2099net wrote:I'm still confused as to what you people actually want. On one hand, you're all praising Wall-E to the sky for its "originality" and claiming it's been snubbed for best picture at the Oscars (I actually saw the film this weekend and I still think its got a little of Pixar's house-style to be truely classed as "original") but you seem to want "a classic fairytale" for Princess and the Frog, which is far from original.
magicalwands wrote:Art has evolved through different eras. It only makes sense Disney films do as well and we can't expect this era to COPY films of a passed one.
I haven't seen
Wall E, but I don't think a "classic fairytale" automatically equals generic storylines or means a rehash into old stereotypes and copying as either of you do.
Also, I think it's silly to criticize anyone for looking for a classic fairytale from this film when Disney obviously intends it to be one (by relying on it to hopefully jumpstart another "renaissance" and insisting on Tiana's inclusion into the Princess line as soon as possible).
Anyway, it's true that the setting very much indicates a modern story (the 20s was a period of change, so this could motivate Tiana to believe it's a time in which anything's possible)--though I think it's weird to try and strangely mesh the modern with the traditional with the introduction of a Prince and a fairy godmother. I honestly have no idea how to feel about this movie--it could be really good or really bad.
Simba3 wrote:Have a little faith in Disney, guys! They've been making great films for over 70 years now. Ok, not all of them are great, but they know that they are doing. And did we forget its Clements and Musker doing this film. The same guys who brought us The Little Mermaid, Aladdin and Hercules. These guys know what they are doing too - and how to tell a story. Looking back on The Little Mermaid and Aladdin - those movies were completely different from Disney films of the past, much more modern, but they WORKED!! And now, they are in the same canon as some of the older classics.
Don't be afraid of change, some change is needed, and though it can be hard to deal with - it can be good to. Remember, this is Disney's first black princess, it's first film returning to the 2D style and it's got Clements and Musker behind it. It's sure to be pretty good if you give it a chance. Don't pick the film apart just based on little snippets of information 10 months before it even hits theaters. We've got a long time until December and there is no need to get overly critical of this film before seeing it.
TLM and
Aladdin were modern in story
telling and characterization, but not so in character types or setting. Ariel is very much the stereotyped American teenager, but she still lived under the sea and was a daughter of the Sea King. I don't know if
TP&TF will find that same balance, considering it
is supposed to be a "Princess" fairy tale in the same vein as the old classics.
magicalwands wrote:So calm down, relax, and don't quickly judge a movie from a second hand source (first hand=film itself.)
SpringHeelJack wrote:Yes, let's all make up our minds about it firmly one way or the other before we actually see it.
Rudy Matt wrote:Yeah, just dump the thing already.
I don't believe I ever said the film would be bad or that I wouldn't see it (I still plan to), just that I think the storyline on paper can't lead anywhere but to crap. I guess I'll just have to see if it'll be better onscreen than on paper. I think you're all reading more into my statements than was actually there.
I
also said that there was no guarantee that the info. was 100% reliable, so I don't think I
am judging a film at all and even less so from a second-hand source.
magicalwands wrote:I don't get why this is a big deal. Is it because in past movies there have only been single fathers? What made you expect this one to be different?
..Um...because the only parent that's ever been mentioned for Tiana was Eudora. As I thought was clear from my post, there's never been any mention of a father (mostly through descriptions for Voice Auditions). It's not a big deal if you want to see the generic father-daughter relationship yet again, without there ever being one between a mother and daughter. I just thought it would be a nice change for there to be a good, honest maternal relationship with a daughter in a Disney film. Not that the parental relationship is a big aspect of this film, I just would
prefer to see more mother-daughters instead of father-daughters, father-sons and mother-sons