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Happy Days on DVD: Season 1 • Season 2 • Season 3 • Season 4 (NEW!)
"Happy Days" The Third Season DVD Review
Much younger than its kin, "Happy Days" debuted on ABC in January of 1974. But its reach extended due to the fact that it was set in the late 1950s and proceeded, through a practically unheard of eleven seasons on the air, to depict the bygone days experienced 15-20 years earlier. As you must already know, "Happy Days" centers on the Cunninghams, a good, clean, middle-class family living in a suburb of Milwaukee. Comprising the clan are oft-miffed hard-working father Howard (Tom Bosley), his wise and motherly housewife Marion (Marion Ross), their curious young teenage daughter Joanie (Erin Moran), and the series' original protagonist, the friendly everyteen Richie (Ron Howard). Initially, there was also an athletic older brother named Chuck, but he was casually dropped after two actors and two seasons.
As important and focal as the Cunninghams is "The Fonz", Arthur "Fonzie" Fonzarelli (Henry Winkler), a high school dropout written as a minor character who eventually became the show's top-billed part. The producers of "Happy Days" realized quickly that Fonzie was a hit with viewers and accordingly they transformed him into the series' most prominent character. Rounding out the leading cast are Richie's two goofy friends and Jefferson High classmates, the lead singer of the group's band "Potsie" Weber (Anson Williams) and curly carrot-topped joker Ralph Malph (Donny Most).
This weeks sees Paramount releasing The Third Season DVD of "Happy Days", well over three years after Season 1 but just seven months following Season 2. Season 3 introduces the "namesake" of Arnold's Drive-In, the restaurant that rivals and probably exceeds the Cunningham house for the title of the show's most frequently-used set. As Arnold, the half-Japanese, half-Chinese owner of the popular but culinarily criticized local teen hangout, Pat Morita (the sage Mr. Miyagi in all four Karate Kid movies) adopts a dialect and manner that can perhaps best be described as stereotypically Asian. It's not the type of character you'd expect to see in primetime today. But the savvy, silly Arnold is a fun personality in a cast that's filled with them. Rather than getting lost, Morita provides entertainment in every one of his scenes, which number enough to make him easily the season's most featured guest star.
By the third season, though, "Happy Days" was mostly about The Fonz. The sideburned, ducktailed, leather jacketed motorcyclist is at the foreground of most of the two dozen episodes found here. Moving into the Cunningham's attic room in the season premiere conveniently solves the family's sudden financial strains while more significantly allowing the epitome of cool a reason to be around all the time. Enduring as the best definition of a breakout TV character, Fonzie is still appealingly larger than life in his dismissal of "nerds", his immodest opinion of himself, his imparting of movie-gleaned wisdom, his fear-inducing but always empty threats, and his relentless pursuit of endless awestruck women.
He defies gravity in the two-part "Fearless Fonzarelli" arc, in which he attempts a televised record-breaking motorcycle jump at Arnold's. He joins the police as a special officer to defuse gang violence. He sues Mr. Cunningham over a collapsed roof for which he (Fonzie) seems to be at fault. He tries his hand at singing and selling encyclopedias door-to-door. He dances with Mrs. Cunningham, though their secretive training sessions raise suspicions of something more extramarital. He gets to play father figure to his easily-influenced pre-teen cousin Spike (Danny Butch). Fonzie also provides the groundwork for the first and most successful "Happy Days" spin-off, creator Garry Marshall's "Laverne & Shirley." Quirky independent women Shirley Feeney (Cindy Williams) and Laverne DeFazio (Penny Marshall, Garry's younger sister) are introduced as Fonzie's fast friends in Season 3's "A Date with Fonzie." Two months later, the Milwaukee bottlecappers would have their own lightly nostalgic ABC sitcom. The ladies appeared in two additional "Happy Days" episodes in the week and hour leading up to the debut of their show, which in turn offered Fonzie appearances in its first two episodes. The process hardly looks organic in retrospect; it seems more like Marshall wisely decided that the highly-watched "Happy Days" would be the perfect domain to show off a concurrently-set, similarly-toned sister series. "Laverne & Shirley" would survive its first abbreviated season and seven subsequent full ones, soon surpassing "Happy Days" in ratings and becoming the most-watched program in America in its third and fourth years (with former #1 "Happy Days" not trailing far behind).
Whether it's forcing the Cunninghams to take a back seat to the Fonz and his catchphrases or staying true to its original intention of looking at family life of recent yesteryear, "Happy Days" is highly winning and so much fun. The show is not concerned with being realistic or edgy the way today's few sitcoms do. Even the long-running "That '70s Show", which was clearly enamored with the sensibilities and setting of "Happy Days", lost so much of the earlier series' charm in its depiction of two-decades-earlier adolescence. Of course, viewers weaned on modern sitcoms might find "Happy Days" a little too old-fashioned, corny, and kitschy. Even those who tuned in ardently in the mid-to-late '70s complain of a noticeable drop-off in quality, often citing the early Season 5 episode when Fonzie water-skied over a shark as the point of no return (lending the phrase "jump the shark" to the vernacular, to be applied to other TV shows' fall from grace). I find it hard to believe that anyone could be very critical of the third season of "Happy Days", however. Interested entirely with providing humor out of incredibly likable characters and entertaining situations, "Happy Days" succeeds wildly and provides a textbook definition of how good episodic sitcoms can be when done right.
"Happy Days" is among the handful of sitcoms that used pre-recorded music and new renditions of classic songs to help establish its period feel. Season 2 was marked by music replacements. According to one reliable-looking review, 45 out of the season's 50 songs were replaced, even the theme song, Bill Haley & His Comets' "Rock Around the Clock" was altered to "Happy Days", the show's closing theme song. Season 3 saw "Happy Days", penned by Charles Fox and Norman Gimbel, become the new opening theme tune and that is preserved here. Being familiar with the series but not enough to recall specific musical cues, research revealed that only the first two seasons went heavy on the period music.
Still, I noticed a fair amount of clearance issues here, namely in shortly-sampled songs and tunes covered by Potsie's band. A couple of generic late-'50s/early-'60s sounding compositions do get played quite a bit, suggesting that scene-establishing moments may have been altered. That said, nothing stands out as being especially glaring in terms of edits or music replacements. A few episodes clock in less than 30 seconds shorter than the standard 25½ minute runtime, but three episodes ("A Date with Fonzie", "Fonzie's New Friend", and the "Second Anniversary Show") are considerably shorter, running 2-4 minutes light. The case doesn't mention cut scenes, but I can't think of any other reasonable explanation for the discrepancies. In the set's defense, any edits are seamlessly done, leaving no indication of excisions other than the episodes' overall length.
Succinct synopses of the four-disc set's episodes follow. As usual, a star ( Disc 1
2. The Motorcycle (25:03) (Originally aired September 16, 1975)
3. Fearless Fonzarelli, Part I (25:31) (Originally aired September 23, 1975)
6. Richie Fights Back (25:33) (Originally aired October 14, 1975)
Disc 2
7. Jailhouse Rock (25:31) (Originally aired October 21, 1975)
9. Fonzie the Flatfoot (25:32) (Originally aired November 4, 1975)
12. Fonzie's New Friend (21:42) (Originally aired November 25, 1975)
Disc 3
13. They Call it Potsie Love (25:33) (Originally aired December 2, 1975)
14. Tell It to the Marines (25:32) (Originally aired December 16, 1975)
15. Dance Contest (25:30) (Originally aired January 6, 1976)
18. Fonzie the Superstar (25:02) (Originally aired January 27, 1976)
Disc 4
20. Beauty Contest (25:32) (Originally aired February 10, 1976)
22. Sight for Sore Eyes (25:22) (Originally aired February 24, 1976)
23. Arnold's Wedding (25:12) (Originally aired March 2, 1976)
VIDEO and AUDIO
Picture quality varies widely throughout the set, from episode to episode and even scene to scene. For instance, the season premiere looks great. The episode after that is dirty, jumpy, and very grainy. On the whole, it seems like more of the show looks grainy and muddied than terrifically clean and consistent. That is unsatisfactory on a major studio sitcom that's only 30 years old. Unquestionably, getting the complete versions of episodes is better than perhaps more presentable syndicated versions (as has been done for other sitcoms). But, there's no reason that more effort couldn't have gone into cleaning up and remastering the episodes. I've seen it done on older shows, so it's nigh-inexcusable for a show that's as good and culturally significant as "Happy Days."
As is often the case, the two-channel Dolby Digital Mono soundtracks don't lend themselves to much discussion. However, one can tell that the audio elements also range in clarity and frequently sound quite dated and flat. While no one is asking for 5.1-channel remixes, there's definitely room for improvement in the sound department for future seasons.
BONUS FEATURES, MENUS, PACKAGING and DESIGN
The set designates the episode "The Second Anniversary Show" (22:15) as its only bonus feature. That's kind of a cheat because it's widely considered an ordinary episode and aired as such (on January 12, 1976). The episode gathers the lead cast at Arnold's, where a birthday party is thrown for Fonzie. Inevitably, the stories told around the table cue clips, mostly from Season 3, with some from earlier years. No new supplements are provided. That's not the first or second time Paramount has treated the series to an empty slate, but it's still disappointing particularly on such a hit show with a cast that's almost entirely alive and presumably quite available, not to mention a pair of reunions ripe for leasing from ABC.
Each disc's main menu (i.e. its only menu) features animation of a record spinning against background that changes color while the theme song plays. Before Disc 1's menu loads, you're given the chance to view "Previews", in which a single 85-second ad promotes Paramount's comedies on DVD. Each episode is aptly divided into five chapter stops.
As seems to be the norm for Paramount sitcoms, the third season of "Happy Days" is packaged in a clear standard-sized keepcase in which the reverse side of the cover art provides episode titles, airdates, and one-sentence synopses.
CLOSING THOUGHTS
Watching the complete third season of "Happy Days", it's easy to declare the show one of the best sitcoms in television history. Unfortunately, its new DVD release doesn't seem to think so. Between the spotty picture, complete lack of bonus features, relatively high price, music replacements, and probable edits, Paramount's 4-disc Season 3 set severely fails to live up the series' excellence in its presentation. Many a lesser studio have allowed many a lesser TV show to fare better on DVD, making this injustice all the more irritating and unnecessary. While the high caliber of characters and stories, especially in Season 3, are still enough to make this "Happy Days" set one to pick up, it's not so easy to recommend it in alongside countless more fan-friendly TV DVDs.
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Reviewed November 27, 2007.
Text copyright 2007 DVDizzy.com. Images copyright 1975-76 Paramount Pictures and 2007 CBS DVD/Paramount Home Entertainment. Unauthorized reproduction prohibited.