Lazario's Contemporary Horror Digest - Volume 1

Discussion of non-Disney entertainment.
Lazario

Post by Lazario »

Films Covered on the First Page
1. Rosemary's Baby (1968)
2. Twitch of the Death Nerve (1971)
3. The Exorcist (1973)
4. The Texas Chainsaw Massacre (1974)
5. Carrie (1976)
6. Suspiria (1977)

The Second Page
7. Halloween (1978)
8. Dawn of the Dead (1978)
9. Alien (1979)
10. The Evil Dead (1981)
11. An American Werewolf in London (1981)
12. A Nightmare on Elm Street (1984)
13. Re-Animator (1985)
14. The Fly (1986)

The Third Page
15. Killer Klowns from Outer Space (1988)
16. (removed - will be featured in Volume 2)
17. Misery (1990)
18. Silence of the Lambs (1991)
19. Candyman (1992)

numba1lostboy wrote:This is amazingly thorough work, Lazario! Good job!
Thank you.

numba1lostboy wrote:I'm not a fan of horror, but I found myself reading all your reviews. You could be a movie reviewer!
I review movies sometimes, but it can be hard since when I do, I'm very careless with the format I choose. I just write down whatever I'm thinking and then try to make it more organized when it's out. But these aren't real reviews, they're profiles. Compilations of different ways of highlighting films, taken from various sources over the internet. Some places only give trivia, some only photos, some only critical review highlights (rottentomatoes.com, though many of their links don't work, so I don't use them ever). I try to take all their methods and combine them into one template.

numba1lostboy wrote:This may be far-fetched, but any chance you could do this for another genre?? Like comedy or romance? Don't feel obliged, it's just a question. :D
Ha. No. As Escapay said, I'm just the keeper of the Horror lighthouse, and yes, wouldn't even proclaim to be a master of classic horror, which I'll leave to the classic Film fans, digesters, critics, and journalists, etc.

Escapay wrote:I'd LOVE to see him tackle a Contemporary Disney Animated Classics Digest. I ((...)) would love to see something like that in this type of thread
I haven't seen enough contemporary Disney animated films to do one. And besides, in a way, Ultimate Disney's review database itself is nearly as much like this. Half their reviews have as many photos as I show, all their missing is a Trivia section and Critics comments. The latter of which is an incredible pain in the butt to get through and takes the most time doing in all these profiles - which to some extent I'll end up sacking for Volume 2.

Escapay wrote:I'd hate to steal Laz's thunder with these Digests, but if I had the time and commitment, I'd want to do a Contemporary Romcom Digest or a Classic Film Digest.
Ha. You couldn't really "steal" my thunder, AWallaceUnc's Artist / Film Discussion Threads are not only what gave me the idea to do this (though it's been my intention to tackle this for at least 3 years prior), but the entire template was originally taken directly from the current Musician Discussion post (at that time). I clicked QUOTE, erased all the stuff to do with The Beatles, and filled the post up with things I would find. But make no mistake, doing just 1 profile can take me up to nearly 6 hours, very rarely is it even accomplished within 1 night or day / session. I just enjoy doing it so much that I can lose all track of time.
Lazario

Post by Lazario »

<center>20 (of 23) :
Dead Alive

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Sub-genres: Zombie, Horror-Comedy, Curse / Occult, Splatter
Director: Peter Jackson
Screenwriter: Stephen Sinclair, Fran Walsh, Peter Jackson
Cast: Timothy Balme (Lionel Cosgrove), Diana Peñalver (Paquita Maria Sanchez), Elizabeth Moody (Mum / Vera Cosgrove), Ian Watkin (Uncle Les Cosgrove), Stuart Devenie (Father McGruder), Brenda Kendall (Nurse McTavish), Davina Whitehouse (Paquita's Grandmother), Harry Sinclair (Roger), Jed Brophy (Void), Elizabeth Mulfaxe (Rita), Glenis Levestam (Nora Matheson), Lewis Rowe (Mr. Matheson), Stephen Papps (Zombie Father McGruder), Tony Hiles (Zoo Keeper), Murray Keane (Scroat), Peter Vere-Jones (Undertaker), Silvio Fumularo (Paquita's Father), Brian Sergent (Veteraniarian with Tranquilizers), Tina Regtien (Mandy), Peter Jackson (Undertaker's Assistant)
Producer: Jim Booth
Associate Producer: Jamie Selkirk
Music Composer: Peter Dasent
Cinematographer/Director of Photography: Murray Milne
Film Editor: Jamie Selkirk
Production Designer: Kevin Leonard-Jones
Art Director: Ed Mulholand
Costume Designer: Chris Elliott
Makeup Artist / Prosthetics: Bob McCarron
Estimated Budget: $3,000,000
Gross: $242,623 (U.S.)
Filming Location(s): Karori Cemetery, Karori, Wellington, New Zealand; Wellington, New Zealand
Production / Distribution Studio: Trimark / Lions Gate
U.S. Theatrical Release Date(s): February 12, 1993
U.K. Theatrical Release Date(s): May 14, 1993
Advertisting / Promotional Tagline(s): (1) Some things won't stay down... even after they die / (2) There's something nasty in Lionel's cellar - His family! / (3) You'll laugh yourself sick! / (4) Prepare for complete mental shutdown... / (5) The rot has set in...
Filmed in: Widescreen / Aspect Ratio: 1.66:1
Major Awards Won: 1994 Academy of Science Fiction, Fantasy & Horror Films - Saturn Award - Best Genre (Horror) Video Release
Region 1 DVD first released: September 9, 1998 (1 release to date) / Screen Format: Widescreen, Languages: English Stereo, Subtitles: French, Spanish / Scene Chapters: 24 / Special Features: Theatrical Trailer, Unrated U.S. Version


Notable Facts / Trivia
1. The original, International title of the film is Braindead. U.S. distributer Vidmark/Trimark were the ones who changed the name of the film
2. This movie is by fact the bloodiest movie ever made (measured in amount of film blood used during the production)
3. 300 liters of fake blood was used in the lawnmower scene of the film. Blood was pumped at five gallons per second
4. Production was completed under budget with $45,000 remaining. Peter Jackson used it to spend two days shooting the park scene with Lionel and the baby Selwyn. Peter Jackson has gone on to say that it is his favorite scene
5. The song played on the organ as the mourners wait to enter the church (prior to the embalming scene) is none other than "Sodomy" from Peter Jackson's previous film, Meet the Feebles (1989)
6. On its initial release in its home turf of New Zealand, this movie earned more per screen than Batman Returns (1992)
7. The tarot cards in the film are from Aleister Crowleys Thoth deck, but the two cards "the star" and "the prince of cups" are different from the ones featured in the deck, and were probably specially prepared for the film
8. A rental gimmick in Sweden included supplemental vomitbags
9. Forrest J. Ackerman, the man credited with inventing the term "sci-fi," and creator/editor of the Famous Monsters of Filmland magazine, has a cameo appearence as a horrified man sitting on a bench at the zoo who first hears Lionel's Mum screaming. He has a habit of doing cameos in other horror filmmaker's films, including Joe Dante's The Howling, John Landis's Innocent Blood, and several films by Jim Wynorski, a fellow (to Joe Dante) filmmaker to Roger Corman's school of filmmaking


What the Critics Have to Say:

Leonard Maltin - "3 (out of 4) stars" "Astonishing, vigorous, inventively gruesome comedy"

Austin Chronicle, Marc Savlov - "3 and a half (out of 4) stars" "The Citizen Kane of Oedipal zombie-cannibal-right to death-comedy-love stories", "takes the shopworn flesh-eating zombie genre by its rotting horns, adds a dash of Monty Python, and comes up with a film so gleefully over-the-top that it's decidedly hard not to gag while you're laughing yourself incontinent", "all hell breaks loose in a 30-minute climax that makes Re-Animator look like Captain Kangaroo on a bad hair day", "quite literally the most disgusting comedy ever", "Jackson chucks convention and good taste out the window and goes for the gusto with uncanny results. The film moves from gag to gore to gag again like a rocket from the crypt and never lets up -- just when you think you've seen the worst, Jackson tops himself and there you are squirming in your seat again, and loving every minute of it. Sick. Perverse. Brilliant"

The Video Graveyard - "3 and a half (out of 4) stars" "a classic", "lots of memorable moments", "entertaining", "loaded with silliness and some truly inspired lunacy in a finale which could rightly be the bloodiest finish to a horror movie in history"

Zombie Keeper - "4 (out of 4)" "a great film", "a classic zombie story"

SF, Fantasy, and Horror - "4 (out of 5) stars"

JoBlo's Movie Emporium (Arrow In the Head) - "(a) bloody onslaught of style, horror, annihilation, and gruesomely decorated psychosis that director Peter Jackson has bestowed upon this world", "An all-out disgusting bloody mess of a horror show! All I could say is wow", "A fantastic cinematic achievement, this film has the greatest horror special effects that I have ever witnessed in my entire life", "It also has the most style that I have ever had the privilege to be completely repulsed by as well", "to thrill you with its eye for the quaint shot", "the man does an excellent job of coming up with a plasma-infested horror spectacle that will not leave anyone lest an opinion. Timothy Balme also does an excellent job of playing the straight-guy ((a classic comedy routine where 'everyone is crazy and/or kooky and 1 person is normal / witness to the craziness)) within this mess of butchered torsos, even as he literally mows through them by the end", "plenty of black humor and a whole lot of psychological head-trippings", "It's got its tongue firmly placed in cheek", "This film will never leave your mind once you have seen it, and will most certainly make a sickening impression on you, at first glance. You might change your mind afterwards and respect its style, wondrous craft of filmmaking and overall gruesome effect (as I did), or decide that it's one of the sickest and vile things that you have ever had the indecency to witness in your entire lifetime as an adult on this planet, and regurgitate your appetite for ever taking in another horror movie. But even with a fabricated absence of this film from your memory, you will never be able to forget the fact that you were one of the lucky ones to have witnessed one of the bloodiest, sickest and campiest fiestas of murder ever presented on film!! Trust me, you'll feel better in the morning"


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Director Peter Jackson

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Last edited by Lazario on Sun Jan 30, 2011 2:41 am, edited 1 time in total.
Lazario

Post by Lazario »

<center>21 (of 23) :
Scream

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Sub-genres: Slasher, Teen, Horror-Comedy
Director: Wes Craven
Screenwriter: Kevin Williamson
Cast: Neve Campbell (Sidney Prescott), Skeet Ulrich (Billy Loomis), Courtney Cox (Arquette) (Gale Weathers), Jamie Kennedy (Randy), Rose McGowan (Tatum), Matthew Lillard (Stu), David Arquette (Deputy Dewey Riley), Drew Barrymore (Casey Becker), Henry Winkler (Principal Himbry), Joseph Whipp (Sheriff Burke), W. Earl Brown (Kenny), Lawrence Hecht (Neil Prescott), Roger (L.) Jackson (Phone Voice), Linda Blair (Obnoxious Reporter), C. W. Morgan (Hank Loomis), Kevin Patrick Walls (Steven Orth), Francis Lee McCain (Mrs. Riley), Liev Schreiber (Cotton Weary), Leonora Scelfo (Cheerleader in Bathroom), Troy Bishop (Expelled Teen #1)
Producers: Cathy Konrad, Cary Woods
Executive Producers: Marianne Maddalena, Bob Weinstein, Harvey Weinstein
Co-Executive Producer: Stuart M. Besser
Associate Producer: Nicholas (C.) Mastandrea
Co-Producer: Dixie J. Capp
Music Composers: Marco Beltrami
Cinematographer/Director of Photography: Mark Irwin
Film Editor: Patrick Lussier
Production Designer: Bruce Alan Miller
Art Director: David Lubin
Set Decorator: Michele Poulik
Costume Designer: Cynthia Bergstrom
Special Make-Up Effects: KNB - Robert Kurtzman, Gregory Nicotero, Howard Berger
Estimated Budget: $15,000,000
Gross: $103,001,286
Filming Location(s): Bradley Video, Santa Rosa, California; Calistoga Road, Santa Rosa (Sidney's house); Glen Ellen, California; Healdsburg, California; Sonoma Community Center, Sonoma, California; Sonoma Mountain Road, Glen Ellen (Casey's house); Tomales Bay, Tomales, California; Town Square, Healdsburg; Town and Country Market, Santa Rosa
Filming Months: April 1996 - June 1996
Production / Distribution Studio: Dimension Films / Miramax / Buena Vista
U.S. Theatrical Release Date(s): December 18 & 20, 1996
Advertisting / Promotional Tagline(s): (1) Make Your Last Breath Count / (2) Don't Answer the Phone. Don't Open the Door. Don't Try to Escape / (3) Solving This Mystery is Going to be Murder / (4) Now everybody is a victim and everybody is a suspect! / (5) From The First Name in Terror Comes the Last Word in Fear / (6) Someone Has Taken Their Love of Scary Movies One Step Too Far!
Filmed in: Widescreen / Aspect Ratio: 2.35:1
Major Awards Won: 1997 Academy of Science Fiction, Fantasy & Horror Films - Saturn Award - Best Horror Film, Best Actress - Neve Campbell, Best Writer - Kevin Williamson
Region 1 DVD first released: December 3, 1997 (3 releases to date) / Screen Format: Widescreen, Languages: English 5.1 Surround, Subtitles: English / Scene Chapters: 15 / Special Features: Audio Commentary, Original Documentary (Boxset Exclusive), Original Featurette, Screen Tests (Boxset Exclusive), Behind the Scenes Footage, Outtakes (Boxset Exclusive), Video Q & A with the Cast & Crew, Photo Gallery, Text Trivia, Cast & Crew Text Profiles


Notable Facts / Trivia
These are the Horror Movie rules, as stated in the movie:
1. You will not survive if you have sex
2. You will not survive if you drink or do drugs
3. You will not survive if you say, "I'll be right back"
4. Everyone is a suspect
(Two additional rules come from the killer: )
5. You will not survive if you ask "Who's there?"
6. You will not survive if you go out to investigate a strange noise

1. Many references to horror films/characters, filmmakers, and thrillers with vicious murderers. They include, chronologically: Halloween (1978), A Nightmare on Elm Street (1984), the sequels to A Nightmare on Elm Street (1985-1994), Michael Myers from Halloween, Friday the 13th (1980), Jason Voorhees from the Friday the 13th sequels (1981-1984 & 1986-1993), The Exorcist (1973), Basic Instinct (1992), Candyman (1992), "Wes Carpenter" - a knowingly miscited reference to Wes Craven and John Carpenter, The Howling (1981), Prom Night (1980), The Town That Dreaded Sundown (1977), Evil Dead (1981), Hellraiser (1987), The Fog (1980), Terror Train (1980), I Spit on Your Grave (1978), Leatherface from The Texas Chainsaw Massacre (1974), The Silence of the Lambs (1991), Psycho (1960), Carrie (1976), Norman Bates from Psycho, and Hannibal Lecter from The Silence of the Lambs. Throughout the film, it also unwittingly / half-wittingly makes reference to 2 other horror films, The Bad Seed (1956) and After Midnight (1989)
2. The use of Caller ID increased more than threefold after the release of this film
3. When Drew Barrymore, one of the first actors attached to the film, got a copy of the script, she loved it and was put into contact with casting director Lisa Beach. Beach was very excited that Barrymore wanted to be in the movie and cast her as Sidney Prescott. However, Barrymore called Beach later to tell her that she wouldn't be able to play Sidney because of scheduling conflicts. But she wanted to be in the film so much that she offered instead to play the smaller role of Casey Becker as a solution. When other young actors and their agents discovered Barrymore was involved in the film, the script draw a huge amount of attention
4. Other actresses who auditioned or campaigned for the role of Sidney Prescott included Melissa Joan Hart, Reese Witherspoon, and Holly Marie Combs, who was later cast with Rose McGowan on the hit TV series Charmed, and had previously taken the lead role in the horror film, Dr. Giggles. Screenwriter Kevin Williamson had Molly Ringwald in mind when writing the film and Lisa Beach offered her the role, but she turned it down, not wanting to play a High School student at age 27. She later however, took a role in the Miramax/Dimension horror film, Office Killer, as a 20-something, and made a cameo in Not Another Teen Movie, which was the Scary Movie (the Scream parody made by Miramax/Dimension who made the Scream films) of the Teen film genre. Neither of these films would exist without Scream's success
5. Janeane Garofalo was the first actress offered the role of Gail Weathers but turned it down. Courtney Cox wanted the role from the minute she read the screenplay and tried very hard to convince Lisa Beach and Craven that she could play the role, but they didn't want to cast her because she had always played characters they saw as too likable. Beach ended up casting Cox because her job was to find the most recognizeable actress she could and the success of Friends was one of the deciding factors. The other being that none of the obvious actresses for the role wanted to play Gale Weathers because she was too un-likable
6. Melinda Clarke was the only actress offered the role of Tatum Riley to turn it down. The 2 other actresses who almost landed the role both were cast as Rose McGowan's fellow Flawless Four members in her 1999 film, Jawbreaker. Rebecca Gayheart, who played Julie, auditioned for Tatum and was a sure thing until scheduling conflicts with her film Somebody is Waiting prevented her from landing the role. She was later remembered by Lisa Beach and was immediately promised a role in Scream 2 (1997), playing a dimwitted sorority sister. Charlotte Ayanna, who played Liz Purr, was considered for Tatum before Rose was selected because she had experiences in performing her own stunts
7. Freddie Prinze Jr. auditioned for the role of Stu but Matthew Lillard was chosen instead for being more intense. When writing his screenplay for I Know What You Did Last Summer, Kevin Williamson had Freddie in mind for one of the roles and was very pleased when he was cast in the film
8. Kevin Williamson's screenplay, first titled "Scary Movie," (the Wayans brothers were well-aware of this fact when they made their spoof) caused a bidding war in Hollywood. The two other major studios interested in the film were Paramount and Universal. Miramax ended up winning the bid for the script, but as a result, initially gave the film a smaller budget than the other studios included in their deals. Of course, after a short while in production, Miramax upped the budget substancially - which changed the film's orientation, technically making it a fully-mainstream Hollywood studio film, although many reviewers and magazines continued labeling it an "Independent" production, which many horror fans resent
9. The MPAA originally designated that the slow-motion in-pursuit shot of the killer stabbing Casey Becker in the chest had to be cut out of the film or else they would force the film to be rated NC-17. Wes Craven, who insists this film was his 2nd hardest film to get an R-rating from the MPAA, told them that this take was the only one they had filmed and that the entire scene would be ruined if it was removed because the 2 shots at each end of it were close-shots of Casey on the ground, while the long-shot of Casey running features her standing up. The board caved in and allowed the shot to stay in the movie. However, Craven was lying about it being the only take they shot
10. The killing of Principal Himbry was added to the film after Bob Weinstein noticed that there was about 30 pages in the script where nobody died and told Kevin Williamson that "this is a horror movie- somebody must die." When he selected the Principal, he realized he now had a good idea for a reason to have all the "Movie party" guests to leave before the film's big climax
11. The film was originally intended to be shot at a high school in Santa Rosa, CA, following the community's learning of the income they would earn should they let production shoot there. However, the school board read the script and hastily objected to what they told the community was the film's "violent content." What they told the filmmakers was another story. They told the filmmakers that they objected to the callous nature of the teens' nonchalant discussions of movie killers and gutting the bodies of fellow students. Production was held up for over a week during this period. While a mere handful of people on the school board were refusing to change their mind, the entire community, including the student population, supported the film's production taking place at the school. But as long as the school board members continued to fight the film's content, which the filmmakers refused to alter, the filmmakers weren't allowed to shoot at the school. When filming of the high school was relocated to the Sonoma Community Center, word reached the filmmakers that one of the members of the Santa Rose school board, who objected to the film's shooting at the school, was arrested and incarcerated for beating his wife.
12. The killer was based on a Florida serial killer, the "Gainesville Ripper"
13. The final film shares many similarities to previous horror films. The beginning of the movie is plotted much like When a Stranger Calls (1979). A cover of the song, "Don't Fear the Reaper" plays in Sidney's bedroom, which originally played in Halloween with Annie and Laurie listening to it in the car, though performed by it's original artist. When Sidney runs into her house, the killer comes out of the closet the same way Michael Myers comes out of the closet after a victim in Halloween. When Casey's parents come home and see that something is wrong, her father says to her mother, "Go down the street to the Mackenzies' house and call the police" which is a quote from Halloween. Billy (who looks like Johnny Depp) sneaks into Sidney's room by climbing the rose trellis on the side of her house, just like Depp's character in A Nightmare On Elm Street. Casey hanging from the tree looks like the opening of Suspiria. Tatum wears a jersey with the number 10 on it, this is the same number as Johnny Depp's character wore in A Nightmare on Elm Street. The school janitor, Fred, is actually played by director Craven and is obviously wearing Freddy Krueger's outfit from A Nightmare On Elm Street. When Casey is trying to answer the "Friday the 13th" trivia question, a cue in the music score plays as an homage to Halloween's score. Billy's surname, Loomis, is the same as that of Donald Pleasance's character in Halloween (1978). And actor David Arquette's sister, Patricia, starred in A Nightmare On Elm Street 3: Dream Warriors, produced and co-written by Wes Craven
14. The Ghostface mask is based on the painting "Scream" by Edvard Munch
15. The character of Casey claims that all of the sequels to A Nightmare on Elm Street "sucked." Wes Craven had sold the rights to sequels before the film was a success and disliked most of them. However, this line was not his idea, nor originally did he want to use it in the film. But he changed his mind for 2 basic reasons- 1) a lot of actual teens continue to argue that no horror sequels have ever surpassed their original, and 2) because Wes Craven's New Nightmare was an official sequel to the film, he directed it, and it was included in the films that "sucked"
16. When the phone slips out of Billy's hand and hit's Stu's head, it was completely unintentional. Wes Craven kept it in because of Stu's realistic reaction, and his following comical ad-lib, "you f***in' hit me with the phone, Dick!" Other lines that Lillard ad-libbed for this scene include, "Houston, we have a problem here," "BOO-KAH!", "My Mom and Dad are gonna be so mad at me," and "I always had a thing for ya, Sid!" to which she, in-character, replied, "in your dreams!" - another ad-lib
17. The person wearing the Ghostface costume was played by a stunt man, not an actor. Most horror filmmakers consider it a Golden Rule of casting that you should never hire a stuntman to play a character in a costume because they aren't talented enough to be able to portray the character with proper psychology. Among these filmmakers, Dan O'Bannon who directed The Return of the Living Dead, John Carpenter who directed Halloween, and Jack Sholder who directed A Nightmare on Elm Street 2: Freddy's Revenge. The stuntman is credited by Craven as the one who came up with the Killers' insistance of wiping the blood off the blade before running off to kill again, which Craven / Williamson decided to continue including in scenes for Scream 2. However, the scene where the killer is sneaking up behind Randy is the only one where the person in the costume is actually one of the actors rather than the stunt man. Skeet Ulrich had specifically asked if he could wear the costume for one scene
18. When the kids watch Halloween at the party, someone comments, "the blood is all wrong! Now why do they do that? It's too red!" Halloween has barely any blood. What little it does have looks black because of the darkly lit rooms the final scenes took place in. However, the 1981 sequel has several scenes where ultra-red blood drips all over the place, especially Laurie Strode's hospital flashback to her childhood and a sequence where a boy is near-fatally injured slipping in another victim's pool of blood. This is the most-likely source for the movie's dialogue in this sequence
19. Wes Craven found the famous Ghostface mask in a store while location-scouting in California. When Bob Weinstein watched rough cuts of the first scenes filmed, he said that the mask was "idiotic" and requested that a scene be shot with seven different masks and let him choose which one he liked the most. The producers were so furious, they threatened to shut down production. They told him to wait until the first sequence was completed and edited to see that they had the perfect mask. After watching it, he happily agreed to the mask used and didn't make another complaint for the rest of the filming
20. The KNB special effects team used about 50 gallons of fake blood on-set, the most in the film series. The sequels used steadily less as the climate of the country became more liberal and films across the board decreased their violent content - even though dialogue in the sequel says, "the sequels are supposed to have more blood and more gore. Carnage-candy." Films like Scream were also targeted in a sweep of entertainment blamed for influencing violent youth like the Columbine high school shooters, although it wasn't necessarily proven that they even saw this movie
21. The filming locations include 2 cinematic horror houses, a 1 real-life house much of the cast & crew found to be "haunted." Tatum's house was across the street from the house used in Alfred Hitchcock's Shadow of a Doubt (1943), and the house used for Casey's opening scene was next door to the house used in Cujo (1983). The house used for the final location, of Stu's party, had been owned by a nice couple who had died shortly before the production was scouting for houses. The couple's children allowed filming to take place there
22. A poster of Jamie Lee Curtis (who Scream names the Scream Queen) for the film Mother's Boys (1994) is shown prominently at the video store. Another film of hers, Trading Places (1983) is later mentioned
23. William Faulkner's novel As I Lay Dying (1930) features a character named Skeet McGowan (the film's Skeet Ulrich and Rose McGowan), and a character named Dewey (the film's Deputy Dewey)
24. The cheerleader in the Girls' Bathroom scene was played by Skeet Ulrich's girlfriend. Also, the location for this scene was later re-used as the Studio-Set bathroom in Scream 3
25. Kevin Patrick Walls, who plays Drew Barrymore's ill-fated boyfriend, was given this small part as compensation for being the other major contender for the role of Billy. The part was given to Skeet Ulrich after casting director Lisa Beach swore by his performance being the best of all actors auditioned for the role, even though Walls fit screenwriter Kevin Williamson's physical description of Billy in the script much more than Ulrich did. The casting of David Arquette was also radically different than the script's description of Dewey Riley. Originally, Dewey was meant to be a much more physically buff and hunky character with a less quirky personality and played with less humor, which came naturally to anything Arquette played. Proof of this exists further in the scene where Gale Weathers comments on Dewey having a very muscularly defined upper torso. So, in the sequels, the character of Dewey was written to be more quirky and energetic to fit Arquette's physical acting style. Arquette managed to convince Wes Craven that he would be a great choice for Dewey, and Craven agreed based on Arquette's body of acting work - he didn't have to audition for the role
26. When Sidney comes out of the closet and stabs Billy with an umbrella, the stunt person was supposed to hit a pad taped to Skeet Ulrich's chest. The first hit got the pad but the second one slipped and hit him in the chest, which might not have hurt Ulrich as badly as it did, except that he actually has a metal plate in his chest from an injury he had sustained in his life. Having this reaction with the sharp metal point of the umbrella, caused him excrutiating pain. Wes Craven kept it in because of the authenticity of his facial expression
27. Rose McGowan intentionally dyed her hair blonde in order to contrast her black hair from Neve Campbell's
28. Wes Craven is actually wearing the Ghostface costume during the shots where he smashes his head through a window and is hit by Casey with the telephone
29. The idea of the pet door in the Garage scene came from Williamson's assistant. Originally, Tatum's death scene was to be a fist fight with the killer, and having the door come down on her neck. During filming of the scene, actress Rose McGowan discovered that she could easily fit all the way through the tiny flap and escape. But for the sake of the scene, they made her get stuck anyway
30. The character of Dewey was intended to die in the script from the stab wound to the back he incurs in the film. Director Wes Craven filmed the scene at the end of the film, where Dewey is alive and being taken to the hospital, just in case he changed his mind about killing Dewey. The screen-test audience loved the character Dewey so much, that Craven decided to add his survival scene in the final cut
31. Linda Blair, child star of the infamous, The Exorcist, plays the obnoxious reporter who hounds Sidney when she gets out of Dewey's cop car and says, "so how does it feel to be almost brutally butchered? People want to know, they have a right to know!" Also, the actress who plays Tatum and Dewey's mother, Francis Lee McCain, was the mother of the Billy character in Gremlins (1984), who is tormented by the title creatures in the film's famously violent Kitchen and Christmas Tree attack sequences


Disney Connection: The house used to film scenes of Tatum's house is right across the street from the house used in Pollyanna (1960), located in Santa Rosa, California


What the Critics Have to Say:

Roger Ebert - "3 (out of 4) stars" "The movie itself, for all of its ironic in-jokes, also functions as a horror film -- a bloody and gruesome one, that uses as many cliches as it mocks", "What did I think about this movie? As a film critic, I liked it. I liked the in-jokes and the self-aware characters. At the same time, I was aware of the incredible level of gore in this film. It is *really* violent", "some viewers will be horrified"

Leonard Maltin - "3 (out of 4) stars"

San Francisco Chronicle, Peter Stack - "amusingly twisted", "it's party time for horror-movie fans", "designed to make the faint of heart rush for the exits", "The film plays lively games with the macabre. It's the sort of creepy hemoglobin shocker that peaked in the 1980s when horror movies were all the rage", "fresh", "a sizzling splatter movie" ((don't ask me about that one)), "it's above average in the field", "wicked fun with flickers of intelligence. It will have horror fans howling and the P.C. police blowing whistles", "Scream is exceptionally violent, making no bones about a point-blank evisceration", "highly inventive", "For many who have lost sight of how entertaining a horror-thriller can be, this one aims to get folks hyped", "savvy", "Scream puts the acting burden on Campbell, and she fares well", "

San Francisco Examiner, Bob Stephens - "the eerie distortion, the elongation, of the killer's skeletal mask is an effective design", "Three of the featured actresses give good performances: Neve Campbell as the heroine; Courteney Cox as an ambitious TV scandal monger; and, best of all, Rose McGowan as the funny and touchingly gutsy sidekick of Campbell's character. Drew Barrymore is also impressive in the brief opening sequence", "wild, truly frightening energy"

Washington Post, Richard Herrington - "Go Ahead and Scream", "The best fright fest of the '90s, Scream playfully tweaks many of the horror/slasher conventions in place", "a fiendishly clever, complicated plot that makes it an instant classic", "it begins and ends with requisite bloody roughness", "the film deftly mixes irony, self-reference, and wry social commentary with chills and blood spills. And even to a veteran genre fan like myself, the ending was a genuine surprise", "(a) wild ride", "Craven unleashes a living, knife-wielding nightmare", "truly unsettling"

DVD Verdict - (SITE NOT WORKING, hopefully this is temporary)

The Video Graveyard - "a decent and entertaining flick with a fine young cast"

The Cavalcade of Schlock, Brian J. Wright - "a real nailbiter", "Campbell (is) quite good. Sweet, winsome, vulnerable yet tough, she's basically what all those "good-girl" slasher-movie heroines of the 80's strove to be but rarely pulled off", "Matthew Lilliard is hilarious, going for a Stephen Geoffreys kind of nutjob charm, except here making it believable", "Jamie Kennedy steals most scenes he's in", "Man, these kids actually have parents! That's a new one in this kind of film, ain't it?", "The action is skillfully handled by Craven; this is his best work in a dozen years, maybe even his best, period", "Tossing in clues and laughs both obvious and subtle, Scream goes above and beyond the call", "The score by Marco Beltrami is great, blending orchestral music with electronics to good effect", "Jamie Kennedy delivers his pop-culture references like a genuine fan", "excellent example of teen horror, as good any produced in the past twenty years", "Love it or hate it, it'll be remembered"

Zombie Keeper - "3 (out of 4)" "Scream is one of the smartest and straight up brilliant horror scripts ever written", "Scream not only brought on a horror movie resurgence but it also ranks as one of the best horror films of the nineties. The cast of mostly young actors give solid, convincing performances, and the final revelation of who the killer(s) are is a stunner", "Scream is chock full of great lines", "The film is funny without being slapstick", "scary, smart, and bloody. Scream is a modern day classic"

SF, Fantasy, and Horror - "4 (out of 5) stars" "Scream would have to be the singlemost influential horror film of the 1990s"


<center>Photo Gallery
(All the widescreen ones are enlargeable- just click)

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Director Wes Craven

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Last edited by Lazario on Fri Jan 28, 2011 10:18 am, edited 1 time in total.
Lazario

Post by Lazario »

<center>22 (of 23) :
Ginger Snaps

<img src="http://image.allmusic.com/00/adg/cov200 ... "></center>

Sub-genres: Werewolf / Monster, Teen
Director: John Fawcett
Screenwriter: Karen Walton
Cast: Emily Perkins (Brigitte Fitzgerald), Katharine Isabelle (Ginger Fitzgerald), Kris Lemche (Sam), Mimi Rogers (Pamela Fitzgerald), Jesse Moss (Jason McCardy), Danielle Hampton (Trina Sinclair), John Bourgeois (Henry Fitzgerald), Peter Keleghan (Mr. Wayne), Pak-Kwong Ho (Janitor), Lindsay Leese (Nurse Ferry), Christopher Redman (Ben), Lucy Lawless (Announcer on School's PA System), Nick Nolan (Creature / Gingerwolf)
Producers: Karen Lee Hall, Steven Hoban
Executive Producers: Dan(iel) Lyon, Alicia Reilly(-)Larson, Noah Segal
Associate Producer: Tina Goldlist
Music Composers: Mi(chael)ke Shields, Howard Jones
Cinematographer/Director of Photography: Thom Best
Film Editor: Brett Sullivan
Production Designer: Todd Cherniawsky
Art Director: Mary Wilkinson
Set Decorator: Eric McNab
Costume Designer: Lea Carlson
Special Makeup / Creature Effects Designer: Paul Jones
Estimated Budget: $5,000,000
U.S. Theatrical Gross: $2,554
Filming Location(s): Brampton, Ontario, Canada; Markham, Ontario; Mississauga, Ontario; Toronto, Ontario
Production / Distribution Studio: Artisan / Lions Gate
Canadian Theatrical Release Date(s): September 10, 2000; May 11, 2001
U.S. Theatrical Release Date(s): April 21, 2001; May 1, 2001; October 26, 2001
Advertisting / Promotional Tagline(s): (1) They Don't Call It The Curse For Nothing / (2) Hungry Like the Wolf / (3) Ginger Snaps... AND Bites
Filmed in: Widescreen / Aspect Ratio: 1.33:1/1.37:1 (matted for theatrical release)
Major Awards Won: 2000 Toronto International Film Festival, Best Canadian Feature Film - Special Jury Citation - Writer, Karen Walton


Notable Facts / Trivia
1. Actress Emily Perkins' hair is a wig throughout the entire movie
2. The role of Ginger originally was offered to Sarah Polley and Natasha Lyonne, but both turned it down
3. Among the students paged over the school's PA system by an uncredited Lucy Lawless are Samuel and Theodore Raimi. Ted Raimi is Lawless' co-star on Xena: Warrior Princess (1995), Ted's brother Sam Raimi is the show's executive producer


What the Critics Have to Say:

The Village Voice, Dennis Lim - "Ginger Snaps is imagined with enough savage wit to count as an act of genre resuscitation. Attuned to teenspeak cadences, fascinated by the complex bonds of sisterhood, and not entirely averse to body-horrific gore", "above-average", "filtered through the sensibility of early David Cronenberg", "well-served by Fawcett's cleverly frugal direction"

Salon.com, Charles Taylor - "the smartest and funniest scary movie in a long time--and a true feminist horror film", "(a) clever, canny script by Karen Walton", "It's got a real emotional punch", "the sort of movie that gives authority figures the heebie-jeebies", "knows exactly what to make of its violence", "tense", "unpredictable", "Paul Jones' makeup gives Ginger's transformation a great look", "Isabelle gives a performance that's reckless even as she never loses her control as an actor. Instead of treating Ginger's blood lust as the equivalent of a Halloween costume, she plays it as a deep, unquenchable longing", "shivery, hormonal thrills", "Walton writes a distinctive brand of mordant, deadpan humor, and Fawcett has directed the actors to play it so straight that you may find it takes a while to tune in to the picture's black humor", "It's no small accomplishment", "In the best tradition of fantasy filmmaking, Ginger Snaps takes its premise seriously and mines the central metaphor to make it seem inevitable rather than obvious. Fawcett works with real tact", "dark but not gloomy", "There's a night-blooming steeliness and, in the daylight scenes, a sense of impermanence, of a world momentarily reprieved from the dark desires of nighttime", "Ginger Snaps is a small knockout", "the sort of treat that a set of particularly brainy people have dreamed up for our goodie bags"

San Francisco Chronicle, Mick LaSalle - "Ginger Snaps is the best teenage werewolf movie ever made", "honest and thoroughly twisted", "almost achieves the instant-classic status of a Freeway, the Reese Witherspoon film that made a local sensation a few years back", "Screenwriter Karen Walton uses the werewolf myth (...) with wit and a feminist edge. Emily Perkins and Katharine Isabelle (are) both striking talents"

Philadelphia City Paper, Sam Adams - "Recommended", "This black-comic Canadian horror movie makes more of teen angst than any movie since Heathers", "Food for a thousand seminars on Grotesquerie and the Female Body, Ginger Snaps is also wicked fun, doing things with the genre your parents should never see you do"

DVD Verdict, Patrick Naugle - "an out-and-out horror film", "wild", "smartly written", "Ginger Snaps is a moody and stylized horror film that knows its limits. This isn't a big budget Hollywood film and as such doesn't try to reach for cheesy CGI effects or cheap scares. Instead, the movie sets its tone with an impending mood for the suburban heroines. In fact, I'd even go so far as to say that the feel of the film was close to John Carpenter's original Halloween. Towards the end of the movie there are scenes taking place during the fall that have that same ominous feel as Carpenter's movie", "Both leads do a great job—Emily Perkins completely personifies the frumpy, moody teen while Katherine Isabelle is sexy and dangerous as the soon-to-be werewolf. Mimi Rogers as the girl's mother also does a very nice job with her role", "As for the effects, they are somewhat sparse, save for the end sequence. This actually works in the films favor, leaving much of the horror to the imagination", "has just the right mix of hiding the horror and showing the grizzly carnage to be successful. The movie also is heightened by a somber music score by Michael Shields. Featuring a solo violin and an eerie theme, this is music that will haunt you well after the closing credits roll", "I truly think that Ginger Snaps is worth seeing", "it sure is scary and well produced", "well worth your time if you're a horror fan"

The Video Graveyard - "3 (out of 4) stars" "morbid", "Packed with lots of intelligent black humor and with two unknown leads that are very, very good this is an engrossing and witty horror flick that's directed with kinetic energy and is original enough to be one of my most recommended horror films of 2000. The sarcastic script doesn't pull any punches and that's a big reason this works so well. Mimi Rogers is amusing as the girls' naĂŻve mother"

The Cavalcade of Schlock, Brian J. Wright - "Ginger Snaps is a really involving little movie and probably the best movie about werewolves made in...a really long time", "doesn't cheese it up with too much overly-faithful werewolf lore", "the plot is fun but not so lighthearted that it starts fitting in too comfortably with the post-Scream crowd", "clever and amusing", "The starring girls are both good; Perkins always looks like she's expecting a giant foot to descend out of the sky and squash her, and Isabelle obviously only needs a small push to turn her into one of the midriff-baring yuppie larva she despises", "there's a lot to love here, and it's never boring"

Zombie Keeper - "3 (out of 4)" "terrific", "The performances aren't too shabby. Perkins is perfect as the painfully shy Brigitte", "Isabelle, as Ginger, is also very good in a role that requires her to wear at first subtle fangs and claws and eventually full body prosthetics. Rogers is a gas as the ditsy mother whose face lights up with glee when she learns Ginger’s period has begun", "The strengths of this movie lie in the treatment of the material and the fantastic performances", "the makeup effects in the film are well done", "Ginger Snaps is a great little movie", "fresh", "intelligent", "convincing", "one of the best werewolf movies since An American Werewolf In London"

Slant Magazine - "3 (out of 4) stars" "devilish", "As far as feminist horror primers go, none come as fully-realized as Ginger Snaps", "So gory and efficient, the film comes to resemble an extended episode of The X-Files"

Arrow In the Head - "3 (out of 4)" "I went into this flick with a big smile on my face; I came out in a body bag", "I was sure that the film would be some kind of horror/feminist hybrid that would alienate my masculine arse. Fortunately for me, I was wrong", "The more the flick ticked forward, the more it became about 'human' issues. Thank you", "this flick had me hooked", "quite surprising", "ambiguous and compelling", "I admire the ballsy direction that the script took", "it's wonderful to see such meaty parts for chicks in horror flicks. Girrls finally get their day! Snap this", "Katharine Isabelle (Ginger) kicks arse as the lupine-like Ginger. She handles her transitions very well", "Emily Perkins (Brigitte) gives a very strong showing, communicating her desperation and evolution very well. Both girls give standout performances", "I was never a Mimi Rogers (Pamela) fan, but in this movie her aloof stare and her overused smile worked for the part... creepy! Kris Lemche (Sam) plays the kool dude to a T and sure looks gnarly with a cigarette dangling from his mouth", "the full-out wolf getup looked pretty kool and reminded me of The Howling", "amazing", "The camera movements are dead on, the tension is there and I dug the fade in/fade out that the director used during the movie’s final transformation. The flick feels very bleak and I appreciated the hints of style that surfaced from time to time", "an original, intelligent", "in-depth", "You want horror with brains, heart and originality? Give Ginger a call"


<center>Photo Gallery
(Not Enlargeable ... yet)

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Director John Fawcett

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Last edited by Lazario on Sun Jan 30, 2011 1:39 am, edited 2 times in total.
Lazario

Post by Lazario »

<center>23 (of 23) :
28 Days Later

<img src="http://image.allmusic.com/00/adg/cov200 ... "></center>

Sub-genres: Disease / Mutant, End of the World
Director: Danny Boyle
Screenwriter: Alex Garland
Cast: Cillian Murphy (Jim), Naomie Harris (Selena), Megan Burns (Hannah), Brendan Gleeson (Frank), Christopher Eccleston (Major Henry West), Noah Huntley (Mark), David Schneider (Scientist), Stuart McQuarrie (Sergeant Farrell), Christopher Dunne (Jim's Father), Emma Hitching (Jim's Mother), Ricci Hartnett (Corporal Mitchell), Toby Sedgwick (Infected Priest)
Producer: Andrew Macdonald
Executive Producers: Greg Caplan, Simon Fallon
Music Composers: John Murphy, Brian Eno, Gabriel Fauré, God Speed You Black Emperor
Cinematographer/Director of Photography: Anthony Dod Mantle
Film Editor: Chris Gill
Production Designer: Mark Tildesley
Art Directors: Mark Digby, Patrick Rolfe, Denis Schnegg
Set Decorator: Fanny Taylor
Costume Designer: Rachael Fleming
Estimated Budget: $8,000,000
Gross: $45,063,889
Filming Location(s): Bank, London, England; Blackwall Tunnel, London; Bowness Knot, Cumbria, England; Canary Wharf Underground Station, Canary Wharf, Isle of Dogs, London; Carland Cross Wind Farm, Mitchell, Cornwall, England; Ennerdale Water, Lake District, Cumbria; Haymarket, St. James's, London; Horse Guard's Parade, St. James's; Manchester, Greater Manchester, England; Piccadilly Circus, Piccadilly, London; Schwabenpark, Kaisersbach-Gmeinweiler, Baden-WĂĽrttemberg, Germany; South Quay DLR Station, Isle of Dogs; St. Thomas' Hospital, Lambeth, London (exteriors); Stuttgart, Baden-WĂĽrttemberg; Tottenham Court Road, Bloomsbury, London; Trafalgar Park, Salisbury, Wiltshire, England; Trafalgar Square, St James's; Trellick Tower, Golborne Road, Notting Hill, London; Waverley Abbey, Hampshire, England; Westminster Bridge, Westminster, London
Production / Distribution Studio: Fox Searchlight
U.K. Theatrical Release Date(s): November 1, 2002
U.S. Theatrical Release Date(s): January ??, 2003; May 7, 2003; June 27, 2003
Advertisting / Promotional Tagline(s): (1) The Days Are Numbered / (2) Day 1: Exposure - Day 3: Infection - Day 8: Epidemic - Day 20: Evacuation - Day 28: Devastation / (3) Be Thankful for Everything, for Soon There Will Be Nothing... / (4) His fear began when he woke up alone. His terror began when he realised he wasn't
Filmed in: Widescreen / Aspect Ratio: 1.85:1
Major Awards Won: 2004 Academy of Science Fiction, Fantasy & Horror Films - Saturn Award - Best Horror Film
Region 1 DVD first released: October 21, 2003 (1 release to date) / Screen Format: Widescreen (or Fullscreen / dual release), Languages: English, French, Spanish 5.1 Surround, Subtitles: English, Spanish / Scene Chapters: 32 / Special Features: Audio Commentary, Featurette, Deleted-Alternate Scenes, Theatrical Trailer, Music Video, Storyboards, Photo Gallery


Notable Facts / Trivia
1. Stephen King bought out an entire showing of this film in New York City
2. Ewan McGregor was the original choice to play Jim
3. Scriptwriter Alex Garland acknowledges several sources as inspiration for his screenplay, notably John Wyndham's The Day of the Triffids (1962), George A. Romero's "Dead" trilogy (Night, Dawn and Day) and The Omega Man (1971). Direct homages include Jim waking up in the hospital from The Day of the Triffids (1962), the chained infected being studied from Day of the Dead (1985), and people in the mall from Dawn of the Dead (1978), the stop for supplies that saw a run-in with infected children (also Dawn of the Dead), and the military holing up against the plague with outsiders partially to deliberately include females (also Day of the Dead)
4. A back-story was developed by director Danny Boyle and actress Naeomi Harris to explain her character's hard-natured, ruthlessly pragmatic outlook on life. Apparently, the character had been forced to kill her entire family in one afternoon, starting with her infected mother and father to save her baby brother, only to discover that her brother was also infected
5. The execution pit scene near the end was filmed outside a church off Witherington Road connecting Salisbury to Downton. One of the props teams didn't pick up the fake bodies after filming and a local hairdresser from Downton saw the massacre from the road. She panicked, crashed her car and phoned the police who came to investigate and interrogate the crew
6. While filming the mansion scenes, the crew's favorite place was The Wooden Spoon in Downton, Wiltshire. They liked it so much that they gave them one of the dead bodies from the execution pile which can still be seen today sitting at a table
7. The crew filed all of the necessary papers to destroy the petrol station in Canary Wharf, but the police were unintentionally not notified. When the explosives were detonated, police responded as if a petrol station had really exploded and sent fire brigades (although there was already one present). Danny Boyle finally resolved the matter after several hours
8. Alex Garland and Danny Boyle did a great deal of research into social unrest, drawing ideas from things that had happened in Rwanda and Sierra Leone (such as the piling of bodies inside churches), but drew the line at using any actual footage from such incidents in the opening montage. All footage featuring dead bodies/desecration of bodies was faked
9. The symbol used for this film is an international symbol for blood-born biohazard
10. All of the scenes in the mansion that involved upstairs rooms were filmed downstairs as the mansion's owner lives upstairs. When Jim jumps in through the window in the roof, he is actually jumping through a hole in the corridor upstairs down to the ground floor with rain effects upstairs
11. The exteriors of the streets of London were shot in the early hours of the morning on weekdays. The crew only had a couple of minutes each day, and crew members had to politely ask clubbers not to walk onto the streets
12. The film was funded by the British Film Council, which in itself is funded by the National Lottery. As a result of this, there are prominent advertisements for the National Lottery throughout the film, for example in the newsagents near the beginning of the film and in the supermarket
13. Christopher Eccleston and the other soldiers in the film had a three-day training program with real soldiers to help them learn how to carry themselves believably
14. If you did actually travel 27 miles North East of Manchester as stated in the movie, you would end up in Huddersfield, West Yorkshire
15. The filmmakers had the co-operation of councils and help from the police to clear streets (and a motorway), but only for short periods which would have been useless if not for the flexibility and speed provided by digital video cameras which were used to shoot the entire film. Police allowed a stretch of the M1 motorway to be closed for a few minutes at a time for the scene where you see a long desolate stretch of road
16. The tower block where Hannah and her father lived was condemned and has now been demolished


What the Critics Have to Say:

Roger Ebert - "3 (out of 4) stars" "begins as a great science fiction film and continues as an intriguing study of human nature", "it's a great ride", "Alex Garland's screenplay develops characters who seem to have a reality apart from their role in the plot--whose personalities help decide what they do, and why", "engrossing", "creepy", "convincing", "touching", "28 Days Later is a tough, smart, ingenious movie that leads its characters into situations where everything depends on their (and our) understanding of human nature"

Leonard Maltin - "3 (out of 4) stars"

The Village Voice, Michael Atkinson - "a seat-o'-pants digital-video quickie designed for blunt trauma", "a veritable index of classic genre-stuff, Boyle's film creates an acute sense of movie-viewing danger. You're never sure that what you'll see will be completely safe and blockbustery. Because it's cut-rate, star-free, outlandishly edge-conscious", "tasteful", "an unfamiliar intensity", "powerful post-apocalyptic tableaux", "a hysterical, head-shaking frenzy", "decidedly outrageous", "transgressive", "fierce"

Salon.com, Andrew O'Hehir - "astonishing images", "like hidden treasure", "undoubtedly a canny and clever twist on the standard zombie-attack yarn", "absorbing", "imaginative, often beautiful", "ingenious", "a keen sense of style", "terrific", "extraordinary moments, it's watchable entertainment from beginning to end", "remarkable", "potent and realistic", "unexpected poignancy", "cool cinematography", "I enjoyed watching this film", "a killer-zombie movie with real soul"

San Francisco Chronicle, Mick LaSalle - "a great apocalyptic thriller. It has eerie images, a compelling situation and an unusual capacity to surprise. It incites an irresistible state of unease, the sense of disaster only seconds away, as well as a deep hunger to know what comes next. There's no real relief until its last moments", "in pursuit of thrills at all cost. By the finish, the movie is getting by on adrenaline and audience goodwill", "28 Days Later is a superior motion picture", "primal", "particularly strong video effect -- the strange, staccato slashing movements of the infected", "It's the ideal illness for an impatient audience. No time is wasted on any boring incubation period", "Screenwriter Alex Garland devises ways to torture the audience in the best way", "suggest(s), subtly, a scary male energy at work"

Slant Magazine, Jeremiah Kipp - "3 (out of 4) stars" "Danny Boyle's 28 Days Later is the real deal", "(a) genuinely scary post-apocalyptic zombie movie", "A marvel of economic storytelling", "works well on its own merits. The long silences between bursts of violence allow for empathy for the film's characters", "touching", "Like all good horror films, when one of the heroes is struck down it actually means something", "hard-driving intensity", "feels particularly topical in our angry modern times", "(a) nightmare odyssey"

The Video Graveyard - "build(s) great spooky mood", "a flashy, kinetic style"

The Cavalcade of Schlock, Brian J. Wright - "touching", "admirable", "amusing", "has visceral punch", "its characters are smart, perceptive, and have tangible personalities that can't be boiled down to one or two gimmicks per character", "a thrill ride", "beautiful", "(a) dreamy four-piece rock score builds a dread almost imperceptibly quiet", "exciting"

Zombie Keeper - "The fast editing, shaky picture and tight framing add a raw brutality to the spasmodic violence", "shockingly visualized", "extreme, jolting", "hyper-kinetic", "truly terrifying", "The effects (are) highly impressive", "very clever and effective", "more than satisfying", "first rate", "superlative", "realistic", "outstanding", "edge of the seat action scenes, brutal violence, excellent make up effects, muscular direction, impressive lead performance and an enveloping sense of desolation, make for an ultimately satisfying movie", "bodes well for British based horror film production"


<center>A Few Photos

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Director Danny Boyle

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Lazario

Post by Lazario »

<center>Masters of Horror:
Sick Girl


<img src="http://image.allmusic.com/00/adg/cov200 ... "></center>

Sub-genres: Bug, Disease, Sci-Fi Horror, Romantic Comedy
Director: Lucky McKee
Screenwriters: Sean Hood, Lucky McKee
Cast: Angela Bettis (Ida Teeter), Erin Brown (Misty Falls), Jesse Hlubik (Max), Marcia Bennett (Lana Beasley), Chandra Berg (Betty), Mike McKee (Professor Malcolm Wolf), Teach Grant (Restaurant Owner)
Producers: Lisa Richardson, Tom Rowe
Co-Producers: Ben Browning, Adam Goldworm, Pascal Verschooris
Executive Producers: Mick Garris, Keith Addis, Morris Berger, Steve (Stephen R.) Brown, Andrew Deane, John W. Hyde
Music Composers: Jaye Barnes Luckett, Poperratic, Ben Boyer, David Lopez
Cinematographer/Director of Photography: Attila Szalay
Film Editor: Andrew Cohen
Production Designer: David Fischer
Art Director: Teresa Weston
Set Decorator: Ide Foyle
Costume Designer: Lyn Kelly
Filming Location(s): Vancouver, British Columbia, Canada
Production / Distribution Studio: IDT Entertainment / Good Guy Productions
U.S. Television Release Date(s): January 13, 2006
Filmed in: Widescreen / Aspect Ratio: 1.78:1
Region 1 DVD first released: June 27, 2006 (1 release to date) / Screen Format: Widescreen, Languages: English 5.1 Surround / 2.0 Stereo, Subtitles: None / Scene Chapters: 8 / Special Features: Audio Commentary, Featurettes, Behind the Scenes Footage, Trailer / Bonus Trailers, Outtakes, Photo Gallery, Password


Notable Facts / Trivia
1. Roger Corman was originally slated to direct Sick Girl but dropped out and was replaced by Lucky McKee
2. The role of Ida Teeter, played by Angela Bettis, was a role originally written for a man with the character name of "Ira Teeter"
3. McKee sites several Alfred Hitchcock films as inspirations for the camerawork in the film
4. Sequences from McKee's first low-budget film, All Cheerleaders Die, are said to be shown during Ida and Misty's date in the apartment, the scene where they drink and watch a movie. That film has yet to be released on DVD


What the Critics Have to Say:

DVD Verdict, Mac Entire - "If this is what sick girls look like, then (I) can't wait to see the healthy ones," "gory scares, quirky humor, and genuine character development," "impress(es)," "it's a relationship drama, a romantic comedy, and a slime-soaked thriller all at once," "McKee's (...) comparable to—do I dare say it?—Stanley Kubrick, in that he has a meticulous, almost obsessive, attention to detail," "a vital combination of wild creativity and careful planning," "cool tricks," "does it all without losing focus on the characters and the plot," "Bettis puts her own spin on the stock 'girl nerd' character," "Bettis is excellent at showing Ida's nervousness and apprehension without overdoing it," "there's a lot more to praise about Sick Girl: great special effects by the folks at KNB EFX, a toe-tapping score filled with some old-timey retro tunes," "sure to make your skin crawl"

Slant Magazine, Paul Schrodt - "3 and a half (out of 4) stars," "by far the most compelling episode yet to Showtime's hit-or-miss series," "pays campy tribute to our sexual baggage," "delirious," "subvert(s) (...) oppression and turn(s) it into progress," "Bettis gives (a) startlingly moving performance"

Slasherpool - "4 (out of 5)," "I just knew that it was going to be good. What I didn't know was that it was going to be this good," "very sweet and funny," "you quickly fall in love with all of the characters," "Angela Bettis gives us her strongest performance to date here," "the story is highly entertaining and very original to say the least. This isn't your normal creature feature and the ending is just too good to be true," "Sick Girl will definitely not let you down," "the rock soundtrack is excellent and works very well to set a great atmosphere for the movie," "I definitely recommend Sick Girl for anyone who enjoys a little romantic comedy in their horror movies"

Dread Central - "4 (out of 5)," "touching," "delightfully sweet, sexy, and at times down and dirty," "one of the most bizarre love stories you’ll ever see," "some genuinely gross shots for the gorehounds out there, strong dialogue, and an endearingly adorable bug hunt," "very cohesive," "I don't know if McKee qualified as a Master of horror when he signed on for this episode but this definitely proves he's well on his way"

The Video Graveyard - "3 (out of 4) stars," "Lucky McKee might just be the new voice in horror we need," "packed with bizarre humour, some gooey effects," "pretty damn awesome," "wacky characters," "the entire thing is just so quirky you can’t help but like it," "spend(s) its first half making the characters likeable," "a flurry of slimy antennae and blood splatters"


<center>Original Photos

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New Photos
(Updated: June 3rd, 2009)
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Last edited by Lazario on Wed Jun 03, 2009 7:07 am, edited 1 time in total.
Lazario

Post by Lazario »

Time for some EXTRAS!

Here are YouTube trailers for as many of these films as I can find:


Rosemary's Baby (3:02)
Bay of Blood / Twitch of the Death Nerve (3:05)
The Exorcist (1:43)
The Texas Chainsaw Massacre (1:39)
Carrie (2:13)
Suspiria (U.S.) (1:11)
Halloween (2:52)
Dawn of the Dead (2:36)
Alien (1:59)
The Evil Dead (2:04)
An American Werewolf in London (1:34)
A Nightmare on Elm Street (1:45)
Re-Animator (1:57)
The Fly (1:57)
Killer Klowns from Outer Space (1:52)
Misery (2:15)
The Silence of the Lambs (1:49)
Candyman (1:52)
Scream (2:00)
Ginger Snaps (2:21)
Ginger Snaps (second trailer) (1:28)
Sick Girl (1:22)


couldn't find a trailer for 28 Days Later.

Forgot one:

Dead Alive / Braindead (1:45)
(contains scenes NOT IN the U.S. Unrated Version)
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