Re: Fantasia/Fantasia 2000 Discussion Thread
Posted: Wed Nov 27, 2024 10:14 am
Source: https://www.facebook.com/photo/?fbid=793896563995747Nik Ranieri wrote:This was one of the strangest events in the history of my time at the Walt Disney Studios. One I’m sure they wished would be buried for good…which is why I’m going to tell you about it. Roy E. Disney’s dream was to see Walt’s vision of Fantasia realized. This vision required new pieces of animation to replace old selections from the film, therefore creating a new experience with each theatrical release. This dream would be achieved to some extent, with the release of “Fantasia 2000” but it was not an easy road. Many concepts were developed and subsequently thrown out in favor of others that were in turn thrown out as well. One such Idea came as a response to Michael Eisner’s choice of music. “Pomp & Circumstance” was the music that he chose. He said it was a very emotional piece that affected him greatly. Could it have been that he had just come from his son’s graduation when he decided upon this piece? Mmmmm, could be. Regardless, that’s what the filmmakers had to use whether they liked it or not. So the then “Fantasia Continued” story team, set to work coming up with a theme to this music. The obvious choice was made, but how to fit the Disney magic into it proved a problem. Their solution was to make it a graduation/reunion with every known Disney character from the last 60 years witnessing the graduation of the princes and princesses from Disney animated history! The kicker was that at the end of the ceremony the princes all got diplomas where as the princesses all got babies. The looks on our faces were reminiscent of that scene in “The Producers” (the good movie with Zero Mostel and Gene Wilder) where the audience first saw “Springtime for Hitler”. The fact that they invited the remaining nine old men, just added insult to injury (they of course, were brutally honest and left soon after the presentation). The reason for inviting us all was for every one to animate their own character – and they were ALL there …except for Pocahontas. This part makes me laugh because at that point, Glen Keane asked, “Where’s Pocahontas?”, to which they assured him that she would be added. As we left the building, I turned to Glen and wryly repeated, “Where’s Pocahontas”? To which he cringed and said, “I know, I know, I don’t know what I was thinking!” So when you think that Disney makes it look so easy, just remember, for every good film that is released, there were many versions and concepts that were thrown out before the final was given approval. That’s why these movies cost so stinking much.
Source: https://youtu.be/ojYj9rZAI5Y?si=ZKQ9V9_wj7-ZR3DX&t=5261Mark Kausler: Pat [Ventura] and I wound up boarding the very first version of Pump and Circumstance.
Dave Bossert: Oh, with all the princes and princesses marching?
Mark Kausler: Yes. A whole year boarding that.
Dave Bossert: George Scribner was on that.
Mark Kausler: I don't remember George being on it, but I'm sure you're right.
Dave Bossert: I think George was actually going to direct on that sequence and that just flamed out. When Michael Eisner suggested Pomp and Circumstance, there was like an audible groan from people in the animation department because it was like 'Really?' And then the idea of having all the Disney princes and princesses marching to Pomp and Circumstance by Elgar and they are all carrying their babies...
Mark Kausler: And Daisy Duck had a pillow with seven little crowns on it for each of the princes and princesses' [babies]. And Roy E. Disney's wife, Patty, cried when she saw the story reel. She loved it so much, she cried. But then, the rumor had it, and you may correct me if you know better, that Glenn Keane and a bunch of the guys went up to the executives' office, maybe it was Roy. E's, and said 'Of course, you know we're not going to animate this'.
Dave Bossert: I don't know that story. All I know is that there was just a lot of people who were down on that version as in 'There is no way any of us are working on that' and then they scrapped it and they came up with the Francis Glebas Noah's Arc version of what's in the film now.
Mark Kausler: And I animated on that.
Dave Bossert: And you know something? As much as there was this sort of groan about the choice of music, doing the Noah's Arc story with that music really makes it work.
Mark Kausler: Because of the procession of animals and things like that in it.
Dave Bossert: Absolutely. It's very well done.
Mark Kausler: Towards the end of my time on Fantasia 2000, there was a lady named Sara Petty who they hired; she did a wonderful short subject with some cats that was really nice...
Dave Bossert: They assigned her to the Beethoven's Fifth sequence.
Mark Kausler: She was trying to come up with stuff for that sequence and so I wound up doing development.
Dave Bossert: That was the one troubled sequence out of the whole film. The hardest nut to crack was the Beethoven's Fifth sequence.