Let's face it, Disney lost its magic. How to come back...

All topics relating to Disney-branded content.
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Post by Pasta67 »

MovieMusicals.net wrote:Since TARZAN, I would say LILO & STITCH has been Disney's best non-Pixar film.
Yeah. That's a movie where I felt Disney really got the magic back with a very original story and endearing characters.

Since Tarzan, I would put the movies under these catigories:

Good:
Treasure Planet (so sue me, I'll always love it)
Lilo & Stitch
The Emperor's New Groove
Brother Bear

Bad:
Home on the Range (I've only seen about half of it, but enough to make an opinion)
Atlantis: The Lost Empire

Okay:
Fantasia 2000 (haven't seen it; this opinion is based on critics reviews)
Last edited by Pasta67 on Sun Jun 26, 2005 11:38 am, edited 2 times in total.
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Post by MickeyMousePal »

Well Disney ran out of ideas and here's another bad idea Chicken Little... :(
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Post by Kram Nebuer »

Haven't we had a discussion about all this "Disney lost its magic" before??
MovieMusicals.net wrote:Emporer's New Groove, Brother Bear, Home on the Range, Atlantis, Treasure Planet, etc. were all OK but nothing spectacular. Not one was as good as Aladdin, Mermaid, Hunchback, Lion King, etc.

The reason there is a slump now is BECAUSE Disney did Brother Bear, Home on the Range, Atlantis, Treasure Planet, etc. All of them were such a DOWNGRADE. I had no faith in Disney after Emporer's New Groove (even though I thought it was quite funny, the film was just SO kiddish).

The 2D animation was fine, but because of the decline in GOOD 2D films, and the GREAT 3D films, it became a groupthink that only 3D films are good and 2D is for children.

Again, if Disney would bring back the Broadway style animated musical, whether it be in 2D or 3D, they would do great. I truly believe this.
:shock: I don't think Brother Bear was a downgrade at all. It's as much of a Disney movie as any of the others you rate so highly. It was one of DIsney's most beautifully animated films with a terrific story about family and brotherhood with a lot of heart. It had enough humor to balance with the more dramatic scenes and the characters were all great and memorable. Another cool thing about the movie (somewhat of a spoiler) was that the villain was the protaganist and his species. THe use of changing the fullscreen (or square screen) to widescreen helped the movie a lot like how Wizard of Oz changed from b&w to color.

I think another reason Brother Bear didn't do as well as it should've was b/c it lost its Christmas audiences to the final part of the LOTR trilogy.

Atlantis and Treasure Planet were great movies too. The animation was cool, the action was thrilling, and the stories were based on already well known stories. IMO The only reason people hate them so much is b/c they weren't like other well beloved Disney movies. It's like the Black Cauldron. It's definitely no Snow White (though it was supposed to be, sort of), but it was still a great movie.

I do agree with your point on the Disney musical. Though I still think Disney's recent animated sequels have not downgraded at all (aside from HOTR, which seemed to lack in the story and screenplay), moviegoers need to be reattracted to Disney with a good old traditional movie musical (preferably fairy tale). It's been seven years since Mulan and 10 since Pocahontas. The kids who grew up with DIsney animated musicals are all in college now (myself included) or are old teenagers, so today's children have no experience with a new Disney musical and have to settle with gas emitting Shrek (sad).
MovieMusicals.net wrote:Nearly ALL of Disney's works are based upon pre-existing stories.
Nearly everything written or made into a movie nowadays has been told over and over again. I remember my sister learned in her English class that there are only about seven or more core stories that everything else is based on. I know some are the Cinderella story and the story of forbidden love (romeo and juliet) and the coming of age story.
Pasta67 wrote:I didn't know Eisner's favorite Disney movie was Hunchback of Notre Dame. That's awesome! That increases our chancess of getting a 2-discer!
Oh I hope so! Hunchback is one of my favorites and it definitely deserves a better DVD release. Speaking of Hunchback and regarding the thing about Eisner doing a TV musical of Hunchback, they did have 2 stage musicals of Hunchback. Well the first was the one at MGM which was just a theme park show, but in Germany they had a whole theater show, but it didn't last very long. They also closed the one at DisneyMGM studios for a big mural of San Francisco. What's up with that?? :?

Overall, I think we have to give all these recent Disney movies more time. Sleeping Beauty did TERRIBLE in theatres upon its first release and look at it now! Also, Alice in WOnderland and Peter Pan weren't that popular when they first came out either. Maybe tomorrows audiences will better appreciate these movies.
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Post by Pasta67 »

Kram Nebuer wrote:moviegoers need to be reattracted to Disney with a good old traditional movie musical (preferably fairy tale).
The problem is that Disney probably thinks that kids don't want to see the songs anymore. Kids might think they're "childish"; I know I was embarrassed to watch the songs when I was like 9. It's a shame kids today don't appreciate the songs like I did when I was a kid.
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Post by MickeyMousePal »

When Disney puts a song in a Disney movie it usually becomes a hugh hit just look at the Disney 1990's era... Aladdin, Beauty and the Beast, The Lion King, etc.

Well except for Pixar they were always hits films.

Poor Herbie.... it needs a theme song...
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Post by Kram Nebuer »

Pasta67 wrote:The problem is that Disney probably thinks that kids don't want to see the songs anymore. Kids might think they're "childish"; I know I was embarrassed to watch the songs when I was like 9. It's a shame kids today don't appreciate the songs like I did when I was a kid.
I'm terrified for kids today. They're easily exposed to so much by the media that they just aren't the same anymore. Sure it was like that back in the 50s and 60s compared to the 80s and 90s but that's quite a long time for society to change. Back when I was a kid, television wasn't so threatening but now when I watch TV, I'm scared to know that some kids may be watching some shows on network TV with their parents and be exposed to so many things without the parents realizing it. Hopefully parents will do the right thing.

Anyhow, even with children's television, much has changed. We have a tape of when we might've accidentally recorded part of a Saturday morning hour since there were commercials and stuff. The commercials had soft, colors and fun music and advertised cereal and fun toys. Nowadays, a lot of them (even cereal commercials) are so striking and loud and in your face.

Lol, sorry for getting so off topic!

Bring back Disney Animated Musicals for the hope for a better tomorrow!
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Post by 2099net »

You know, I keep hearing this "bring back the musical" when talking about Disney films, but why?

I don't mind Disney doing one or two musical animated films, but I 100% disagree that all of their animated films should be musically based. Variety is the spice of life and all that, and it's never a good idea to keep regurgitating a formula.

People are quick to blame the fall on 2D animation on Disney's lacking content over the past few years, but how does that explain the success of the CGI films?

Pixar films have good scripts (but some would argue, very few original ideas) but absolutely do not have any musical leanings at all. In fact, I would say the atypical The Incredibles is as far from a musical you can get!

Then there's the Dreamworks films of varying success. We can argue about scripts for the Shrek films until blue in the face (I generally don't like them) but Shrek gained success from only having contemporary cover versions of existing pop songs performed by contemporary 'kewl' artists. (Apart from a stunning version of 'I need a hero' performed surprisingly well by Dame Jennifer of Saunders – easily the best thing about Drek, sorry Shrek II.) Although I've not seen it Shark Tale seems to be the same formula.

And then there's the other CGI films. Ice Age, Robots or other animated films which have had some success Chicken Run and *sigh* Spongebob Squarepants – all non-musicals (although Spongebob did have some musical content).

So why does Disney NEED to do a musical in order to be successful. All evidence points the other way.

Besides, Disney did a good old fashioned musical in the form of the criminally underrated Teacher's Pet movie. It didn't go down to well did it? (even though it rocked my world, being a wonderful subversion of the classic Disney formula while at the same time adding some cutting edge, contempary content).

In my mind people who claim all Disney needs to make musicals are just as blinked as those who only go to see CGI films, or those who condemn animation as being kids only without a second thought. All think the presentation or the superficial content is more important than the actual film.

All Disney need to do is make good films, with good characters and multi-layered scripts. Personally I think Disney has done this since MulanTarzan and Lilo & Stitch being the obvious examples - but I also think Treasure Planet was a much better film than people give it credit for; John Silver being one of the most three-dimensional characters ever to appear in an animated Disney film.

The Emperor's New Groove, while not a box office smash did well on home video, and I think it undoubtedly influenced some of the Dreamworks films.

Home on the Range's concept wasn't a loosing one. I mean it's not that far from other Disney features is it? such as The Aristocrats (with 'normal' animals – if cool jazz obsessed cats can be called 'normal') or The Great Mouse Detective (with 'anthromorphed' animals). It's just Disney chose cows, and thus the film was derided from the start. Would the film had so much pre-release venom from Disney fans had it's been about Cats or Dogs saving a ranch?

Sadly, though I'll admit the final Home on the Range was fun, but underwhelming.

But I think you should consider the history of both Home on the Range and The Emperor's New Groove. Both films started out as more serious traditional Disney films. Both were to also have more traditional musical content. But Disney couldn't make them work. They decided it was better to release a different film than a musical that satisfied no one. I think you can agree MovieMusicals.net, it's no easy task to write winning musical.

I think we can assume Disney are still working on making a musical, they just want to get it right.
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Post by ichabod »

I am sorry Movie Musicals Net but I could not disagree with you more, I think Disney has lost none of it's magic!

I'm all for musicals, but hey there's too much of a good thing!

I personally have adored every single one of Disney's 2000 films! Every one has been a masterpiece in my opinion!

And why?

Creativity and evolution of the art form, every one has added some new to the Disney cannon, which I feel strengthens it.

Let's pick of the films One by One.

The Emperor's New Groove.

This film was so artistically diverse from anything Disney had done, there were hints at the style in previous fetaures such as Mulan and Hercules but here for the first time was something that could really be called abstract.

It was a comedy, an all out comedy like had never been done before, think about it this came out at the end of 2000, before the whole slew of crappy comedies we ended up with like Shark Tale, Robots etc. It really pushed the envelope in terms of what an animated film could be. It was revolutionary, ingenious even!

The story had heart, a strong moral, breathtaking scenes which display perfectly the "magic" which Disney is famed for. From comedy scenes, to action scenes to a climax which had you rooting for the protagonists.

Atlantis

Atlantis really is one of the most amazing films I can say I've honestly seen. If there ever was anything that pushed the boundaries of animation this certainly is it!

The scale of the story, the epic nature of the quest. The wonderfully stylized animation, the creativity of the world of Atlantis, the voyage of discovery, Atlantis has it all!

As for magic? Well I don't know about you but what would you call the scene where Kida combines with the crystal and the carvings of the ancestors come crashing down? What would you call the creativity of the creatures that couldn't exist in real life, the stone fosh vehicles coming to life? The volcano erupting and spilling over the city of Atlantis and the stobe guardians protecting it?

Atlantis if full of "magic", and deserves to be recognised for the revolutionary piece of cinema it was.

If anything can be pinned to Disney's down fall, it was the unusual nature of Atlantis. Parents take their kids to see Disney's new movie, and they expect singing, pixie dust, fairies and singing candelabras and what do they get, a epic adventure film with breathtaking visuals, superb animation and not a cute sidekick in sight. And what do they do? Instead of saying "Oh it's different from other Disney films" instead they say "It's bad". Just because something breaks the mould and is different from what you expect, that does not make it bad!

It's the people who say "It doesn't feel like a Disney film" that annoy me. And if you have ever said that about a film, I hate you and think you are an arse!

WHO SAYS A DISNEY FILM HAS TO A CERTAIN WAY?

Disney find it increasingly hard to make a revlotionary nes type of film, because of people saying "It doesn't feel like a Disney film". What is this Disney feeling people witter on about? It's a load a crap that's what. Why should people pigeon hole things and if it doesn't fit the mould say "It doesn't feel like a Disney film, therfore it is bad"?

Would it not be better to actually allow the term "Disney" to expand? This is precisely the reason why Hitchhiker's guide to the galaxy was switched to Touchstone at the last minute, because people would say "It's not very Disney". It's because of people dismissing things that "Don't have the Disney feel" that the company struggles to get anything new, original or different accepted!

Lilo and Stitch

Again Lilo and Stitch offered another level to what Disney could do.

The animation and backgrounds were different to anything before! The story added another level too!

I mean you have aliens, chases in spaceships all this and surfing too!

It has heart, strong morals. Storis and characters you can't help but get involved with.

Lilo and Stitch is abundant with magic!

Treasure Planet

Well here is a film that is undoubtedly unrecognised!

You talk about magic, well what do you call a reworking of the famous Treasure Island but in space.

I'm almost angry that i have to point out how magical this film is as it beyond belief to me how it can go unrecognised!

It is epic, it is beautiful it continued to push what a Disney film could be!

The scene where the star devolves into a black hole, the discovery of the planet, following the trail of the map, the Ben Bow inn being burnt to the ground, discovering the treasure in the heart of the planet!

Treasure Planet is a masterpiece!

We have issues that can be felt, jim being abandoned by his father as a child, finding a father figure in the villain. Think about this for a second, how many films have you seen where the hero adores and cares for the villain so much, he let's him go?

Treasure Planet is a work of brilliance

Brother Bear

Again epic, breathtaking animation!

The animation is certainly as top notch as Disney does so there not really much point in elaborating there!

The story is very clever! I think it's the only Disney film, in fact there are hardly any stories like this where there is no villain, but everybody's the villain if you know what I mean. The villainous moments of the film come down to love! The hatred the characters show for bears/humans comes from love and fear. Both species view each other as the threat! The story I think is very refreshing and is certainly a winner!

I also feel the story progresses at a nice rate, unlike films like the Lion King which choppily jump from event to event, Brother Bear certainly has that feeling of being planned better. The events unfold more naturally and there is a sense of progression throughout.

I feel that a lot of people judge a film by it's box office figure and they think "oh it only made so much therefore it's bad" well I'm sorry but if you think that, go toss yourself off a cliff! American audiences did not take to it, but in Europe and other parts of the world this movie was a MASSIVE success, in some countries it is Disney's most successful movie EVER! It deserved a lot better treatment than what it got, and I believe it is truly superior to films like "The Lion King".

Also the fact that this film in "new" is against it! Older films have that "Oh it's a classic" drivel surrounding them, which means most people will watch them despite the fact they are inferior!

I would easily rate Brother Bear as one of the best Disney films, from the Best Decade! It is original, daring and mind opening. However most of the implicit story and true brilliance of this film, is probably way over the head of younger audiences! For audiences 16/18 and under it is nonetheless a brilliant film! Yet for those 18+ just like "The Hunchback of Notre Dame" and some other films, the experience and maturity opens up a whole new field!

Home on the Range

This is one that really love and I hate it when people have a go at this movie!

Let me explain why. Usually the main reasons for HotR are so pathetic it's untrue. For example some of the things you usually hear are "There's no love story", "Not a lot happens" "The animation is bad" or "It's not that long".

It annoys me that people can make the assumption that because it's not Beauty and the Beast, it's bad!

The thing that really gets on my wick is when people say there is no love story not a lot happens and it saunters along, and then as soon as they have said this they will say "Disney should make more classic like The Jungle Book, The Aristocats or 101 Dalmatians"

I'm sorry, but HELLO!!! Home on the Range is bad because it has no love story or much happening but The Jungle Book is what we should be aiming for? Have any of you seen TJB, to my memory there is no love story that also goes along at an ambling pace moving from one point to the next!

It AMAZES me how people can not see the overwhelming similarities between Home on the Range and the films of the 50s, 60s and 70s.
And then this is something that also gets on my wick! When I say this to people what do they answer me back? "But The Jungle Book is a classic". What a pile of crap, anyone who justifies a movie being good because "It is a classic" needs a slap back to reality!

In is bizarre to me how people separate the older Disney films and the new ones! Why? People seem to think of them as almost two different companies! Also I think this is becoming more and more obvious, Disney fans seem to have a go at anything new from Disney! I mean look in the Chicken Little thread, there are aout 3 people at least who have said "I'm not going to see this, because it's rubbish!" HELLO!!!! The film hasn't even been finished or released yet! For crying out loud we are supposed to be Disney fans, can't we even at least support it until it's released?

Anyway back to Home on the Range. Like I said it baffles me how people can praise The Jungle Book for a list of reasons and then with the same list of reasons condemn Home on the Range!

Home on the Range has so much going on it, from Maggie arriving on the farm, to going to the town meeting Buck, going after Alameda slim, the cattle rustling, the flash flood, going to echo mine, the rollercoaster style chase and then the out of control train ride! I mean for all of those of you who say not a lot goes on, I think you should rewatch it, because you must have been watching a different movie!

The animation is again pushing the boundary even more. Animation really is an art form, but if I had to choose one film that really was a moving work of art, I would have to say HotR. the stylized abstract designs, those amazing printed backgrounds! Home on the Range is a marvel!

Also forgive me if I wrong but the jokes in Home on the Range are actually funny! Unlike the crap in Shrek which retreads are we there yet jokes, the odd triplet of cows is hilarious IMO, I mean a cow showing her udders and saying "Yeah, they're real. Quit Staring!", Is that not the most genious line ever uttered?

Home on the Range has a fantastic score, I mean I once had a conversation with a 42 year old confirmed Disney addict and she said that she hated the songs in HotR and that whoever wrote them she should be fired. Then I told her it was Alan Menken who wrote, Little Mermaid, BatB, Hunchback etc. Anyway I saw her again a couple of weeks later and she said that she loved the songs in HotR!

I mean HELLO!!! What is that about?

Also how can I not comment on the yodelling scene? Without giving it away for those who haven't yet seen it! What a work of ingenuity!

Home on the Range is basically an ingenious rework of The Pied Piper of Hamelin, and in my opinion is the most overlooked Disney film ever!

And why do I think these films have been so under valued?

I think it is because of the fact that they are so creative!

People expect musicals and when they see Atlantis, It is not what the expect, therefore it is labelled bad! Also I think creativity of animation has also been to it's detriment. Even though i weep at the amazing ness of HotR's animation I can understand why it would put many of, because many can't understand that it is art, and most do label it as "bad animation" because they don't understand it! Also I am a firm believer that CGI mania has been a participant! I mean how else could you explain why a rollicking 2D comedy with IMO funny jokes could be such a failure whereas a CGI rollicking comedy like Shark Tale with jokes that have been done to death and crap animation could be a success?

I have no problem with someone saying they dislike a movie if they have a valid reason, but more often than not people say "I don't like, just because". Also people (you know who you are ;) will say HotR is bad because it has burping pigs and then they'll say something like "My Favourite film is the Lion King", now forgive me if I'm wrong but doesn't TLK features a pig that not only burps but also farts?

Some people will concentrate as hard as they can to find even the slightest fault with something, whereas with another film they film concentrate as hard as they can not to see the faults simply because "It' a classic".

I think I've wittered on enough, but hey it has been a while since I had a good whinge in defence of HotR.

Something I have said before Is that the 2000s are my favourite decade and i think that all of these films are a lot stronger than some other films which are given more credit, simply because they made a lot of money or got awards or because they are "classics"

Another thing I would like to add is this, people seem to forget how much of a flop half of the Disney classics were. I mean at the time Pinocchio, Alice in Wonderland, Bambi never set the world alight and it only because they have been rereleased so many times to theatres and that they have been shown so much on TV that they have become classics.

Some of you may remember how Walt publically apologized for Fantasia, which at the time was a laughing stock!

Don't believe everything you see on the DVD bonus fetaures where everyone says how wonderful the film is!

Another example although non Disney is "It's a Wondeful Life" The word flop can't even describe how badly received this film was! It made Confessions of a Teenage Drama Queen look like Gone With the Wind.
So why is it so popular now? Because of a legal loophole allowing the film to be shown on TV without the stations having to pay for any rights!

I'll finish by saying this:

The most profitable film of all time is "Star Wars", the highest grossing animated film of all time is "Shrek 2" and "Titanic" won 11 oscars.

Now while I'm in no way saying Star wars and Titanic are abyssmal, my point is awards and box office success usually say nothing about the quality of the film!
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Post by Sunset Girl »

Lately I've been spending a lot of time with a lady that has worked day care for about 30 years.

We've talked a little bit about animated movies, and I was telling her how I like to bring movies in for the kids to watch. Right away she told me that her group of kids don't like the animated films like they used to years ago. Well, unless it's something like Finding Nemo or Shrek.

I had to take a deep breath before continuing.

I told her that it really depended on the film itself, not the fact that it's CGI or hand-drawn. Then I had to explain to her what CGI is.

People still carry the belief that hand-drawn cartoons are for babies, including her.

People keep saying that Disney has lost its magic, but if that were true, why aren't people latching on to the old films moreso than the new? Why are there people that prefer Shrek to Cinderella? Or Finding Nemo to The Little Mermaid? For better or for worse, times have changed. The mind-sets of people have changed. I'm sure they'll come around again, though.

Following a formula is not the answer. Second-guessing what the public wants is not the answer. While a company like Disney relies on their films for money, box office earnings and number of home video units sold have little to the success of the film. And I'm not the first person here to say so. Disney gets ridiculed for repeating itself. Disney gets ridiculed for trying something different. What they need to do right now is focus on quality, period. If they wanna do another musical, great! If they want to try something different, awesome! If they infuse it with quality, it'll eventually make money. And maybe it'll actually get appreciated in a few decades. :roll:

Disney has not lost its magic; it's just that the audience has become fickle and jaded.
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Post by lolopimp »

^^^Ummm, excuse me? Are you comparing/bashing The Lion King over Brother Bear^^^ (Ichabod)

Story Progresses at a nice rate, unlike films like the Lion King which choppily jump from event to event, well I disagree with that, since brother bear's first half hour is all about a teenager complaining about a totem that was given to him (which he's not supposed to.) Brother Bear is no epic IMH, and I think it's not supposed to be one. It has all the Disney formula, let's make the audience laugh, now let's make 'em feel sorry for the bear {this is the type of film that wants to portrait in this case bears as sweet and loveable}, now let's be musical and silly. As a matter of fact, I felt manipulated while watching the film, it had so many things combined in it, it tries to be so Disney-ish that it fails to accomplish anything.

The Lion King has a geat plot and story, and it was necessary in some occassions to go back and forth between the Pride Lands and Simba's journey. The movie explored both the good and dark side, it showed us what happens when there is no order, chaos. It teaches us the lesson about The Circle of Life.

--I really felt Brother Bear was boring--
It had its great moments, like looking through another's eyes, but for like 5 shorth minutes, because the rest is just all about ignoring a little cub while he's searching where the lights touch the earth.

Then we have the Disney cliché, Koda and those two other antelope or whatever they are. The movie rubs in your face that Koda is Kenai's life changing bend-over-buddy, and the other two idiots are there just for comic relief... no character development to be seen.

What ruins this film mostly to me, is the fact that is made up of small parts all put together coming from other Disney films. Is as if the writers just sat down and watched a bunch of Disney movies and said, "well that would work, let's put that in the movie too!" This film is yet another example of a mediocre Disney film.


The songs were corny and unmemorable, I was expecting more from Phil Collins after his work in Tarzan. This movie tried to reach something similar to The Lion King, am I wrong? I found the animation really beautiful, though, which was the only thing I liked.
And wassup with Pumba's gas jokes? So what, stupid or not, people still love Timon and Pumba, and the movie! I said this before and I'll say it again, that's the way the character is, nobody accepts Pumba for his gas problem except Simba and Timon. The little pig's burping joke in HoTR is not appealing anymore since it has been done before.

So my final word, today's Disney movies are just a bunch of leftovers put together. The company needs something new if they want to see classics coming back.
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Post by ichabod »

My points about the Lion King being jumpy were not in regard to the focus switching from pride rock to the oasis and back again, but rather at feeling unfulfilled at the way the story kept moving foward.

Fo example he is only a cub in the opening scene, then in the next scene he is much more grown up, then after they go to the elephant graveyard we have the stampede, the he runs to the oasis and straight away he walks across a log and he's an adult and almost as soon as this happens Nala shows up the fall in love and the bam! He's off home again.

It all just feels a little too fast and I long to shout Slow Down for just a minute!

And you say there is no resolution to the Rutt and Tuke characters! Rutt and Tuke have the same story of brotherhood going on with them. They fall out then realise the value of their brotherhood too, which is a darn site more than Timon and Pumbaa!

I honestly fail to see how you can think this is a retread I honestly think Brother Bear is original. In terms of story, plot, themes well i mentioned all this in my earlier post so I won't bother again.

Growing up The Lion King was my favourite movie, until about 2/3 years aho I thought TLK was the best animated movie I had ever seen, and I thought it would never be bettered. However my eyes have been opened. And I am not saying it is bad, it is a great movie, however my eyes have been opened to see there is better.

And you proved my point exactly with regard to the burping, you say that Pumbaa's burping is accepted, yet the pigs is unappealing? They are both same act, and it annoys me that HotR is condemned for this but with TLK is seems to be welcomed?
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Post by 2099net »

lolopimp wrote:So my final word, today's Disney movies are just a bunch of leftovers put together. The company needs something new if they want to see classics coming back.
I don't honestly see how any of the films of the past decade could be called 'leftovers put together'. As you say, Brother Bear has more in common with past Disney animated films than the others, but even this has more distance between it and Bambi and The Lion King than the Snow White, Cinderella, Sleeping Beauty films.

As for 'needs something new' what can be newer than Atlantis, Lilo and Stitch, Treasure Planet and even the upcoming Chicken Little or American Dog. How can anyone say Disney hasn't done anything new?

If 'something new' means Rapunzel being nothing more than a rehash of the 'Fab Four' formula, then that's the last thing that they want.

Nothing is worse than trying to capture something from the past without acknowledging that it needs to be reinvented at the same time. The Little Mermaid succeeded because while looking at the past, it also informed itself of the present.

Out when the rather bland and uninteresting princesses of the earlier films and in came a more modern princess with more modern desires. Out when the cute-for-cuteness sake sidekicks, and instead in came the wittier sidekicks with comedy comments and asides. Out went the simply, single-layered scripts and in came the multi-layered script designed to be just as appealing to adults as their children.

Disney tried to make musicals for Kindom of the Sun (The Emperor's New Groove) and Sweating Bullets (Home on the Range), but failed. Probably because they were trying to make films that followed the 'formula' for no other reason than because they felt they had to.

I'm sure when a film comes along which works with the Disney formula, it will be made. Perhaps Rapunzel will be such a film. Let's hope it's not just a step into the past for the sake of it, but it results in a good, well rounded film which is able to appeal to today's audiences.
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Post by MovieMusicals.net »

2099net wrote:You know, I keep hearing this "bring back the musical" when talking about Disney films, but why?

...

People are quick to blame the fall on 2D animation on Disney's lacking content over the past few years, but how does that explain the success of the CGI films?

...

So why does Disney NEED to do a musical in order to be successful. All evidence points the other way.
1) *ALL* of Disney's Broadway-style animated musicals have not only been box office successes (and in some cases record-breaking), but have also been Oscar-winning and/or nominated.

Just figured I would re-point that out. Regardless, my thread does not say that Disney should ONLY do musicals. I am saying they need to do a few of them - NOW - because:

a) Disney does them RIGHT.

b) The company NEEDS to make a comeback. This is one way to do it. One way guaranteed to do it - if they do so RIGHT.

c) I have never met a child who didn't like any of the animated musicals.

d) I never met a Disney fan who didn't like any of the animated musicals.

e) Children now, and children 8 years ago, all loved the animated musicals. Today and then, they have become favorite movies.

It would be horrible if Disney only did animated musicals.

- - -

2) The reason why all the Pixar films and other CGI films by other studios are doing so well is NOT because of the style of animation. Nemo could have been in 2D and still would have done the same in box office. Same with all the other CGI films.

The reason why they were successes is because their story was solid and the script was good. Care was put into the films. Steve Jobs over at Pixar did AMAZING work. His was a fresh company and everyone was inspired to put care and love into their films. Magic.

I think because everyone saw all the CGI animated movies were GOOD, that it became groupthink that 2D animated movies were crap. And look what happened - Disney did away with the department. Nearly all movies are being made CGI now.

Is it the roll with the times theory? Technology is advancing, let's go with it? Not neseccarily. The 2D films just weren't good enough in quality.

- - -

3) When I see trash like 'Home on the Range' I ask myself "why?" But then I know the answer already. Money.

It seems to me that the Disney company makes all decisions on money now. Time is money - so you can only spend 10 days on the script, not 20. You only have 3 days to make a final character drawing - not 10. I am exaggerating, of course, but I do not see the care and love and Disney spirit which would normally generate the Disney magic the company once had.

Atlantis, Groove, Planet, et al are OK on their own merits. But compared to most all of Disney's films of the past, dating back to 1937, I'd rank these at the bottom of the list. They were just 'OK.'

On bonus features of the DVDs, we have seen several dozen character sketches for the many characters. We have seen dozens of deleted scenes and songs. Dropped concepts. Different storyboards. On the 'Home on the Range' DVD - the "making of" was a joke. The storyboards could of went in one direction, but they went a different way. That's it? Only two different directions? Aladdin had MANY dropped concepts. 'Home on the Range' only one?

You can see that in previous years, they spent much time and care into the making of the films. Today, I just don't see it.
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Post by 2099net »

MovieMusicals.net wrote:On bonus features of the DVDs, we have seen several dozen character sketches for the many characters. We have seen dozens of deleted scenes and songs. Dropped concepts. Different storyboards. On the 'Home on the Range' DVD - the "making of" was a joke. The storyboards could of went in one direction, but they went a different way. That's it? Only two different directions? Aladdin had MANY dropped concepts. 'Home on the Range' only one?

You can see that in previous years, they spent much time and care into the making of the films. Today, I just don't see it.
No, I don't think that is it. Home on the Range went a lot of ways from Sweating Bullets to Home on the Range. The "Making of" was only fluff, because Disney think people only want fluff. That's the same reason for the fewer design and concept art examples on some discs too. Disney think people don't want them - they think they want games and all-new pop videos instead :roll:

The Emperor's New Groove was worked on under the title Kingdom of the Sun for lots of story revisions, before it was finally stopped. Musker and Clements were working on Treasure Planet by themselves for years. I don't think the lack of information on lacking DVDs indicates less design or storyline amendments were undertaken. And finally, A Few Good Ghosts (under various titles) was worked on for a long time before finally dropped because no progress was being made.

Plus, to take Aladdin as an example, the reason it had so many storylines was down to Katzenberg rejecting so many and overruling the animators in several examples. Beauty and the Beast was originally to be a live-action film. <strike>And of course Atlantis was a copy of Nadia</strike> (only joking on the last one)

And you comments about Pixar's scripts, don't account for Shark Tale's, Robots or Ice Age's success. (or even Spongbob's)
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Post by Disney-Fan »

2099net wrote:And finally, A Few Good Ghosts (under various titles) was worked on for a long time before finally dropped because no progress was being made.
I think it was because of the death of the 2D department. Back in 2003 when I visited MGM Studios it was slated for a 2005 opening. I doubt it wasn't already well under way in production for a release date like that...
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Post by 2099net »

DisneyFan 2000 wrote:
2099net wrote:And finally, A Few Good Ghosts (under various titles) was worked on for a long time before finally dropped because no progress was being made.
I think it was because of the death of the 2D department. Back in 2003 when I visited MGM Studios it was slated for a 2005 opening. I doubt it wasn't already well under way in production for a release date like that...
I think the fact it had 4 or 5 different titles (none of which I can remember apart from "Angel and her no good sisters"? or something) shows it was already in trouble before the studio closing.
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Post by MovieMusicals.net »

Oh please! We ALL KNOW why Shark Tale and Robots had success! I couldn't go to bed ANY night without being reminded that Amanda Bynes, Robin Williams, Mel Brookes, Jay Leno, Ewan McGregor, and whoever else was in ROBOTS; nor that Will Smith, Catherine Zeta Jones, etc. were in SHARK TALE.

And in terms of being good movies, I'd rank them below Treasure Planet and Atlantis.

Basing my third point from my previous post on DVD bonus features - risky. But it shows.

When it comes down to it - My originating this thread wasn't to debate if Atlantis, Planet, et al are good films or not. It was to 1) complain about Disney's losing its magic, and 2) STRONGLY ;-) suggest an animated musical to bring 'em back.

OHH - something I forgot to include in my previous reply:

Disney, well - Eisner, had planned to bring HUNCHBACK to IMAX screens when the 2-disc DVD arrived. On his personal agenda, he had big plans for the film. The Germany stage musical was to become a Broadway musical, as well. Who knows what has happened since the "Eisner ordeal."
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Post by 2099net »

Hey, MovieMusicals.net, I'm not fan of Dreamworks or Blue Sky. So I'm with you there.

But saying Disney is loosing it's magic implies you are complaining about the current films.

I'm not against musicals. But I'm against musicals for the sake of it. By the way, what did you think to Teacher's Pet? (Just curious)
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Post by AwallaceUNC »

I see "formula" being overused here. Pasta came up with a pretty good list, but I'd call it a list of attributes or ingredients... not a plug-in-the-variables formula. Saying, "A Disney movie should have a solid plot, well-defined characters, and I'd even like to see some music and magic," isn't a formula and that's about as much of a common thread as I see running through the "Fab 4."

So when people call for a return to the "glory days" of the 50s or 90s, they aren't wanting a carbon copy of one of those plotlines (after all, the 50s and 90s era produced very different feels in their movies). They're just wanting a return to the kind of quality and care that made those movies so memorable.

What's wrong with a musical? Now I'm the first to say that every Disney movie needn't be a musical... that would be a bad thing. (For the record, I think <i>Treasure Planet</i> is by far the best thing Disney has put out since <i>The Lion King</i>). But it <i>is</i> what they're most known for, and we know they (can) do them well, and the animated Disney musical has a huge fan base. Disney needs a huge fan base for its animated movies. If we're going for a box office success to catapault Disney and traditional animation back to popularity, then that's a sure-fire way to do it.

On the other hand, it frustrates me to keep seeing 'fans' pit "Disney quality" against "money." That's what Eisner and the 'evil regime' do now! I want Disney to do a high-quality production that makes them lots of money. That's exactly what the classic films that everyone wants us to return to did. I firmly believe the two go hand-in-hand.

I keep hearing "Disney makes crap because it makes them money." Yet this same "crap" is the stuff that doesn't make them very much money... at least not compared to the good stuff. Disney's real problem doesn't lie with the absence/presence of a particular composer or 'formula.' The real problem is its corporate governance.

Disney has lost touch with the best way to make money. They make bad decisions as of result of being out of touch with what their consumers want. No, box office success doesn't determine a movie's quality, but it is important. With each poorly-received release or decision that they make, Disney dilutes its brand... they aren't in great standing with the public right now, at least not with their animation. Marketing is also a big problem... because they are out of touch, Disney markets their movies and DVDs poorly in many cases. Marketing is perhaps entirely to blame for <i>Treasure Planet</i>'s box office failures.

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Post by Timon/Pumbaa fan »

MovieMusicals.net wrote:
2) The reason why all the Pixar films and other CGI films by other studios are doing so well is NOT because of the style of animation. Nemo could have been in 2D and still would have done the same in box office. Same with all the other CGI films.

The reason why they were successes is because their story was solid and the script was good. Care was put into the films. Steve Jobs over at Pixar did AMAZING work. His was a fresh company and everyone was inspired to put care and love into their films. Magic.

I think because everyone saw all the CGI animated movies were GOOD, that it became groupthink that 2D animated movies were crap. And look what happened - Disney did away with the department. Nearly all movies are being made CGI now.

Is it the roll with the times theory? Technology is advancing, let's go with it? Not neseccarily. The 2D films just weren't good enough in quality.
No I don't think if Nemo was in 2D it would be a hit! Because the reason people went to see Nemo was because of all those adds, "From the creators that brought you Toy Story and Monster's Inc.". They knew they were all good family movies so they went and took there kids with them.

If it was in 2D and made by Disney I think it would flop since Disney was loosing the reputation.

I personally HATE Finding Nemo. The story and jokes are so uncreative and it's really a bore, yet people say it's the best animated movie of all time! I'll never get it!

I loved Treasure Planet and The Emperor's New Groove. Some people say oh all these flops would make Walt Disney disappointed! But that's not true! Back in the day, Bamb, Pinocchio, Fantasia and Alice in Wonderland were all consider flops! In fact it wasn't until they started releasing them again until they became "timeless classics"!

So I don't think it's bad Disney is trying something new. I actually think it's a good thing because they are different than previous Disney movies but I think it can be a "classic" in it's own way someday!

I hate when people say, Disney is never going to make another Lion King. Though Lion King is my favorite Disney movie and I don't think anything will top it, I think Brother Bear was fairly good. Not better than Lion King but it certaintly didn't deserve any of this harsh treatment people have been giving it just because it's not as good as some of the other Disney films.

I really think Disney should brink back 2D soon. Because even though 3D is good, it just can't compare to 2D!

And I hate Hunchback BTW! I think all the films from the 2000's were way better than Hunchback.
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