But is Gaston a villain? It seems that most of his evil is reactionary, where as most "villains" (in fairy-tales and other media) tend to be more plotting and pro-actionary. I've never disputed Gaston is evil, all I've said is I don't think he's evil enough.Goliath wrote:You've repeated this already a few times. But it also has been debunked a few times. You're right that this kind of story *needs* a villain and we, as an audience, expect a villain. I'm not denying that. But that doesn't make Gaston any less of a villain. Just because we expect him to be a villain, doesn't mean he, *therefore*, automatically isn't a villain. That's flawed reasoning.2099net wrote:[...] Gaston is more of an antagonist than a villain. Most of his actions can be seen as pretty reasonable (apart from being a Jerk obviously). The only reason we see Gaston as being evil before the climax is because we're experiencing the story from Belle's point of view, and of course, Gaston's agenda is the opposite of Belle's. [...]
I still think that there's a tendency to label him as an evil villain because of the general expectation that such stories need villains.
No, but I can slam the character of Gaston for being 2D regardless of if the film was Oscar nominated or not. And its not just Gaston, as I've said many times the film is filled with stereotypes. The national stereotypes of the enchanted objects are borderline offensive! (If not for being UN-PC, then for being such common cliches)I think this is a weird kind of reasoning. Just because a character is one-dimensional, a film can't be nominated for, or receiving, an Academy Award? Or, to reverse it (like you do): just because the film won an Oscar, we need to slam the character of Gaston?2099net wrote:The arc is not about Gaston being evil or not. It's about how once again an Oscar Nominated picture resorts to stereotypes for its storytelling. It's all about the nomination, not the character's evilness as such.![]()
Well, you perhaps have a point there, but I would say that they're still two stereotypes, because they're narrative/action stereotypes. While it's true such actions may be logical for the character, they are without a doubt common "acts" of such stories.How are that two seperate stereotypes? It's *one* character: the fact that he wants to destroy what he can't have in a jealous rage is very fitting behaviour for a self-obsessed jock.2099net wrote:If I accept what you and Disney Duster say, we have a character who goes from stereotype 1 (Self-Obsessed Jock) to stereotype 2 (Destroy what he can't have in jealous rage) with very little in-between.
Well, the same song goes to such pains to point out bell is strange, a funny girl, peculiar, odd and perhaps more somewhat derogatory descriptions too. I think "trophy wife" can be ruled out and we can both agree he's attracted to what he can't have.That's also a possibilty. But you forget how Belle is presented from the movie's beginning: she's portrayed as "the most beautiful girl in town. That makes her the best." And this is not something only Gaston says. The whole village is singing about her beauty. It's not a coincidence that the blonde bimbos all look alike. It underscores how Belle stands out. And that's why Gaston wants her.2099net wrote:I don't think he does want her for her looks. The women he has are more voluminous and sexy. See saying he wants her for her looks is ignoring the character we a presented with at the start of the film. He could easily have a trophy wife from any of his hang-oners. More likely he wants her because he can't have her.
But, Gaston's actions still don't add-up, nor follow any logical scheme. And before you say anything we are talking about the script here.But he ultimately wants to kill the Beast because he's jealous. He only heads for his castle after he sees Belle really loves him. And after the Beast lets him live, Gaston knows the Beast isn't dangerous, but wants to kill him anyway. Again: out of jealousy and anger.2099net wrote:As for protecting the village. Yes. That doesn't mean its the only reason though. This is discussed more later by me, but he's a hunter. He would claim the spot-light of a successful kill.
Yes, if you're watching this with your pre-fixed obsession about 'Gaston must be a deeper character'. If you're looking at it in an objective manner (just watching what's on screen), you'll see that his locking up Belle logically follows from the fact that he wanted to have Maurice committed to blackmail Belle into marrying him. So, again, his motive is jealousy. You will see this once you stop thinking that "Gaston should have been this-or-that..."2099net wrote:Locking Belle up is obviously because she wants to stop him. That would work for the jealous angle, the hunt angle or the protect the villagers angle.
How does that diminish his motive of jealousy? He obviously thought he couldn't handle the Beast alone. That's why he needed help, and why he manipulated the mob into going with him. I find it to be very akin to reality, where political leaders hide their real motivations for going to war and manipulate the people into thinking it's for some moral cause. "If you're not with us, you're against us" sounds like a foreshadowing of the Bush-administration.2099net wrote:Don't forget Gaston manages to build up and lead a lynch mob. While not impossible, most people's jealous rages aren't shared - few crimes of passion are committed with accomplices. Gaston manages to get the entirety of the village behind him.
By the time Gaston plotted to have Maurice committed, he didn't know the Beast actually existed. He thought Maurice was just a fool, who made the story up. He only learned about the Beast's existence much later, when he saw him in 'the magic mirror. And as the song 'Gaston' shows, most of the villagers were already admiring him, so it was easy to manipulate them.2099net wrote:If you believe the only reason Gaston would want to kill the Beast is because of jealousy, then you have to admit, he's pretty clever to have plotted in secret to have Belle's father put away and used his "charisma" to work the villages up to do most of his own dirty work. While I know such people aren't known for their logic, logically its unfeasible that such a person would believe his actions would lead to any form of mutual romance.
That's because that's what you *want* to believe. You have thought up a better script for the film; one in which Gaston is a nicer guy, and that's what you're projecting upon the film, prompting you to see things that aren't in the movie.2099net wrote:I'm not saying jealousy didn't play a part in his actions, but I don't think that they were the entirety of his actions.
That's exactly what Disney Duster and me have been saying. At that point in the film, he *knows* he will never get Belle. So why not kill the Beast as well? It's the 'if I can't have her, nobody can'-attitude that you see so often in real life.2099net wrote:And I certainly don't think he ever believes he and Belle will find any common ground after he kills the Beast. A more likely reason would be to deny Belle the Beast, than to gain himself Belle.
He attempts to lock up Belle's father to "blackmail" Belle into marrying him. Yet, Belle's not been in the village for months(summer turns to winter?). That mean, he has to believe her father's story (or some of it) and be willing to "rescue" Belle, or else, why would he even think she would appear in the village ever again? He's willing to pay to have her father locked-up, so he must believe she will return to the village somehow. So at that point, be it stated or not, he must be willing to kill the Beast - at least confront the Beast - where jealous rage isn't his only motivation.
(He does plot to have her father committed while Belle is still in the castle? That's the only reason Belle leaves the castle isn't it? To help her father? I really must watch the film again at some point).
Its not an alternative story. It's stuff that's in the film and (presumably) placed in the opening to tell us about Gaston. It does have something to do with the movie, because ultimately - whatever his final motivations for attempting to kill the Beast - it informs us of his character and history and foreshadows his future. You now seem to be arguing Gaston is more 2D than I'm crediting him with being.Yes, but that doesn't have anything to do with the actual movie. Because Belle *is* there, so there's no 'regardless of Belle'. His attitude towards Belle is what thrives him in this movie. You can't simply erase her and come up with an alternative story, because... that's not the film.2099net wrote:You point out evidence from the start of the film regarding Gaston's character. Well, allow me to point out again the evidence that Gaston is a hunter. Regardless of Belle - even if Belle never existed and he discovered the existence of the Beast - a keen hunter would want to kill the Beast simply because it exists. No?
But I'm not sure it is in the script. When Gaston riles up the villagers, he doesn't seem jealous. His comments about Belle being crazy and his disbelief that she could have feelings for the Beast seem genuine. Again, it comes down to his belief in himself blinding him to the fact Belle could love the Beast. He only seems to go into a jealous rage at the film's climax - and that could be attributed to another humiliation in addition to jealousy towards Belle/Beast. Again, that could be seen to be more reactionary than proactionary.No, that's what comes out of the film's script.2099net wrote:Nothing is absolute. To say he only wants to kill the Beast out of jealousy is simplistic.
I don't know. Ask the writers. They made it single-minded. Basically, with this question you're once again conforming you're not looking at this issue in a neutral way, but with your own vision of what Gaston *should* have been like.2099net wrote:Why must his motivations be simply single-minded?
If you look at my posting history, I've long had problems with Beauty and the Beast, its not sudden at all. And yes, I have issues with other Disney "formulaic" films and Pixar "formulatic" films too. Remember how I have often championed the 2000's films for at least trying something different, even if they're not 100% successful?But this is the case with almost every Disney film. It always has a villain, a hero, a damsel in distress, a funny sidekick etc. These are the basic elements of a Disney film. It's just because it won an Oscar thatyou suddenly find fault with it.2099net wrote:And yet, we're left with short-hand stereotypes: The Enchantress is "good" because she's really pretty not a hag, and the prince learns his lesson (regardless of years of misery for not only the beast, but his 'innocent' staff too); the objects are "good" because they're funny and Belle and the Beast fall in love (regardless of the fact the Beast still has temper issues when we first see him). Gaston is "evil", right from the start because he's vain and a bully.
Just because its a "tradition" for Disney doesn't mean its right, nor does it mean it's a good script. Stick to tradition and you help to stifle innovation. It also leads to sloppyness.
Look at the Enchantress. Why did they bother to say she revealed herself to be beautiful, and not keep her as an old hag. Surely, from a moral point of view, it would have more impact if she remained ugly? Isn't there something wrong about the Prince only realising his mistake by revealing her to be beautiful?
The only reason is because is uses our learned perceptions - of Disney films, fairy tales in general and in fact, the media in general - to make us view the curse as not an evil curse, but a "good" curse. Despite the fact it totally ruins a group of people's lives for 10 years. A little harsh wouldn't you say for basically "saying 'no' to strangers"? If the enchantress had remained an ugly hag - even though we never say her animated - people may have viewed the curse in a different light when watching the film. I dare say many would find it somewhat creepy curse had she remained a hag. It's certainly no better than Sleeping Beauty's sleeping enchantment (and yes, I am aware that the fairies mitigated the impact of a death curse in that case, but the sleeping was still seen as being "evil")
We have a situation where hundreds (? Are all the dancing crockery etc. enchanted staff being punished for the Prince's actions? Are they all responsible for how their employer (and by the apparent lack of King and Queen, ruler acts?) Admittedly they don't all have faces, but all the rows of feather dusters do.) and the script glosses over the ethical and moral implications simply by presenting us another "stereotype" in the prologue. It seeks to introduce new element to the story, but it doesn't consider the implications do doing so. I would say it sweeps them under the rug, but at no point does anyone at all even question the logic or ethics of any dubious actions throughout the film (of the nature of the curse, of the Beast wanting to imprison Belle's father in the first place, of the enchanted staff matchmaking etc.) We are, simply put, just supposed to accept them.
[/quote]No, it's not relevant. It's highly irrelevant. To discuss scripts, we don't have to include which films won or were nominated for an Oscar. An Oscar in itself means nothing. An Oscar doesn't automatically mean a film's script is good --or bad. It's just a moot point.2099net wrote:Of course the nomination is relevant, because the topic is discussing the script.
Well, I think most people here would expect a Best Picture nomination/winner to have a good script, if not an exceptional script. You, know, as Lasseter always says "Story is King".