Blu-ray Studio of the Year
Posted: Sun Nov 14, 2010 1:44 pm
Well, never ever did I expect to say this, but I nominate Fox for Blu-ray studio of the year.
From quite frankly disastrous beginnings (releases with no extras ported over, insane region locking decisions* and in the UK at least ludicrous listed prices) I feel Fox has grown into the blu-ray studio of 2010.
Why? Quite frankly because Fox have excelled themselves this year. Wonderful releases of Moulin Rouge!, The Rocky Horror Picture Show, The Alien Anthology and The Sound of Music place them well above other studio's output. All are superb.
The restorations/transfers on each are top-notch. All have supplements which push the blu-ray format.
The PiP track on Moulin Rogue! looks marvellous offering much added content over what is basically the 2001 DVD commentary. The Alien Anthology is indexed and cross-referenced better than most reference books. The Rocky Horror Picture show offers a full HD shadowcast performance. And finally, like the Alien Anthology, The Sound of Music is crammed to breaking point with hours of archive/vintage material.
Out of those I selected The Sound of Music especially being a revelation both visually and auditory. Those who doubt the qualifications of Blu-ray need only to see a minute or two of this to see exactly what the format is capable of. I personally have little interest in the film (only buying the release today on impulse because it was relatively cheap) but even I want to watch the film from start to end. (I was planning on just dropping in and out of the supplements).
And of course, tomorrow we have the Collectors' Edition of Avatar to look forward too, which promises to break all disc sales records.
Add to this much less strict region locking, decent prices (I'm amazed how little I picked up the Alien Anthology for in the UK, and you can get The Sound of Music for less than a tenner if you shop around) and you most certainly get most improved Blu-ray studio, if not best Blu-ray studio of the year.
Despite the continuing problems with the format, 2010 has been a good year for blu-ray, with lots of top-quality releases, continuing innovation and increasing archive releases becoming available. [Hugs his copy of BFI's The Innocents - taken incidentaly from a 20th Century Fox master]
2011 promises more, with Warners releasing Citizen Kane and Ben Hur Ultimate Collectors' Editions, Universal to release more Hitchcock (starting with The Birds) and Parmount to release Escapay's long awaited The Ten Commandments.
What would I like to see in 2011 from all studios? Universal to release a classic monster set, Warners to release The Haunting (with the supplements it deserves, not just a port of the DVD's), MGM to release West Side Story and Fox to release X-Files: Fight the Future and The Robe in the UK please!
* I still can't buy a copy of X-Files: Fight the Future despite desperately wanting to give Fox my money. And I'm still stuck with a useless copy of The Robe which refuses to play on any of my equipment. Grrrr.
From quite frankly disastrous beginnings (releases with no extras ported over, insane region locking decisions* and in the UK at least ludicrous listed prices) I feel Fox has grown into the blu-ray studio of 2010.
Why? Quite frankly because Fox have excelled themselves this year. Wonderful releases of Moulin Rouge!, The Rocky Horror Picture Show, The Alien Anthology and The Sound of Music place them well above other studio's output. All are superb.
The restorations/transfers on each are top-notch. All have supplements which push the blu-ray format.
The PiP track on Moulin Rogue! looks marvellous offering much added content over what is basically the 2001 DVD commentary. The Alien Anthology is indexed and cross-referenced better than most reference books. The Rocky Horror Picture show offers a full HD shadowcast performance. And finally, like the Alien Anthology, The Sound of Music is crammed to breaking point with hours of archive/vintage material.
Out of those I selected The Sound of Music especially being a revelation both visually and auditory. Those who doubt the qualifications of Blu-ray need only to see a minute or two of this to see exactly what the format is capable of. I personally have little interest in the film (only buying the release today on impulse because it was relatively cheap) but even I want to watch the film from start to end. (I was planning on just dropping in and out of the supplements).
And of course, tomorrow we have the Collectors' Edition of Avatar to look forward too, which promises to break all disc sales records.
Add to this much less strict region locking, decent prices (I'm amazed how little I picked up the Alien Anthology for in the UK, and you can get The Sound of Music for less than a tenner if you shop around) and you most certainly get most improved Blu-ray studio, if not best Blu-ray studio of the year.
Despite the continuing problems with the format, 2010 has been a good year for blu-ray, with lots of top-quality releases, continuing innovation and increasing archive releases becoming available. [Hugs his copy of BFI's The Innocents - taken incidentaly from a 20th Century Fox master]
2011 promises more, with Warners releasing Citizen Kane and Ben Hur Ultimate Collectors' Editions, Universal to release more Hitchcock (starting with The Birds) and Parmount to release Escapay's long awaited The Ten Commandments.
What would I like to see in 2011 from all studios? Universal to release a classic monster set, Warners to release The Haunting (with the supplements it deserves, not just a port of the DVD's), MGM to release West Side Story and Fox to release X-Files: Fight the Future and The Robe in the UK please!
* I still can't buy a copy of X-Files: Fight the Future despite desperately wanting to give Fox my money. And I'm still stuck with a useless copy of The Robe which refuses to play on any of my equipment. Grrrr.