TheSequelOfDisney wrote:PatrickvD wrote:That said, the original film is pretty awful. Why a sequel?
I whole-heartedly disagree with the bolded. My Halloween wouldn't be complete without watching
Hocus Pocus, and it's certainly one of my favorite Disney films. It's hilarious, highly-quotable, and makes for a good time.
I agree with PvD on this one. Over the past 2 months, I've rewatched the film at least 4 times. Each time, I feel weirder and weirder. Not about the movie... about myself. And I think I can safely say
Hocus Pocus is a terrible film. With good qualities but seriously... I could make a list of what doesn't work about it. However, I think I can really nail the worst aspect(s) in one category... EVERYONE is taking it too seriously except Midler, Najimy, and Parker. There are multiple characters who just POISON the movie's enjoyment for me. The first is the actor / voice dub combo for Thackary Binx. Our introduction to the witches is through this ominous tone of the movie. Even though the music is suggesting a fun blockbuster ride, the Bad Accented Boy characters are reacting to what's going on as though the audience will be able to view the witches as a threat. As though they're in
The Crucible or
Warlock or something; as though the whole movie will have a serious tone. Then you meet the witches and... you get the distinct impression that the movie's major influence for these characters was
The Three Stooges. Just take note of all the scenes featuring Winnifred pulling Mary's nose and ears, hitting Sarah in the stomach and choking her. It's a slapstick routine which you have to admit stands out in SUCH strong contrast to the rest of the characters acting as though the witches are bringing doom and destruction. A little girl dies and the movie follows it up with the witches tossing out one-liners and singing. Two trains are not meeting in the night.
The second is Thora Birch. And she's a whole other world of trouble. It's much too absurd for a movie like this trying to be sincere about the brother and sister feeling completely out of place (meanwhile: their parents are so stupid, they are entirely oblivious to the fact that their kids are so upset over the move that they would turn on each other and get into fights). One minute. The next, you get pandering "jokes" like Danni trying to embarrass Max in front of Alison or being a brat and having the parents force him to take her trick or treating and the "joke" here is that he has to make sarcastic excuses about how his school clothes qualify as a costume. This movie doesn't have a clue about real kids and what they go through. And even if it did, it doesn't know how to pick a tone for the movie. If kids actually did want to sit through a serious story about finding a way to make it in a new place, do you think they want to sit through scenes like the "bullies" insulting the witches and ending up spinning around in cages until they want to vomit (nice
Problem Child touch there, by the way, Disney)? And even then, the bullies are only about as effective as
Beavis and Butthead. Which doesn't make the movie anymore entertaining, that there's no way they could function as threatening characters. Especially not when you have such an idiotic conflict between Max and Danni spring up over what was clearly her fault to begin with. She got what she wanted when he took her out, she had no right to say anything about him to anyone.
Now, that's bad enough. But can you believe I've found something even more uncomfortable in the film? The Nostalgia Chick had a comment in her review that used to bother me, about the witches coming off like pedophiles. But when you consider how unbelievably creepy certain moments are (that she didn't even mention), it hurts the fun aspect to the witch scenes. Which are the only fun ones anyway. I'm mostly referring to the movie's pre-set double standard involving young boys being the target of physical violence from the witches but never the girls. Three women, ya know, being in charge of manipulating young boys' bodies and violating them through aggressively physical tricks. What do they do to the girls? Cast spells on them. Make potions. And hold onto them in what is hardly a suggestive manner when you compare this to what they do to the boys. Yes, it's far more disturbing in comparison when you have Winnifred zapping Max in the stomach and running him up the walls like the mother in
Poltergeist. Even though you'd think this would be in the vein of
Evil Dead II /
Army of Darkness type slapstick... it's really not. Not when you compare Bruce Campbell's hammy, not-taken-seriously dramatic readings of lines like "give me back my hand!" and "who's laughing now?" They're a world away from the freakishly 'I'm on a mission' intended-to-be-serious tone to the readings by Max and Binx. The biggest difference is in the physical mugging Campbell gives even in the most extreme moments of Raimi's films. Max and Binx look like they're trying to sell their scenes as believable. And that's so unsettling, especially considering how many times Parker says "let me play with him" and "I'll be thy friend" in her ultra-vampy, ultra-lusty manner.
If you can honestly ignore all that, I don't think you're looking at the movie closely enough.
Flanger-Hanger wrote:SWillie! wrote:Seriously. Patrickvd, you must be watching the wrong movie. Awful?!
Many people think the movie was/is awful, it has a 32% rating on RT with 22 reviews counted. Siskel and Ebert gave it two thumbs down, Maltin gives it 1.5/4, etc. it was hardly a cirtical favorite.
It's the kids who grew up with it who really love it.
Well, Maltin's "review" of the film came down to 1 statement (that I remember). He criticized it for not being family-friendly enough. Which likely means he objected to the mere mentioning of virginity. Which of course branched out in the movie to the yabbos scene, the jealous wife, the motorcycle cop, the mother's Madonna reference, and the bus driver who of course had this delightful exchange with Midler (I hope everyone picked up on the double entendre):
Winnifred: "We desire... children."
Bus Driver: "Well, that might take me a few tries but I don't think it'll be a problem."
In short, Maltin was just being a prude. Most of the sexually suggestive dialogue was generally kept in the correct age barriers: adults mostly tried to seduce adults, and teens lusted after teens. Look at me, now. I seem to be defending the movie even though my intention is to blast Maltin for making a fuss over this aspect of the movie. This movie hardly turned a generation of young moviegoers into degenerates and who says Disney shouldn't make a movie that parents can't enjoy? Which, of course, brings up another shortcoming of the movie. That it really seems to want to be a more horror version of something like
The Goonies or a less risqué
The Monster Squad. And if you've seen those movies (especially the latter), I think you know how bad an idea that is. As was getting Mick Garris to write the screenplay. His most previous to 1993 non-R-rated work was
Critters 2. Which had a subplot involving an alien taking the form of a
Playboy centerfold complete with full topless shots.