No, he's probably saying the print was worn out (as you say, often brighter) so they messed around with the brightness and contrast settings when transferring it. To be honest, don't you think the contrast on the first two images is a little too much? To me its obviously been tweaked.ajmrowland wrote: So, basically what you're saying is that the film print used for the VHS/Laserdisc transfer wore out and became MORE colorful? In that case, we should petition all the studios to ditch the digital restoration process for something older!
No wait, worn out is often brighter, not more colorful, and a certain amount seems to be retained in the 2003 DVD release.
Why does everyone think you get a film, and encode it on DVD or whatever without manual image calibration first? You can have the same film and give it to different encoding companies, and the DVDBever site shows this:
http://www.dvdbeaver.com/film/DVDCompar ... hedark.htm
A Year 2000 film (so its certainly not "old and worn" and the film source would have been preserved properly, now people understand about film decomposition more). And yet, 3 DVDs, 3 different colour schemes! And who's to say which (if any) of those are right?
You don't just get a film and pump out a transfer, especially in the days when transfers were basically just copies on other photochemical film - the photochemical development process is far from simple. Now adays, copies are digital, but just like you can change photos on photoshop if the think the source is somewhat lacking, so can digital copies be changed in the same way.









