MichaeLeah wrote:If this has already been discussed at great length, I apologize for bringing this up again, I had trouble finding the previous discussion with the search tool. Maybe I didn't try hard enough.
There have been previous discussions (the most notable one
here, but they generally get ugly and eventually mudslinging occurs between the "upgrade, you fool!" Blu-Ray supporters and the "stop keeping-up-with-the-joneses, you fool!" DVD supporters. So a new thread that has so far been calmly discussed likely would've been better anyway. When Luke criticized Disney's decision to only send the Blu-Ray/DVD combo for
Pinocchio: Platinum Edition, there was some heavy discussion from both sides about it, and since then (for me at least), that thread has soured a bit and would be better off unbumped.
MichaeLeah wrote:It is interesting some people have said the film were made in HD and they were downgraded onto DVD. I'm not too sure about this. Films have always been plagued with little specs until the digital era. DVDs have been able to eliminate these. My understanding is that resolution is based on how many dot are used on the television screen. At the movie theatre there aren't really dots, exactly. You just have the bright light projecting through the film onto the screen. I wonder how to compare Blu-ray to a theatrical experience before the days of digital projectors. Is there a way to determine what "resolution" a film projectors is similar to?
BellesPrince and PheR already touched a bit on this. Film isn't really something that is measured in pixels, not the way that digitally-shot material or authored-to-disc home media is. Film itself is still an analog medium, and the way we measure its pixels is based on the quality of the digital scanner and whatever amount of pixels it gets scanned in.
According to Brad Templeton: (bold emphasis mine)
- The very short answer is that there are around 20 million "quality" pixels in a top-quality 35mm shot. That's a shot with a tripod, mirror-up, with a top-rate lens and the finest-grained film, in decent light. 12 million are more typical for "good" shots. There may be as few as 4 million "quality" pixels in a handheld shot with a point-and-shoot camera or camera with a poor lens. And of course if focus is poor, or light is poor, or the camera was not held steady, the number will drop down below the 1-2 million pixels of the modern consumer digicam. Of course, one can have a bad shot with a digital camera too, not using all its resolving ability. However, few pick their gear with the plan of shooting badly.
So film itself, if shot under the best conditions, will still always look much better than a Blu-Ray, a DVD, a Laserdisc, a VHS, etc. Simply because it holds much more information than what - as others have said - a downgraded home media release can offer. The only reason people assume pre-HD (itself a bit of a misnomer, as only the ability to
see HD in the home is new, the
concept itself and the ability to see "HD" in theatres has been around for decades) can only look as good as DVD offers is because that's as good as they've ever seen it. Not enough people have seen older movies on the silver screen anymore, and they automatically assume that the version they've seen and are familiar with is the only right one.
There are, however, some digital formats that can surpass film. The best models of the Red Digital Camera, for instance, captures images in like, a HUGE amount of megapixels that generally trump even the already-impressive 4K resolution of regular digital cinema. Peter Jackson's
The Hobbit actually will be shot with Red cameras.
At the end of the day, there is still something to the filmic look of 35mm that warms most people. Mr. Yagoobian said it best, that watching an older film in HD looks very much like the film itself, not just a movie on TV. I'd still give my right foot and left thumb to see the Greer Garson/Ronald Colman melodrama
Random Harvest projected in theatres, or simply settle for it on Blu-ray even though it's not a movie that would really *wow* a person the way that something like
Lawrence of Arabia or
Star Wars would.
MichaeLeah wrote:I don't see how the details of nature...things like fur and leaves...can be made clearer for HD.
PheR already mentioned
The Sound of Music, and I'd have to echo their sentiments. The level of detail that's now available is simply amazing. In the restoration featurette on the Blu-Ray, they mention how in the VHS/LD/DVD, when Maria does her big mountain twirl, people only saw it as her standing on grass. But with Blu-Ray, they can actually see that there are various flowers and such that are within the grass. What was once just a green blob on the screen actually is individual pieces of grass swaying in the breeze, along with flowers peppered here and there that were once unseen to the naked eye.
MichaeLeah wrote:I can't imagine Disney actually reinvesting money on the True-Life Adventures...it seems like the current form is the best we will ever see them.
I know, it's sad. Disney is a rare company among its contemporaries, as they have done pretty much everything to try and suppress their past (major hits, aside) rather than celebrate it. They're so focused on keeping current and only re-introducing the big hitters that they allow their older material to languish in archives and put it out in small increments as either the stupidly-limited-issued Treasures or the equally-stupid DMC exclusive. Of course, they also have a much smaller film library than any other studio, so even though they do have the money to restore/remaster each title and give it a stellar treatment, they still don't.
On the other end of the spectrum, Warner Bros. has a very rich library of material (their own studio's work, the complete RKO film library, the complete pre-1986 MGM film library, and whatever else they acquired) at their disposal. They can shell out the money for Ultra-Resolution restorations of moneymakers like
Gone with the Wind, whilst still throwing very-nice bones toward some of the more niche consumers, such as when they had great boxsets for Film Noir, Classic Musicals from the Dream Factory, Signature Collection, etc. I really hate their decision to go DVD-R with the Warner Archive Collection, but given that catalogue titles on DVD generally don't sell as well as new releases, I can see why they ultimately went that route. Still, I miss their glory years of 2004-2008, when they had great boxsets and individual releases, often remastered well-enough on DVD and with nice extras (commentaries/featurettes/radio programs/trailers/vintage shorts from the era). Actually, a lot of major studios don't get much revenue in their classics catalogue except for the big hitters, and so it makes sense that for a while we'll see less classics on Blu-Ray than we did with DVD. Still, with the announcements of such titles coming to Blu-Ray like
All About Eve,
An Affair to Remember,
Ben-Hur,
Citizen Kane, and the recent
Star Wars announcement, 2011 is shaping up to be a very good year so far. And 2012 promises
Singin' in the Rain, which will make me a very happy camper. Now...if only Disney would get on the ball and do more with their live-action catalogue. I'm still waiting for
The Rocketeer in 1080p glory.
albert