Goliath wrote:That may very well be true, but is it Top 10 worthy? Is it really better than almost all movies *ever* made over the last 100 years? I doubt it.
Top 10, no way. Top 50, maybe. Top 100, most definitely. I love the movies, probably my favorite trilogy (they're all about equal in quality, unlike some other great trilogies, that have that one stinker) but would never put them in my top 10.
Anyways, the next couple of movie choices were inspired by a list of great noir movies that IGN recently put together (
CLICK HERE). These were the only two I had never seen before:
Murder, My Sweet (1944) 7.5/10 - this is an adaptation of the Raymond Chandler novel Farewell My Lovely. It stars Dick Powell (at that time famous for the Warner/Bubsey Berkely musicals) as private eye Phillip Marlowe. Much like the other Raymond Chandler cinematic adaption staring Phillip Marlowe,
The Big Sleep (made after this), there is lots of twists and turns, deadly dames, and a mystery that doesn't give itself away too early. I just wished I cared for the characters a little more, like I did in
The Big Sleep. It was still an enjoyable movie worth checking out.
So the real question is: Bogart or Powell?
The Big Sleep or
Murder, My Sweet? I have to say Bogie and Howard Hawks win both rounds. Not that this movie or Powell are bad, they're actually pretty good, but it's just that Bogie and Hawkes are THAT good (I love
The Big Sleep). I just have a hard time seeing anyone but Bogie playing Marlowe or Sam Spade, he owns the roles.
Brick (2005) 7/10 - I had never even heard of this one, it went completely under my radar back in 05, which is a shame. This movie is really unique in what it was trying to do and you could even call it brave. It took a classic 50s noir and put it in a modern day high school setting, starring teenagers. Sure, all the 50s slang and fast talk can be a bit jaunting a first but you will get used to it. It stars Joseph Gordon-Levitt (who I remember from
3rd Rock from the Sun but most others on here may know him from
(500) Days of Summer or
Inception) as the loner who tries to solve this mystery and Emilie de Ravin (Claire from
LOST) as the murdered girl who starts the whole investigation. What caught me off guard was just how serious this movie takes itself. Also, at a couple of points I had a hard time keeping up, which I really didn't expect to be a problem, but figured it all out by the end. All said, it's a weird movie. It's a serious noir, not the joke I thought it would be, that feels 'off' do to it's setting. You really have to see this for yourself and make up your own mind, as I think it's one of those movies that will divide.
Now that I've seen all the movies on the list, I certainly can't agree with ALL of them representing the best the genre has to offer (to me, that would be
Laura, The Maltese Falcon, Double Indemnity, The Killers, The Big Sleep, The Third Man, Out of the Past, Sunset Boulevard, Touch of Evil, The Killing, L.A. Confidential, Sin City, Kiss Kiss Bang Bang and to a lesser extent,
Who Framed Roger Rabbit).