
MAJOR SPOILERS FOR THOSE WHO HAVEN'T SEEN BODY OF MIND AND HEART YET
https://www.youtube.com/watch?v=Jjd1hVEwXQo
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Characters, sets, and props resurfaced in one film after another. Such efficiencies helped Pixar make Toy Story with a staff of just 110--roughly one-sixth the number Disney and others employ to make an animated feature. Disney hopes to use similar processes to cut the number of animators on its own projects.
While Toy Story is only now moving into the public eye, much of Pixar's 150-person staff has already gone on to other projects.
James Baxter posted the pencil test for that scene.disneyprincess11 wrote:To fellow Steven Universe fans: James Baxter is an animator for the show and he incredibly animated Steven in this scene!
Source: https://www.awn.com/animationworld/ron- ... le-mermaidWhile Clements has directed a number of Disney films, each using the most sophisticated technology available at the time of production, including the 2016 CG hit animated musical, Moana, his focus is less on the prevailing technology than on the heart and soul of a good story. “It's interesting that The Little Mermaid took four years to make, with hundreds of people working on the movie,” he explains. “Nowadays, in the age of digital animation, it takes about four years and hundreds of people to make an animated movie. Actually, it takes more people, in some ways. So, it has never been about, ‘Well, computers can do what the artists couldn't do.’ Having worked in both worlds, story and characters are still the heart of the films, regardless of how they're made.”
“More importantly, you don't want to keep doing the same thing over and over,” he continues. “I agree when people say Walt Disney was always looking for new ways to make films and would have embraced digital animation. At the same time, I have a love for traditional hand-drawn animation and feel there's a place for that in the future as well. But I think in either sense, you just don't want to repeat yourself and do the same thing over and over. There are so many different kinds of movies that can be made with animation, and it's exciting to explore those options.”
Henn agrees. “If this technology had been around with Walt, clearly, he would have embraced it and introduced it to his staff,” he adds. “But just like Ron said, it still boils down to telling stories. You find good stories, compelling characters, and then, it’s up to the filmmaker's imagination, and the artists involved, to make the right choices in how it all comes together. It still boils down, essentially, to story and character.”
Glad to see them getting more work. Their sequence on Mary Poppins Returns was arguably the highlight of that film.Sotiris wrote:Great news!
Duncan Animation Studio Moves Into Original Content With Duncan Originals, Unveils Inaugural Development Slate
https://deadline.com/2019/04/duncan-stu ... 202586173/
Definitely, at least for me. I'm also glad for them.JTurner wrote:Their sequence on Mary Poppins Returns was arguably the highlight of that film.
https://www.instagram.com/p/By2dPhTB5Dd ... dyo7bthr15During #Annecy animation festival , #Netflix Premiered Footage from First Original Animated Feature ‘Klaus’ In 2D
I really enjoyed it. I hope Warner Brothers do The Ice Dragon in traditional animation.Kyle wrote:I cant wait to see a trailer or something new from Klaus. Give me a release date at least. its been a long time coming.
Also, thought I'd throw this in here. Its Warner Brothers first preview of the new Looney Tunes shorts. I don't particularly care for their take on bug's personality, but the animation is nice, if a bit too frantic. Still, the high frame rate and smear frames make this look very true to the golden age shorts.
https://www.youtube.com/watch?v=KK541L5x_IY