Posted: Wed Feb 01, 2012 11:12 am
Little Mermaid going to take #1 spot. I have feeling that's what it'll be.
2nd and 3rd place could go either way.
2nd and 3rd place could go either way.
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Ha, I was 13 in 1996....ProfessorRatigan wrote:How old were you? I know alot of people who didn't like it when they were kids. It is a more 'adult' appealing film.
Super Aurora wrote:The Little Mermaid. That's my bet.
We were right.enigmawing wrote:I'm guessing The Little Mermaid will be #1, but that's just me.
I rewatched the movie not too long ago and gained new appreciation for it. Not that it wasn't always in my top 10, but my new viewing catapulted it right to the no.2 spot. I think it has a perfect balance of drama, suspense, adventure and humor. I also think it's the most hilarious of all the Classics, in large part thanks to Robin Williams and Gilbert Gottfried. Yes, other Disney films have laugh-out-loud moments as well, but never were they so inventive as in Aladdin. Plus, unlike in other films (like Aristocats or Robin Hood), like I said, they balanced it out perfectly with enough heart and warmth. That's because, as you pointed out yourself, the characters are so good. The whole movie's execution is just flawless. Its pace and timing is amazing and it has not *one* dull moment in it. It's perfect from start to finish, in my opinion.ProfessorRatigan wrote:I love Aladdin, but I can admit that my love of that film is entirely nostalgia. That was my childhood movie. Looking at it now, I see a lot of story problems with it.
Why not? Seriously, why not? I mean, what's the difference, essentially, between the narrator at the beginning of Cinderella or The Wind in the Willows and the one in Aladdin? Okay, besides that this one's hilarious and gives us an amazing song and perfect introduction to the world of Ahgrabah? It really sets the mood for the film. Start with Jafar in the desert and you've lost that mood.ProfessorRatigan wrote:The narrator at the beginning: why have him if he doesn't come back later in the story?
To be fair, they stuck a lot of jokes in there that even 90's audiences would have trouble with getting, especially kids. For example, we see Genie morph into Groucho Marx and Ed Sullivan, already antiquated references in the 90's. And which kid knew who William F. Buckley was when Genie transformed into him twice? And would kids get all the references to adult movie stars anyway? I've grew up on the Dutch dub of the film, so I never got to hear the original imitations anyway. Still, it was funny to me, just because the Genie was being funny.ProfessorRatigan wrote:The Genie in general. I hate how he steals a huge chunk of the movie and derails it with unfunny impressions and lame jokes and pop culture references that only serve to date the movie. (Will children 50-60 years from now understand a Jack Nicholson reference? It'd be like if Walt had stuck Greta Garbo jokes in Snow White.)
Slight correction: Aladdin explains he only dresses as a streetrat to escape life in the palace. Jafar reveals Aladdin really *is* one. Anyway, that's always how I've seen it. It's not nearly as big a plothole as Maurice lying sick in the woods for months though.ProfessorRatigan wrote:The scene where Jasmine figures out that Aladdin lied to her: why have this scene if the next thing we know, Jafar is using this information to dress Aladdin down in front of her during the Prince Ali Reprise? Why is Jasmine surprised suddenly, considering Aladdin JUST told her the 'truth?'
Because they cut out Aladdin's mother, remember?ProfessorRatigan wrote:They could have made Proud of Your Boy work!! [...] (seriously, why couldn't they've used Proud of Your Boy?! So, so, much better!)
The one thing that struck me the most in my last reviewing of the movie is how seamless the influence of Tim Rice is waven into the film. I really thought 'One Jump Ahead' was an Ashman song. I was surprised how strong it was. I had written it off as the weakest song in the movie before, but now I think it's one of the best. The lyrics are really clever, and then that animation and jokes to go with it... leaves me in stitches everytime!ProfessorRatigan wrote:I get the feeling that One Jump Ahead is Tim Rice trying desperately to sound like Howard Ashman. (The frenetic pace, the lightning fast snappy lyrics) I don't think he succeeded. He comes off being too derivative.
ProfessorRatigan wrote:I don't hate it for its popularity. [...]
Some of the writing in it comes off to me as heavy-handed. Like they were trying SO hard to make us appreciate it on an intellectual level. But those scenes, to me, come off as corny. (The scene where Simba steps into Mufasa's pawprint. He's got some pretty big shoes to fill, eh?) I feel a scene like that kind of hits us over the head with what it's trying to say. And the same thing with the scene with Simba and Rafiki. "Going back means I'll have to confront my past! I've been running from it SO LONG..." I actually groaned out loud re-watching that scene in the theater this September. That smacks as terribly lazy writing to me.
Simba and Nala...yeah, sorry, but I think theirs is the blandest, most unnecessary romance in the Disney canon. Okay, so, we need the "Circle of Life" to come full circle, (way to rip off Bambi, Lion King...) I'll give you that. But. I dunno. They could have done a much better job with it. She chases Pumbaa, she finds Simba is still alive, we get an insipid, uninspired love song, and then suddenly, they're arguing... I can tell this is a love meant to be.Five minutes they've been romantic together and they're fighting. I think it's clunky. It doesn't come off as genuine and seems forced. There isn't any chemistry between the two of them. [...]
enigmawing wrote:Super Aurora wrote:The Little Mermaid. That's my bet.We were right.enigmawing wrote:I'm guessing The Little Mermaid will be #1, but that's just me.
Discussions about flaws in Disney films are intriguing. Praising about the good points in the films gets boring fast.SWillie! wrote:I mean, everything you guys are saying are all valid arguments, but I just feel like... how can you possibly enjoy these films if you're just looking for flaws?
Who would know? That rarely happens here.Sky Syndrome wrote: Praising about the good points in the films gets boring fast.
I personally don't see it as a bad thing as long as people keep it civil and realize that everyone has the right to agree or disagree and even argue their points.SWillie! wrote:Man, you guys pick apart these movies like nothing I've ever seen.
Is it bad if I actually like scenes that hit you over the head with the meaning? Especially in a 'kids' movie - they need scenes that make it plainly obvious what is going on.
I mean, everything you guys are saying are all valid arguments, but I just feel like... how can you possibly enjoy these films if you're just looking for flaws?