us so much - and the conversations with the directors, we had so much information about these characters: what they were doing, what their intentions were, and how they would approach a situation. For example, in "We Don't Talk About Bruno," we knew how each character would approach their interactions with Bruno and what happened with their interactions.
For us, it forced us to really dive deep into each character and pull out something unique for each one of them.
Source: https://screenrant.com/encanto-movie-ka ... interview/
The creatives hired choreographer Jamal Sims (RUPAUL’S DRAG RACE) to get proper dance movements down during the “We Don’t Talk About Bruno” sequence, which shows the family members singing to Mirabel about why Bruno has been shunned from the Madrigals. Animation Reference Consultant Kai Martinez worked closely with Sims to make this musical number a true stand-out. She says, “We had to not only dance, but we had to create these acting moments and personify these characters.” For example, with Dolores, “the music sounded very quiet and she can hear everything. So we imagined that if you can hear everything, you might be a little quieter. You might [have] a little bit more of a cat-like movement.”
Source: https://freshfiction.tv/what-you-can-ex ... s-encanto/
Kira Lehtomaki (head of animation) wrote:Speaking of the film’s choreography, Lehtomaki explains, “As soon as our animation department saw [the reference clip for one of the film’s big numbers, ‘We Don’t Talk About Bruno’], we were so inspired and excited to work on this thing that we actually decided to put people to work on it early. Renato and I got a team of animators together and we put them to work, using the choreography video as reference, concurrently with our layout team. So the animators would start to very, very roughly translate the dance onto the characters, paying really close attention to how they were moving in the physical 3D space.”
Source: https://d23.com/7-spellbinding-stories- ... onference/
Here are also a
color script and a
dance progression for that last musical number.
To summarize, these are the songs we know something about so far:
- "The Family Madrigal" (the opening number sung by Mirabel).
- "Surface Pressure" (Luisa's song).
- "We Don't Talk About Bruno" (ensemble song). This and the previous one are probably from the first act of the movie since they were part of the footage some journalists have seen.
- The love song Byron Howard described as "a ballad that sounds like it had been around for a hundred years", which I think could be one of the two songs entirely in Spanish the film has.
- "Colombia, Mi Encanto" (performed by Carlos Vives). Since this one's about Colombia and not about a particular character or story moment and is sung by a famous Colombian singer, I think it's most likely the end credits song. The one heard in the last trailer is this song too, right?
- Bruno's song: this one's not completely confirmed. We know Bruno will rap in the film, but it could be during "We Don't Talk About Bruno" or another ensemble song.
- The big musical set piece in the middle of the film, mentioned in that recent presentation about the movie, where in the background a different kind of animation is used. It's possible, though, that this description is for one of the musical numbers I've already mentioned and not a different one.
So, we've learned at least about all but three of the eight songs there are in the film. It may even be just one song we don't know anything about. What do you guys think about the songs revealed so far? And what are your guesses for the rest? Personally, I'm curious about all of them. As for my guesses, I think Isabela at least will get her own solo, since like Luisa, she also has personal issues she could sing about. And I think Mirabel will get another musical number. I don't think "The Madrigal Family" will count as an "I want" song and she'll definitely get a moment like that.