TheSequelOfDisney wrote:The Maltese Falcon
For my Film Noir class we have to watch some of the classics, and on Monday nights we can watch the film that we'll be discussing on Tuesday in the classroom. I would have to say that it wouldn't be my first choice of a film to see, but it was pretty good and suspensful to say the least.
Some other classics I love that I'm sure you'll watch at some point are
Laura, Double Indemnity, The Killers, The Big Sleep, The Third Man, Out of the Past, Sunset Boulevard, Touch of Evil, and Kubrick's
The Killing. Hopefully you enjoy them more then you did
The Maltese Falcon (which I love and own on Blu).
The next four movies were just Blu-Rays from my personal collection that I felt like re-watching:
Casablanca (1942) 8.5/10 - I hate to use the term masterpiece so soon after just using it to describe
Psycho but this movie just is. I like every character in this movie (except Paul Henreid, who for some reason acts really stiff and unsympathetic here, nothing like his
Now, Voyager persona). Bogie's chemistry with Ingrid Bergman (the love interest) is just as strong with Claude Rains and Dooley Wilson (his two best friends). There is just fantastic dialogue, character acting, music, and I love the fantasy version of Casablanca. I guess my only real complaint is the HORRENDOUS model planes they used (the model planes used years earlier in
Only Angels Have Wings looks much more convincing in motion). Still, it's easy to overlook when everything else is soo good.
The Treasure of the Sierra Madre (1948) 7.5/10 - probably the best screen portrayal of greed slowly breaking down a man. There is fantastic acting throughout and the whole movies feels really gritty and raw (the authentic mexican actors and location shooting really helps). The public avoided this movie upon initial release as it was depressing and they couldn't empathize with Bogie (or any of the other main players with their questionable morals) and I kind of agree with them, although there is soo much more to appreciate here. How Bogie can think the man that has saved his life twice before suddenly wants to kill him and steal his gold is beyond me. I think my biggest complaint is something I just recently found out was shared by critics upon initial release, the Max Steiner score. It's just too overblown and bombastic for the type of realism Huston was going for (except the scene where Walter Huston is resurrecting the indian boy, the music there is fantastic).
The Searchers (1956) 8/10 - I'll just echo what dvdjunkie said earlier. My favorite from Ford.
Superbad (2007) 8/10 - it just felt so realistic to me, especially since I knew many of the types of kids presented here when I was in high school. Not to mention it was funny as hell.
Buried (2010) 6/10 - to sum it up, Ryan Reynolds in a box for 90 minutes making emotional phone calls and then dying. I waited for something to happen but nothing ever did, just standard operational procedures from both his employer and the US government (nothing unexpected). Just too uneventful.