TEASERS: FLIGHT CLUB
PETER PAN & WENDY
David Lowery’s live-action Disney adaptation takes the boy who wouldn’t grow up to soaring new heights.
There are few filmmakers with CVs as eclectic as David Lowery. Alongside a gritty Arthurian fantasy (The Green Knight), a septuagenarian crime caper (The Old Man & the Gun) and a supernatural study in grief (A Ghost Story), the 42-year-old writer/director has carved out a counter-intuitive niche adapting Disney classics, including the Bryce Dallas Howard-starring Pete’s Dragon in 2016 and, now, a House of Mouse crown jewel in Peter Pan. ‘To me, it makes total sense,’ Lowery tells Teasers of his two outwardly distinct filmmaking lanes. ‘The line between Peter Pan and The Green Knight is minimal. I’m like, “They’re both adventure movies. They’re basically the same film, aren’t they?”’
In at least one respect that statement is very true. Like The Green Knight’s ancient lands, Peter Pan & Wendy’s Neverland is a tangible, earthy creation worlds away from the tropics of the animated movie, and shot entirely on location in Newfoundland and the Faroe Islands. ‘We weren’t going to build Neverland on a soundstage,’ Lowery nods. ‘We really wanted this to feel like you could stumble out of your door, into the backyard, and get lost in a forest and have an adventure similar to this.’
Despite being backed by Disney, Lowery came to the project as a fan of J.M. Barrie’s original Peter Pan stories, released at one point under the name Peter Pan and Wendy – inspiring the title of this latest live-action adaptation. Announced in April 2016, before Pete’s Dragon had even hit cinemas, Peter Pan & Wendy was significantly more challenging to adapt than Lowery anticipated. Setting aside the fact that he shot and released three features in the interim, Lowery claims to have ‘never spent this much time on a movie’, with the screenplay going through numerous page-one rewrites.
Early versions stuck closely to Barrie’s book, but bumped up against P.J. Hogan’s 2003 Peter Pan as a result (‘He adapted the book perfectly – there was no way that we could best that.’) Instead, Lowery found himself turning to the 1953 animated film for answers. ‘We realised that Walt Disney and the team had solved a number of problems that we were already having with how to get into the story,’ says Lowery, who co-wrote the screenplay with Toby Halbrooks. ‘So we started to lean a little more heavily on the animated film, but, at the same time, always trying to keep the book’s almost anarchic, adult spirit.’
The result is a film that’s far more faithful to its source material than Lowery’s ground-up reinvention of Pete’s Dragon. ‘I would often say: if it’s in the ride at Disneyland, it needs to be in the movie,’ Lowery chuckles, ‘because those are the things people remember. So we really tried to treat this as if it was the very first Peter Pan movie, while also keeping in mind the legacy.’
That legacy includes indelible songs – several of which feature in Lowery’s film – and, more problematically, the unacceptable depiction of indigenous characters. Watch the animated film on Disney+ and the first thing you’ll be greeted by is a screen warning of ‘stereotypes that were wrong then, and are wrong now’. Tiger Lily will still feature in Peter Pan & Wendy, played by indigenous actor Alyssa Wapanatâhk, but will be handled more respectfully.
‘The challenge for us was: how do we take this character who, going back to the original text, was problematic, and give her a role that is not only supporting, but integral to the entire movie?’ Lowery says, pointing out that the history of the character was completely rewritten to incorporate elements of Wapanatâhk’s own culture. ‘There was nothing from the past that we needed to hang on to when it came to Tiger Lily. The version of the character in the movie, who is so strong and vibrant, it’s incredible. There should be a Tiger Lily movie!’
Casting relative newcomers Ever Anderson (daughter of director Paul W.S. and actor Milla Jovovich) as Wendy, and Alexander Molony as Peter Pan, Lowery points out that ‘the story ultimately is, and always has been, Wendy’s’, even calling Pan ‘incidental’ to Wendy’s journey. ‘I really wanted to do something different with Peter,’ he says. ‘Peter, in the animated movie, tricks us into thinking that we like him. But he’s an incredibly unlikeable character! In our film, he is very serious, to a fault, about what he thinks is the most important thing in the world, which is not growing up. It becomes a sticking point between him and Wendy.’
Lowery’s film also has an ace up the sleeve of its billowing pirate coat in the form of Jude Law, who plays crocodile-fearing sea dog Captain Hook. In sync from their very first Zoom meeting, the pair had to fully flesh out a two-dimensional character for live action. ‘We really wanted to understand why Hook hates Peter Pan so much,’ Lowery explains. ‘Where does that anger come from? We did our best to build out a story for the two characters, and a sense of history, and a sense of mythology.’ But why Law? ‘You want someone who can lean into the moustache-twirling when it’s appropriate but then also break your heart when you need that to happen as well,’ Lowery smiles. ‘I can’t think of anyone better to straddle those two things in the same way that he straddles the crocodile’s jaw.’ Oh, snap! JORDAN FARLEY