Just got home. My thoughts are disorganized--SPOILERS:
Yeah, I thought it was as good as those--it had some weak moments, but they all do. For me, the weakest moments are the beginning between the music not building up as beautifully as in the original to no palace to the scene with Triton and the sisters being pretty horrible. I'd say both in that scene and the next Triton scene, he isn't as angry as he should be--but I thought Bardem was good in the rest of the film apart from that. Anyway, back from that digression, that scene was sort of dull and I hate that you don't feel the connections between Sebastian, Triton, and Ariel that much there.
The rock scene is sort of meh... For some reason, Bailey was very shaky there--not referring to the vocals but the acting, her hands shake very weirdly there? I think she was trying to do that to show how passionate Ariel was, but it would've been better if she was simply moving up and up different rocks until the big moment, it just didn't work for me and the Ursula scene that follows it is the weakest of Ursula's scenes, too. "Under the Sea" was the weakest of the songs to me--it really didn't sound good at all other than Bailey's parts--and even the scene itself is pretty bad to begin with, but it picks up after a third of the song and the visuals become very nice.
WUW and FtFT were a little better with the movie, but I'm still not crazy about them. Like I said before, Eric sounds too much like James Corden and that takes me out a little. What I did like about the vocalization at the beginning is that Ariel does it immediately following as you pan to her in that whole "He loves me, he loves me not" mood. I liked the scene for FtFT, but the song not so much--I still don't think that one was well-suited to either the movie or the actress' vocals. Scuttlebutt--the song is still terrible, but the scene was funny like I thought it would be (since Awkwafina made me laugh listening to the song even if the song was objectively terrible). "Scuttle, you're too close."
I still feel mostly the same way about PUS vocals that I did, but overall I liked how Ursula was done here. They kept a lot of her qualities I liked (the grossness, the horror, the crazy, etc.) and McCarthy even does occasionally pull off some of the sexiness, too, even if that's the weakest aspect for her (McCarthy, not Ursula). I'm glad the garden still sort of exists here, just they look a bit different (reminds me more of the creatures the mermaid swims through to the witch in the tale as well). Which reminds me, I loved the opening with the quote at the start and the waves that I remember liking from the first teaser. I wish Ursula still had her scroll, but, eh, it's alright. Little things like that don't bother me as long as the general turns out good, they only become magnified when other stuff is on fire and then it feels like "Another thing, and another thing, and another."

Still hate the collar though.
I thought Sebastian was going to be awful here in the first half, but he was hilarious when Ariel hits land (Scuttle is hilarious the whole time). At first I hated the ugly hat Eric wears at the start of "Kiss the Girl" but it was worth it for the reveal of Sebastian later.

So many other moments, like him in the shell in the room of Eric's things, climbing to Ariel's room, the interactions with Scuttle, etc. Yeah, "Kiss the Girl" was pretty perfect, overall--Ariel's friend trio were just hilarious.
Eric's actor was another surprise for me. He sort of grew on me as the film went along--I think it helped that he had a little facial hair and a tan here than the other role I saw him in before this that made me think he was terrible. I still don't really like Ariel's dress on land or how the tails look (at least they keep moving nonstop so you don't have to look right at them--Ariel's tail whenever she's going away from the screen looks almost butterfly-esque). Still don't get why the sisters couldn't have had their song or why they needed new, dumb names, but at least their attitude towards Ariel feels the same. I really loved the scene with Ariel and the sisters (then Triton) where there's an argument. Both it and the grotto scene were pretty good with the conflict even if that first scene of Ariel and Triton arguing was too flat.
Ursula's confrontation with Triton was good, too, I actually liked F&J sort of electrocuting Ariel (and then Triton)--it made Ariel's reaction stronger. Ursula as a giant was well-done, imo, they kept her at enough of a distance so that it didn't look too goofy or anything as it could have in live-action. Something about the scene reminded me of some fanart I'd seen years ago of a sort of Disney apocalypse, someone might know what picture I'm referring to, where you have uber realistic looking versions of Genie Jafar, Giant Ursula, and Dragon Maleficent fighting one another (Jafar holds Maleficent's jaws open as Ursula aims the trident to shoot down her throat) as Ariel, Aurora, Aladdin, Genie fly away on the Magic Carpet. The vibe of Ursula reminded me of that image. EDIT:
This image--Disneypocalypse, MattRhodesArt. The scene channeled the vibe of that picture, with everything sort of being grey and orangey-white. Very bleak-looking, it was very nice.
POYW--the only thing I really missed from it was the ending where Ariel does the somersault and then touches the painting. I mean, I know they sort of combined the two lines--the one about reading and the fire--but I would've loved if they had brought that exact same painting to the film, her touching it is one of my favorite images of Ariel in the original. The fireworks scene after--you could really feel the danger of Ariel being there amidst those fireworks in a way you don't in the original. Likewise with getting to see Ariel trying to swim to shore with legs.
Lot of great little moments. One in particular is Grimsby kicking the ring, I loved that part. Triton's "What have I done?" scene and how they chose to have him focus on the trident--pretty good since it's a symbol for power and so it was a visual recognition by him that his attempt to exert power / control over Ariel too far was the cause of the fracture. I really wish the last shot was Triton making the rainbow over the boat, that's probably one big thing I wish they had done, it would have been so easy to do. Ariel eating the soap, so funny. I'm glad Carlotta is still here, too, and she does channel that maternal quality--even if I wish she was still named Carlotta, one of those needless things like the sisters' names that make no sense at all. A lot of lines (Scuttle pointing out Sebastian being hateful to her all the time, lol, Sebastian's "Girl, what you know about longing?"--the way it's said made me giggle--Sebastian cartwheeling onto the carriage, Ariel still having her crazy carriage ride scene.) The chemistry between Eric and Ariel works really well. Btw, I still feel like Bailey is overpraised since I thought all the actors were about at an equal level with no real standout but also nobody completely awful, tbh. It's like they all set right in the center with occasional spurts of greatness, so the overall film was well-off for it.
Overall, I still feel sort of what I did as far as most of them not being perfect casts, but to make up for that everyone seemed to be giving it maximum effort so that the general still ends up pretty good. It all sort of worked together and ended up being more than the sum of its individual parts. I'm not sure where I'd rank it right now. I loved it about as much as Aladdin and B&TB really, they're all sort of tied in my mind at the moment. As far as sequel speculation, I still kind of hope it doesn't get one since I don't think it or B&TB are well-suited for sequels, but if they did make one I suppose I'd be there for it.
