2099net wrote:
Lasseter? Please no. Make it stop mommy! Make it stop!
Believe me, I am right with you. He can't possibly give as much attention (and quality attention at that) by spreading himself so thin on so many projects! I already have major issues with him being in charge of WDFA (but I am extatic about him returning hand-drawn animation).
Why Is Dick Cook Leaving Disney?
http://www.cnbc.com/id/32927926
(via disneyreport.com)
Industry insiders tell me—and this makes sense—that Disney could be moving towards a model of dramatically cutting back its own creative development. Instead Disney would focus entirely on distributing films from Pixar, DreamWorks, Marvel Entertainment, and Jerry Bruckheimer films, and perhaps also Disney Animation. DreamWorks plans to release six movies a year, Pixar generally produces one a year, Marvel is shooting for two a year, and if Bruckheimer releases two a year: that alone is 11 films for Disney to release annually.
The idea would be that Disney would reserve its powerful "Walt Disney Pictures" brand for a select few theatrical products (cutting its production overhead way back) and let its crackerjack marketing and worldwide distribution pipeline deploy the DreamWorks, Marvel, Pixar brands. Some of my Hollywood sources are speculating that Mark Zoradi, currently president of Walt Disney Studios Motion Pictures Group, which oversees marketing and distribution, would be a natural fit to take over the studio if it does indeed shift away from production.
So wtf is happening to Walt Disney Pictures?!?!?! Seriously, do NOT prioritize DreamWorks and Marvel. That angers me immensely. Do NOT use other companies as your crutch, Disney. Don't be freaking lazy...make your own quality movies, use your own money, make your own money.
Steven Spielberg and Stacy Snider are both huge fans of Cook and that relationship was key to establishing their distribution deal with Disney.
Is there any way that they'll be able to back out of their contract then? Probably not. And I don't feel the way I do about DreamWorks Animation towards the live-action DreamWorks, but, still, it's DreamWorks, and I don't feel that Disney needs to be releasing their films. Their films or anyone else's films.
Walt Disney Studios chief Dick Cook abruptly leaves the company
http://www.latimes.com/business/la-fi-c ... 9626.story
(via disneyreport.com)
A person close to Cook said the movie chief "didn't see it coming." He was summoned into a meeting and was told the studio "wanted to go in a different direction," said the person. A Disney spokesperson denied the report.
A different direction? A lesser-quality direction, or a what-Iger-thinks-but-isn't-sure-about direction? I mean, maybe there will be hope that fewer lesser quality projects (think
G-Force will be made in favor of some better quality projects (such as POTC: TCotPB). Especially if what the previous quote said comes true, the few Disney movies that will be released will have to be awesome quality, right?
first evidence of discontent bubbled to the surface in a conference call with analysts in May, when Iger described the studio's performance as "disappointing" -- and placed the blame on Burbank's doorstep, criticizing the choice of films and the execution. Cook's departure comes nearly three weeks after Disney agreed to buy comic-book publisher Marvel Entertainment, producer of the "Spider-Man" and "Iron Man" movies, for $4 billion.
So Iger hasn't been happy for a while, it seems. And, is that last sentence in the article to mean that this author, too, thinks that the head Marvel guy will replace Cook?
I think that Disney needs Cook...they need a Disney guy heading the film division. Part of me would rather Lasseter than the Marvel guy, because Lasseter technically is a Disney guy. What the heck does the Marvel guy know about Disney movies, I mean really?!? At the same time, as I said, I don't want Lasseter spreading himself too thin. I'm hoping that, if not with Lasseter, that Cook is replaced by a Disney person.
Disney's box-office performance for the last year has been propped up in large part by Pixar Animation Studios. Disney's attempts to create branded franchises that can be spread throughout the company's theme parks, TV and interactive divisions, a key priority, have been lackluster. July's "G-Force," March's "Race to Witch Mountain" and last Christmas' "Bedtime Stories" were all box-office disappointments.
Still, this summer's Touchstone-branded romantic comedy "The Proposal" was a surprise hit, selling more than $161 million of tickets domestically. And April's "Hannah Montana: the Movie," based on the Disney Channel series, grossed a solid $80 million. Pixar's "Up" has already collected $415 million around the world and is likely to exceed $600 million after finishing its foreign run.
While reading the first paragraph I just quoted, I thought that, "Well, families are choosing to rent or buy DVDs instead of going to the theater to save a lot of money". At the same time, though, explain
Hannah Montana: The Movie, but Hannah/Miley has such a devoted fanbase, that maybe we can chalk that movie's performance to her rabid fans.
Cook, the onetime Disneyland ride operator who rose to head the studio, is viewed as a traditionalist at a time when Iger is seeking new ways of doing business. Cook tended to be uncommunicative to the point of secretiveness -- a personal style that frustrated Iger, who emphasizes collaboration.
Again, what is the new business that Iger wants?!? Cheaper movies that make a bazillion dollars?