
Source: https://www.pixar.com/sparkshorts#float1

Source: https://www.pixar.com/sparkshorts#loop1

Source: https://www.pixar.com/sparkshorts#wind1
It is a step in the right direction. If someone made a short that what plot is concerned could be shown to an audience from the 40s and 50s without anyone noticing anything out of the ordinary, then the shorts division would really start to move away from its own traditions. Someone at Netflix, I think it was Ted Sarandos, was once asked what the typical Netflix movie was, and he replied that there are no typical Netflix movies. Melissa Cobb who runs the kids and family entertainment division there has adopted the same approach.D82 wrote:Your wish has been granted! Yes, it was refreshing watching a Pixar short with actual dialogue. I don't know if it was because of that or not, but it didn't feel like a Pixar short at all. I liked that because it shows they really let the filmmakers have more creative freedom in this new shorts program. I'm really looking forward to seeing the rest of the shorts.Rumpelstiltskin wrote:I hope we will see a Pixar short with actual dialogue for a change.
Source: https://oscars.org/oscars/92nd-oscars-shortlistsAnimated Short Film
“Dcera (Daughter)”
“Hair Love”
“He Can’t Live without Cosmos”
“Hors Piste”
“Kitbull”
“Memorable”
“Mind My Mind”
“The Physics of Sorrow”
“Sister”
“Uncle Thomas: Accounting for the Days”
Source: https://deadline.com/2020/01/disney-unv ... 202845137/In the documentary space, Disney+ has commissioned an untitled Pixar series from Chef’s Table producer Supper Club. The series will follow Pixar’s SparkShorts program, which offers a select group of Pixar employees the opportunity to make their own animated short film. Brian McGinn, Jason Sterman and David Gelb executive produce.