That's how I feel about PC. It would be wrong for a person to use racist language in public, or insult the sick etc. That kind of behaviour can never be acceptable. But, put it in the context of a comedy or drama, such as Archie Bunker (a version of our Alf Garnett), and it is acceptable, because more than anything the joke is ultimately on Archie Bunker (or whoever) and shows their failings as humans, not the failings of the victims of their abuse. In a drama, its often used for dramatic effect.
Because I still enjoy these entertainments with (on the face of it) politically incorrect language doesn't mean I'm anti-PC. In fact, I support PC in "reality", but like anything you can't let it swing too far. Everything is about moderation and respect.
Being offended or insulted may be a fact of life, and yes, people watching something I enjoy may offend them if they stumble across it and see it without the full context, but nobody should have to learn to live with being constantly insulted/offended. We should always do all we can to reduce such events.
Disney could release Song of the South and contextualise it.
Well, for a film to be popular is has to have good drama and politics (in the old fashioned sense of the word - human interaction) and have something the audience can identify with. Lets face it, the films you say I defend didn't exactly set the box office on fire. Vera Drake for example, a film about a downtrodden backstreet abortionist in the 1950's didn't exactly have everyone rushing to the cinema because they recognised aspects of their own life, or lives they hear about on TV for example, in it.UncleEd wrote:Now, according to you a good film has human suffering in it so it shouldn’t matter that the film is about China sweatshops or Iranians or the Russian mafia. Instead they focus on these fluff topics instead of serious issues, which you defend, and we both agree there are more serious things going on out there that could be used in films.