Disney Duster wrote:...did you ever carefully watch the part where...
Yeah I did. It's my single favorite Disney film. I've watched the entire movie very closely. And every scene (with the possible exception of the final main hall dancing / dress-color changing sequence) has an extraordinarily creepy feel to it. I can't believe I forgot before to mention that scene where the 3 fairies are alone in the castle talking about the newborn Princess Aurora. I believe they go in on it from a dissolve of the image of the castle fullview as smoke billows from the burning pile of spinning wheels into the sky (a continuing series of dissolves accompanying that unsettling narration), and we're just getting to see how their quirky personalities interact usually. So they start talking about what they should probably be doing, getting us into that rhythm- but unbeknownst to us, Maleficent or any unit of scores of her evil minions could be
watching, listening to, or otherwise observing them at that very moment! "Ssh! Even the walls have ears." When Flora mentions it, the music begins to hint at it, and then of course the adventure / dark uncertainty elements of the film kick in. I don't know about anyone else, but all I could think about as a kid was- they're in danger right now. And it's a good thing to play with, it really keeps the audience off-guard I think.
Disney Duster wrote:A scene that I think gives me this haunted feeling you speak of most would be when Prince Phillip rides through the castle to tell his father about "the peasant girl" ... King Hubert calls after him, "Philliiipp!!", and it echoes, and then he sits there, alone.
Yeah. What I was trying to say was that you really get the feeling that no one is safe in this story. First of all, there is absolutely no method to Maleficent's wrath, she freely exhibits evil and cruelty to any and all in her path, and she doesn't recognize many distinguishing features from one of her victims to the next. She kidnaps Phillip with no fear of what his father and his armies could do to her or her castle, plus we don't see
too much of her so we can just safely assume that she would eventually 'get' every/anyone in the story. But also everyone in the film is constantly isolated, even when they're in a group, the group itself is isolated somewhere where no one else is around or likely to turn up Announced. Then, the music is always suggesting that anything unexpected could happen at any moment.
Disney Duster wrote:The whole castle actually feels vacant and lifeless, with the people just standing around. I know that was the style, to have the people in the background motionless and feature-less, but it gives off a lifeless feeling (of course, this is not the case when they are "hailing the princess Aurora").
The entire movie has a life versus lifelessness feel to it, I think. Which is exactly what makes the music and art design look so creepy or sinister. It's more than just the people doing nothing, it's that if they were featured anywhere, their heads would have been cut off. The movie didn't blend their features into the background, it purposefully didn't show the people with any faces at all. Just a few times did we ever see the expression on the faces of groups of people not comprised of any main characters - when Maleficent vanishes after King Stefan shouts, "seize that creature!", we see the faces of the castle guards in 2 shots and that's like it. Then again, I'm talking after only ever seeing the film in pan and scan. But the peasents / villagers were really just a chorus for the music cues following the narration's telling of the story. The narrator of this film is really the composer of fear! All other elements of the film follow his suggestion.