I had seen the "Legend of Sleepy Hollow" segment growing up, but I had never seen "The Wind in the Willows" in full until today.
My thoughts on "The Wind in the Willows":
* It was sometimes hard to understand the narrator's and some of the characters' accents (at least for me).
* Right after "The Merrily Song", when Toad is talking to Rat and Mole, his mouth is barely animated, and then that happens to Rat a little, too. But then all is well after that little bit.
* It's clever how the animals live in a world with the humans- I like how they have to climb on chairs and whatnot since they are human-sized chairs.
* I really like the perpectives used (like during "The Merrily Song", or when the judge looks down on the crouching Cyril, or during other road scenes.
*

at Mr. Toad inhaling car fumes- what a bad example! I love old Disney! (and later when the police officers ride on, not in, the train!)
* There's definitely grain and "pops" (green and pink circles that pop up for a second)- it very badly needs to be restored.
* Oh, Winky, that bad man! I knew what happens, but it still made me mad at him!
* I like how Mr. Toad's friends' faces appear, looking at him, in his puddle of tears.
* It's so funny and clever (there are lots of examples, but two are: 1. when MacBadger says that he wishes that Toad were there, and then Mr. Toad falls in his lap, and 2. when Mole makes the deed into a paper airplane, and then Mr. Toad makes lots of paper airplanes. Very exciting and fun.
* Does Rat remind anyone else of Basil?
* At 43:57, we see Mole by himself in the frame- right before and right after, we see Rat and MacBadger on either side of him, but when he's alone on screen, there is too much space on either side of him, like Rat and MacBadger stepped away for a second...that really bothered me for some reason.
My thoughts on "The Legend of Sleepy Hollow":
* I like how the ladies like Ichabod, even though Brom Bones is more handsome- he also reminds me very much of Gaston.
* Ichabod dancing on the pumpkin at the VanTassel party is obviously foreshadowing the Headless Horseman. And earlier, when Ichabod is walking, he doesn't walk under the ladder and he turns the black cat around- those first show us how superstitious Ichabod is.
* If everyone (but Brom) likes Ichabod, it makes me wonder why they all are getting enjoyment from Ichabod's fright about the Headless Horseman story. Maybe because they're all used to (and not scared of) Brom's yearly Halloween tale, and they can't believe that Ichabod believes and is scared of the story...?
* There are definitely influences from
Snow White and "The Old Mill", with the forest "coming to life" and scaring Ichabod and all.
* It's interesting how times have changed- would Disney ever dare to make a headless character now? Especially such a violent one?
General thought:
It's interesting that Nathan mentioned this:
slave2moonlight wrote:Perhaps two Halloween stories should have been grouped together, and Toad could have been matched with something else (perhaps a Christmas story
I wonder how much cheaper creating these two featurettes was than making a one-story feature-length animated film. It's understandable that the other package films (except for
Fun and Fancy Free) were cheaper, since a lot less development goes into a 10-minute (or so) short (even though some of the shorts in the package films are longer than others). "Mickey and the Beanstalk" and "The Wind in the Willows" weren't initially conceived for package films; they were originally supposed to be a full-length films.
[Thomas, Bob. Walt Disney: An American Original. New York: Simon and Schuster, 1976.]
P. 177 (talking about 1941):
With the market for cartoon features at its lowest point and the studio staff facing depletion by the draft, it seemed prudent to cut back on features, except for Bambi, which was still making tedious progress. Walt abandoned preparations for Alice in Wonderland and Peter Pan and shut down animation on Wind in the Willows. A favorite studio legend concerns the animator who was assigned to Wind in the Willows, depearted to serve in the Army, then returned four years later to resume animating the same sequence in the same film.
[Thomas, Bob. BUILDING A COMPANY ROY O. DISNEY AND THE CREATION OF AN ENTERTAINMENT EMPIRE. Minneapolis: Disney Editions, 1999.]
P. 149 (also about 1941):
The Bank of America had vetoed any work on a new feature. So Roy and the production staff worked out a program for production:
1. Regular short subjects.
2. The South American short subjects [which were compiled into two features, Saludos Amigos and The Three Caballeros].
3. Completion of Bambi.
4. The completion of the Mickey feature [Mickey and the Beanstalk, released as part of Fun and Fancy Free] or The Wind in the Willows on a slow schedule.
5. A very modest story development program.
P. 154 (same book):
Before the war, Walt had been engaged in the early stages of two classics, Alice in Wonderland and Peter Pan. Those projects had been indefinitely postponed. Walt suggested combining a short feature starring Mickey Mouse and The Wind in the Willows. Roy advised Walt that they couldn't afford to spend more than $400,000 to $450,000 on the picture.
"The very nature of this picture- combining two stories in one- is a different type of presentation, and nobody can say what sort of an experience we will have with it," Roy reasoned in a memo. "To me it seems certain, however, that it will not be as salable as a feature comprising one story of a conventional type." The project was abandoned, and the two segments were later packaged into other feature presentations.
Do any of you wish that those two featurettes ("Mickey and the Beanstalk" and "The Wind in the Willows") had been full-length films? Wonderlicious has already said:
Wonderlicious wrote:If the film has a flaw, it's to do with Mr Toad's story; I can't help but wonder if this was better suited to feature length.
What about other shorts or featurettes from the package films- are there any that you wish had been made as full-length films instead? I think that some wouldn't work as full-length films (as much as I enjoy them, I don't think that "Johnnie Fedora and Alice Bluebonnet" and "Little Toot" would). "Johnny Appleseed" and "Pecos Bill" probably could, and maybe even "Paul Bunyon".