The Chronicles of Narnia: The Lion, the Witch & the Wardrobe

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yoda_four
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Post by yoda_four »

Disneykid wrote:Based on what I've read, it seems Andrew Adamson will handle Narnia the way Alfonso handled Harry Potter and the way Peter Jackson handled Lord of the Rings, which is a major relief to me since there's so much more to Narnia than what you see on the surface of the events.
Exactly what I've been thinking. Adamson so far has been handling the project perfectly, and I can't wait to see the trailer.

As for the editing room, it certainly is a necessity for things to be cut in a film. Some parts don't conrtibute to the main plot. But what I think was wrrong with HPs is Steve Kloves, the screenwriter. He did the first two good, but the third is really missing quite a lot. He could've explained that Moony, Padfoot, Prongs, and Wormtail, were Lupin, Sirius, James, and Peter. It could've included more of how Hermione was just appearing. To me, HP3 felt a lot like Master and Commander: most of the movie is just like living and learning at Hogwarts. It felt some of the story's aspects were forced on to film. To movie really kicked into gear once Harry and Hermione went back in time, that's when it starting feeling fun, for me. With the public now being able to handle over 2 hour movie, I don't see why Warner/Cuaron/Kloves/Rowling/et al, coldn't have made this film slighty longer than the previous ones.

HP4/HP5 are going to be so cut down, it'll feel horrible to evem watch the film if you're a fan of the books. What I think they should do, is like in the olden days, have an intermission halfway. That way we wouldn't get tried and can streched, but it would also be good for the story. I at least think that's a better idea than having it in two movies, released 6 months apart, like intial rumours were saying.

I think Columbus, just like you said Kram & Disneykid, never really put feeling into the movies, yet he was true to the books in almost every way, from the costumes to the sotry to the classic feel of everything. Cuaron really made the 3rd more magical. It felt like there really was a Hogwarts wih a whole area to it. It felt like there really was magical creatures and things, that weren't just pixels (The Dementors were done horribly though). Cuaron made it feel more emotion and thus, was less faitful to the books. I really feel Cuaron did everything he could with Kloves screenplay, and that's here the story problem stems from. Cuaron made the film feel less classical, using handheld camera shots and "today's" cool clothing. Columbus is just your standard director, and Cuaron is your "not everyday/once in a lifetime" awesome director. It's all Kloves fault form my perspective, and he's just goona make it worse for the next set of movies.

Now I know this is a Narnian discussion, not HP, so "rant over". Adamson is so far going in the right direction.
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Post by DDMAN26 »

All right I remember him from Braveheart. Actually he was the father of Brendan Gleeson's character in Braveheart. Brendan Gleeson was Mel Gibson's childhood friend in the movie. The big burly guy. And Brendan Gleeson is the guy who's playing Mad-Eye Moody.
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The Chronicles of Narnia: Lion, Witch and Wardrobe - Update

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<b>'THE CHRONICLES OF NARNIA: THE LION, THE WITCH AND THE WARDROBE' BEGINS FILMING; 'SHREK's' ANDREW ADAMSON DIRECTS BELOVED C.S. LEWIS BOOK IN HIS NATIVE NEW ZEALAND</b>

Rupert Everett, Jim Broadbent, Ray Winstone, Dawn French join Tilda Swinton and James McAvoy in a stellar cast


<b>Magical visual effects partnerships with Rhythm & Hues and Sony Imageworks</b>


BURBANK, CA, July 26, 2004 -- "The Chronicles of Narnia: The Lion, the Witch and the Wardrobe," a spectacular live-action/CGI motion picture adaptation of C.S. Lewis' beloved literary classic, began principal photography on location in Auckland, New Zealand, on June 28, 2004. The production, a joint venture between the Walt Disney Studios and Walden Media, is the first live-action adaptation of Lewis' book for the motion picture screen, and represents one of the biggest undertakings ever mounted by both companies.

The film marks the first live-action directorial effort for New Zealander Andrew Adamson (the Oscar(r)-winning "Shrek," "Shrek 2"), who also co-wrote the screenplay adaptation with Emmy Award-winner Anne Peacock (HBO's "A Lesson Before Dying") and scribes Christopher Markus and Stephen McFeely (HBO's "The Life and Death of Peter Sellers"). The film is produced by Academy Award(r)-winning filmmaker Mark Johnson ("Rain Man," "Bugsy," "A Little Princess," "The Notebook") and is slated for a global release in December, 2005, through the Walt Disney Studios distribution division of Buena Vista Releasing.

Already in the planning and preproduction stages for two years, the project's towering production schedule of eighteen months encompasses a six-month live-action shoot followed by a yearlong post-production schedule leading to its December, 2005, worldwide release. To bring his dazzling vision to the screen, Adamson has secured the talents of Oscar-nominated cinematographer Donald McAlpine, A.S.C., A.C.S ("Moulin Rouge," "Peter Pan"), Oscar(r)-nominated production designer Roger Ford ("Babe," "Peter Pan"), seasoned costume designer Isis Mussenden ("Shrek," "Shrek 2," "Dirty Dancing: Havana Nights"), film editors Sim Evan-Jones ("Shrek") and Jim May ("Van Helsing") and composer Harry Gregson-Williams ("Shrek," "Shrek 2," "Antz"). Industry veteran Philip Steuer ("The Alamo," "The Rookie") joins director Adamson as the film's executive producer.

Inspired by Lewis' imaginative creations, the story's human cast will be complemented by a gallery of original and wondrous characters and creatures portrayed onscreen in the combined efforts of live-action and CGI animation under the supervision of visual effects supervisor Dean Wright ("The Lord of the Rings: The Return of the King") and VFX producer Randy Starr. They will collaborate with the movie magicians at two of Hollywood's VFX giants: Sony Imageworks ("Spider-Man 2") and Rhythm & Hues (the Academy Award(r)-winning "Babe"), whose dazzling array of computer-generated effects will breed such creatures as the mighty lion king, Aslan; Mr. and Mrs. Beaver, the kindly mammals who accompany the children on their journey; Maugrim, the savage gray wolf who serves as the White Witch's henchman; and a host of other beasts including minotaurs, centaurs, cyclops, and broods of others not before seen on the motion picture screen.

The film's creative team also includes four-time Academy Award(r)-winning visualist Richard Taylor ("Lord of the Rings" trilogy, "Heavenly Creatures") and the wizards from his Weta Workshop, a collective group of artists based in New Zealand who designed and created the visual and makeup effects for all three chapters of Jackson's landmark movie trilogy. Taylor's team (who designed the film's armour and weaponry, with early creature concepts) will team up with veteran movie makeup magicians Howard Berger and Greg Nicotero, partners in the award-winning company of KNB EFX Group, who will manufacture and apply hundreds of special makeup prosthetics for all of the unique and unusual characters in the story.



<b>Acclaimed cast drawn from both international and local New Zealand talent</b>

Starring in the film is acclaimed, award-winning actress Tilda Swinton ("The Deep End," "Orlando," "Constantine") as Jadis, the powerful, evil White Witch. Joining Swinton as the Pevensie children are screen newcomer Georgie Henley as Lucy, the youngest of the quartet and the first to enter the portal to the magical land of Narnia; Skandar Keynes as Edmund, the younger boy who follows Lucy into Narnia, only to fall under the bewitching spell of the White Witch; seasoned British actress Anna Popplewell ("The Girl with A Pearl Earring," "Mansfield Park") as Susan, the cautious and practical older sister skeptical about entering the kingdom of Narnia; and, in his motion picture debut, William Moseley ("Goodbye, Mr. Chips") as Peter, the eldest of the siblings whom the others look to for leadership during their adventurous journey.

Co-starring in the film are Scottish actor James McAvoy (HBO's "Band of Brothers," "Wimbledon") as Mr. Tumnus, the kindhearted faun (half-man, half-goat) who risks his own fate to ensure Lucy's safety in Narnia; diminutive British talent Kiran Shah ("Lord of the Rings," "Raiders of the Lost Ark") who portrays Ginarrbrik, the White Witch's dwarfish sleigh driver; Best Supporting Actor Oscar winner Jim Broadbent ("Iris," "Moulin Rouge!," "Gangs of New York," "Topsy-Turvy"), who appears as Prof. Kirke, whose lavish country home houses the magical wardrobe; and veteran Scottish performer James Cosmo ("Troy," "Braveheart") as Father Christmas.

Adamson has also cast several Kiwi performers to portray a variety of human and Narnian creatures in the film, including Judy McIntosh ("Arriving Tuesday," Ngati") as the matriarch of the Pevensie family; Elizabeth Hawthorne ("The Frighteners," "The Tommyknockers") as Mrs. MacReady, the caretaker of the mansion; Patrick Kake ("Hercules: The Legendary Journeys") as Oreius, Aslan's head Centaur; and Shane Rangi ("Lord of the Rings") as Gen. Otman, the fierce Minotaur and leader of the White Witch's army.

To bring the story's magically computer-animated creations to life, Adamson has cast a host of acclaimed performers to lend their vocal talents to the film, including Ray Winstone ("Sexy Beast," "King Arthur") as Mr. Beaver; Rupert Everett ("The Madness of King George," "My Best Friend's Wedding," "Shrek 2") as The Fox, another ally of the children; and veteran British comedienne Dawn French ("The Adventures of Pinocchio," "Harry Potter and the Prisoner of Azkaban," BBC's "The Vicar of Dibley") as Mrs. Beaver. Additional casting announcements are forthcoming, including that of Aslan the Lion.



<b>An enchanting, timeless adventure</b>

Lewis' timeless adventure follows the exploits of the four Pevensie siblings -- Lucy, Edmund, Susan and Peter -- in World War II England who enter the world of Narnia through a magical wardrobe while playing a game of 'hide-and-seek' in the rural country home of an elderly professor. Once there, the children discover a charming, peaceful land inhabited by talking beasts, dwarfs, fauns, centaurs and giants that has become a world cursed to eternal winter by the evil White Witch, Jadis. Under the guidance of a noble and mystical ruler, the lion Aslan, the children fight to overcome the White Witch's powerful hold over Narnia in a spectacular, climactic battle that will free Narnia from Jadis' icy spell forever.

"The Lion, the Witch and the Wardrobe" is the first (appearing in 1950) of Lewis' seven-book "Chronicles of Narnia" series, long regarded as one of literature's most enduring and imaginative classics. Since its publication between 1950-56, Lewis' "Chronicles of Narnia" series, with a long and loyal following, has sold over 85,000,000 books in 29 different languages, making it the second biggest book series (after J.K. Rowling's "Harry Potter" tomes) the world over. In addition to the first novel, Lewis wrote six additional books, with one published annually between 1951-56. Those titles include "Prince Caspian," "The Voyage of the 'Dawn Treader'," "The Silver Chair," "The Horse and His Boy," "The Magician's Nephew" (the prequel in chronology to the first book) and "The Last Battle."

"The Chronicles of Narnia: The Lion, the Witch and the Wardrobe" will film on both the north and south islands of New Zealand over a five-month period. After almost four months of sound stage work in Auckland, the company will move to the breathtaking locales of Queenstown, Oamaru and the Christchurch area in the nation's south island before heading to London and the Czech Republic for additional filming. Production will conclude in January, 2005, before Adamson embarks on a yearlong post-production schedule leading to the December, 2005, worldwide release.

For more on this and other upcoming Disney films, check out our <a href="http://www.ultimatedisney.com/intheaters.html">Disney Films Coming to Theaters</a> page.
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Post by Kram Nebuer »

:) Thanks for the update, Luke! That was a lot of names, lol! I'm glad to see some familiar crew members (well based on the movies they've done) and new/unknown faces for the cast. I'm also eager to see how well the CGI characters will be done!
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Post by MickeyMousePal »

Thanks for the update Luke.
I can't wait to see this movie in 2005!!! :wink:
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Post by DreamerQ18 »

Gosh Luke as always you are on top of things. Like I have said before I have never actually read any of these books but I am very intrigued about the movie. And I cant wait to see what the final product will turn out like. Maybe after the movie I will read the books. Thats what I did with Princess Diaries :) .
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Post by Kram Nebuer »

DreamerQ18 wrote: And I cant wait to see what the final product will turn out like. Maybe after the movie I will read the books. Thats what I did with Princess Diaries :) .
Lol, that's what I did with Harry Potter. :)
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Pics from the Chronicles of Narnia

Post by ichabod »

I don't know if these pictures have been posted here before, at least i don't think they have.

Image

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The second picture looks very Lord of the Rings, the guys in their armour with the tower in the background, it looks a lot like something from The Two Towers. I hop that isn't supposed to be the queen in the 3rd picture. I really do not like the way she looks, not at all how i imagined her.
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Post by Luke »

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Post by BrandonH »

I think this movie has some real potential. If it lives up to that, I would really love to see adaptations of The Silver Chair and The Last Battle.
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Post by AwallaceUNC »

BrandonH, I don't think I've given you a welcome message yet, so, welcome! :)

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Post by Luke »

awallaceunc wrote:BrandonH, I don't think I've given you a welcome massage yet, so, welcome! :)

-Aaron
Ooh, a massage! That's so sensual! :o

I edited Aaron's words. :wink:
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Post by Disneykid »

How do you know he didn't mean massage? ;)
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Post by Sir Hawkins »

awallaceunc wrote:And I believe it was Tolkien who influenced Lewis to convert from atheism to Christianity
I heard it was actually vice-versa. But I could be wrong?

Anyway pics look amazing, can't wait to see some actual screenshots.
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Post by ichabod »

BrandonH wrote:I think this movie has some real potential. If it lives up to that, I would really love to see adaptations of The Silver Chair and The Last Battle.
I think Disney are planning to make all 7 films, but i suppose it all depends on how well they do at the box office.
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Post by AwallaceUNC »

Luke wrote:
awallaceunc wrote:BrandonH, I don't think I've given you a welcome massage yet, so, welcome! :)

-Aaron
Ooh, a massage! That's so sensual! :o

I edited Aaron's words. :wink:
:lol: :lol: :lol:

I'm opening a virtual massage parlor, right here on UD.com.

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Behind the Magic of Narnia Featurettes - New Chapter!

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There's a new "making of" clip for The Chronicles of Narnia which focuses on the director. I must say, this film looks better and better with each piece of media that's released. The video's in high quality Quicktime:

Behind Magic: The Director

And for those who didn't catch it the first time, here's the first Behind the Magic clip that came out a couple of months ago which focuses on Weta Workshop:

Behind the Magic: Weta

The teaser trailer is rumored to be coming in May with Star Wars: Episode III - Revenge of the Sith. I can't wait. :D
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Post by AwallaceUNC »

That was great... those sets look awesome! Thanks for posting, DK. Anyone else think the references to Shrek for Disney's biggest movie were ironic? On the one hand, it's Disney bowing to DW, but on the other hand, they are using their 2 big movies for Disney publicity. 8)

Can't wait for the trailer... Star Wars and a Narnia teaser might be too much for me to take!

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Post by Mehe »

I'll die of joy if it's attached to Star Wars. It'll be just too much.
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The Chronicles Of Narnia Behind The Scenes Video!

Post by Lucylover1986 »

Go here to access two clips that give a little peak at The CHronciles of Narnia movie coming out this christmas.

http://www.comingsoon.net/films.php?id=7012
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