Hardbackyoyo wrote: ↑Thu Nov 13, 2025 3:30 pm
Your entire critique only makes sense if you've already decided TS3 must be the end. If you start from that idea, of course TS4 and TS5 will feel wrong, and that's because you don't want any continuation, and not because the story doesn't support one. I can also tell that you don't like the idea of Woody's whole philosophy being challenged. Sometimes a character's deeper issues don't become obvious until the story finally brings them to the surface. TS4 didn't invent Woody's loyalty problems, it just made them explicit.
I mean ... that
is exactly where I stand. And more, that's where the series as a whole stood once upon a time. Obviously, no executive is ever going to come out and say "Henceforth and forevermore, there will be no more movies in X franchise," but ... I was there in 2010. We all thought this was going to be the last movie. We all did.
I think hypothetically, we could have had like a billion "Toy Story" that took place between the events of Toy Story 2 and 3, but the third movie opted to take some really big swings, and that's why it was so deeply affecting. It was a statement about letting go and moving on.
Lasseter and Iger looked at that and thought, "Hm, that was fun. Let's see if we can do that again." Which absolutely defeats the point ...
To respond to some of your points in your later post ...
Yeah, kids get flighty about these things, but that's a really sandy foundation to build a theme on. Like, who's to say that Woody won't be her favorite again by Thursday?
I don't see Woody occasionally helping lost toys as being a natural progression of his arc. Really, it feels more comparable to the storyline in Toy Story 2 where he's sort of being exalted into celebrity to be adored just a little by a million kids but never knowing true connection with any one of them.
Woody's essentially decided that his life has become too hard, and there's just no literally NO. OTHER. WAY. So he HAS to call it a day and hang up his boots and go reconnect with his old flame and live a life where no one will ever ask him to do anything hard ever again. (Or rather, it's
everyone else who's telling him all this. I suppose if you can convince yourself it's coming from your environment, then it's almost not your fault.)
That's not progression. That's regression.
Challenging a character's philosophy is one thing. Really, that's the point of almost any given story. But not all challenges are created equal.
Like, when I think of Toy Story 4, I honestly imagine someone making a sequel to "It's a Wonderful Life" that ends with George Bailey deciding, "You know what, maybe it's okay to put myself first now and then," and that movie making a billion and winning a bunch of Oscars. You could hypothetically say, "See how he's doing something he never would have done in the last movie? I guess he must have really grown as a person." But we know that's just not who he is. That would not be forward motion.
(I also think there's a lot of weak machinery at work in this movie that further complicates their ability to say anything revelatory. Trying to tell us "there's actually more to a toy's life than just being played with by a kid, ya' know," in the same movie where a kid choosing to play with a plastic fork actually brings that fork to life ... If there
is a case to be made for redirecting Woody's entire arc, they absolutely were not making it in this movie.)
That's my honest read of the film, and I'm not going to be soft about it. But I'm also not going to fault someone if they can look at it and see something different than I do.