DVDizzy Forum

Orson Welles:

The Magnificent Ambersons (1942)-
Expect the review to be up here next week. I've recorded it last week and still need to watch it.

Citizen Kane (1941)- 7
Maybe it's a low grading for such an acclaimed masterpiece, but it simply hasn't aged well. It's rather slow and honestly, a bit boring when watched through modern day eyes. That doesn't take anything away from the innovative way Welles has set up this classic. And he's brilliant in his role of Charles Foster Kane.


Cecil B. DeMille:

The Ten Commandments (1956)- 5
This has to be the most overrated film of all time. To me, it was the wooden performances and cardboard characters that killed it for me. That, and the laughable 'effects'.

Oh, I wish I could give brother Bill his great thrill
I would send him in chains at the top of the hill
Then send out for some pillars and Cecil B. DeMille
He could die happily ever after

- 'Tombstone Blues' (1966), Bob Dylan


Howard Hawks:

Gentlemen Prefer Blondes (1953)- 6
Average, much overrated comedy. I had to laugh several times, but it's not by far the comedic masterpiece people make it out to be. Oh, and Marilyn can't act. There, I said it!

To Have and Have Not (1944)- 5
I've seldom seen a Bogart-movie that's horribly boring, but this is one of them. (The other one is 'Beat the Devil'.)

His Girl Friday (1940)- 9
Now this is the way all comedies should be: great pacing, clever dialogue, impeccable delivery, smart jokes, likeable characters. Cary Grant was never in better form.

Only Angels Have Wings (1939)- 7.5
Unexpected winner. I didn't expect much starting this one, but it took me by complete sursprise just how good it was. I just like the general tensed atmosphere that lies over the entire movie; that feeling was very well communicated to the viewer.


Frank Capra:

It's a Wonderful Life (1946)- 5
Despite Jimmy Stewart, this is vastly overrated melodramatic second-rate cheap drama. I also don't like the message it sends: 'sacrifice your life and your dreams and live a crappy life that you never wanted, because it might make somebody else happy'.

Mr. Smith Goes to Washington (1939)-
Sadly, I haven't had the chance to watch this classic yet.

Lost Horizon (1937)- 8.5
The best Capra I've seen yet. It's an exciting tale of a a group of unrelated travelers who happen to strand in the utopian Shangri-La, but it remains a mystery whether or not its leader can be trusted for a large part of the movie, which creates great suspense. It misses the thickly layed-on morality and preaching that has made other Capras so unbearable.

Mr. Deeds Goes to Town (1936)- 5
I think Gary Cooper is miscast and I hate the overdone, horribly exaggerated saccharine-sweet ending in the courtroom.

It Happened One Night (1934)- 9
By far the best 'romantic comedy' I've ever seen. It's amazing how fresh it still is after 76 years! I was also amazed to learn Gable and Colbert both didn't want to do this movie; you totally can't tell from their performances and great chemistry.


William Wyler:

Ben-Hur (1959)-
I'm always putting off watching it, because it's sooooo long... and I'm sure it can't possibly live up to my expectations, based in its reputation.

Orson Welles:

F is for Fakes (1973)- Will watch on Netflix soon
Chimes at Midnight (1965)- 9 A damn fine Shakespeare adaptation.
The Trial (1962)- Will watch on Netflix soon
Touch of Evil (1958)- On my Netflix queue
Citizen Kane (1941)- I don't really know how to rank this. I've seen it twice, liked it quite a bit, and understand it's importance to cinema. It's overall a very well done movie in all regards. But it just hasn't spoken to me like certain other films held in similar regard do. I think I need another rewatching before I can rank it.

Howard Hawks:

The Big Sleep (1946)- 6.5 I didn't really like this one the first time I watched it. After reading the original Raymond Chandler pulp novel and loved it, I decided to rewatch it. I think my problem is that it's a Disneyifaction of the source material, and doesn't work as well as the book. Humphrey Bogart and Lauren Bacall were sensational, though. Bog is
His Girl Friday (1940)- I mentioned this earlier. I'll get to it again, eventually.
Bringing Up Baby (1938)- 9.5 Love this one. Cary Grant and Katherine Hepburn were fantastic, and there were tons of great laughs.

Frank Capra:

It's a Wonderful Life (1946)- 7 Fine, but never really appealed to me all that much. I think it overstays it's welcome and becomes a bit too saccharine at times.
Mr. Smith Goes to Washington (1939)- 7.5 Also overly saccharine, this is a good film, but not one of my favorites.
It Happened One Night (1934)- 10 How can people call It's a Wonderful Life or Mr. Smith Capra's best when this gem exists? Classic Hollywood magic.

The Directors:


Fritz Lang:

Journey to the Lost City (1960)
The 1,000 Eyes of Dr. Mabuse (1960)
The Tomb of Love (1959)
Der Tiger von Eschnapur / The Tiger of Eschnapur (1959)
Beyond a Reasonable Doubt (1956)
While the City Sleeps (1956)
Moonfleet (1955)
Human Desire (1954)
The Big Heat (1953)
The Blue Gardenia (1953)
Clash by Night (1952)
Rancho Notorious (1952)
American Guerrilla in the Philippines (1950)
House by the River (1950)
Secret Beyond the Door (1947)
Cloak and Dagger (1946)
Scarlet Street (1945)
The Woman in the Window (1944)
Ministry of Fear (1944)
Hangmen Also Die! (1943)
Moontide (1942)
Confirm or Deny (1941)
Man Hunt (1941)
Western Union (1941)
The Return of Frank James (1940)
You and Me (1938)
You Only Live Once (1937)
Fury (1936)
Liliom (1934)
The Testament of Dr. Mabuse (1933)
The Last Will of Dr. Mabuse (1933)
M (1931)
By Rocket to the Moon (1929)
Spies (1928)
Metropolis (1927)
Kriemhild's Revenge (1924)
Siegfried (1924)
Dr. Mabuse: The Gambler (1922)
Destiny (1921)
Vier um die Frau / Four Around a Woman (1921)
Das wandernde Bild / The Wandering Image (1920)
Die Spinnen, 2. Teil - Das Brillantenschiff / The Spiders Part 2: The Diamond Ship (1920)
Harakiri / Madame Butterfly (1919)
Die Spinnen, 1. Teil - Der Goldene See / The Spiders Part 1: The Golden Lake (1919)
Der Herr der Liebe / Master of Love (1919)
Halbblut / The Half-Caste (1919)

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David Lean:

A Passage to India (1984)
Ryan's Daughter (1970)
Doctor Zhivago (1965)
Lawrence of Arabia (1962)
The Bridge on the River Kwai (1957)
Summertime (1955)
Hobson's Choice (1954)
Breaking the Sound Barrier (1952)
Madeleine (1950)
One Woman's Story (1949)
Oliver Twist (1948)
Great Expectations (1946)
Brief Encounter (1945)
Blithe Spirit (1945)
This Happy Breed (1944)
In Which We Serve (1942)
Major Barbara (1941)

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Rainer Werner Fassbinder:

Querelle (1982)
Veronika Voss (1982)
Lola (1981)
Theater in Trance (1981)
Lili Marleen (1981)
The Third Generation (1979)
The Marriage of Maria Braun (1979)
In a Year with 13 Moons (1978)
Despair (1978)
Germany in Autumn (1978)
The Stationmaster's Wife (1977)
Women in New York (1977)
Chinese Roulette (1976)
Satan's Brew (1976)
I Only Want You to Love Me (1976)
Fear of Fear (1975)
Mother Küsters Goes to Heaven (1975)
Fox and His Friends (1975)
Effi Briest (1974)
Martha (1974)
Ali: Fear Eats the Soul (1974)
Nora Helmer (1974)
World on a Wire (1973)
Jail Bait (1973)
Bremen Freedom (1972)
The Bitter Tears of Petra von Kant (1972)
The Merchant of Four Seasons (1971)
Beware of a Holy Whore (1971)
Whity (1971)
Pioneers in Ingolstadt (1971)
Rio das Mortes (1971)
The Niklashausen Journey (1970)
The American Soldier (1970)
Why Does Herr R. Run Amok? (1970)
Das Kaffeehaus / The Coffeehouse (1970)
Gods of the Plague (1970)
Katzelmacher (1969)
Love is Colder Than Death (1969)
Das kleine Chaos / The Little Chaos (1966)
This Night (1966)
Der Stadtstreicher / The City Tramp (1966)

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Douglas Sirk:

Imitation of Life (1959)
A Time to Love and a Time to Die (1958)
The Tarnished Angels (1957)
Interlude (1957)
Battle Hymn (1957)
Written on the Wind (1956)
There's Always Tomorrow (1956)
All That Heaven Allows (1955)
Captain Lightfoot (1955)
Sign of the Pagan (1954)
Magnificent Obsession (1954)
Taza, Son of Cochise (1954)
All I Desire (1953)
Take Me to Town (1953)
Meet Me at the Fair (1953)
Has Anybody Seen My Gal (1952)
No Room for the Groom (1952)
Week-End with Father (1951)
The Lady Pays Off (1951)
Thunder on the Hill (1951)
The First Legion (1951)
Mystery Submarine (1950)
Slightly French (1949)
Shockproof (1949)
Sleep, My Love (1948)
Lured (1947)
The Strange Woman (1946)
A Scandal in Paris (1946)
Summer Storm (1944)
Hitler's Madman (1943)
Wilton's Zoo (1939)
La Habanera / Cheated by the Wind (1937)
To New Shores (1937)
Das Hofkonzert / The Cour Concert (1936)
Final Accord (1936)
't Was een April (1936)
Stützen der Gesellschaft / Pillars of Society (1935)
April, April! (1935)
The Girl from the Marsh Croft (1935)

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Frank Tashlin:

Films
The Private Navy of Sgt. O'Farrell (1968)
Caprice (1967)
The Glass Bottom Boat (1966)
The Alphabet Murders (1965)
The Disorderly Orderly (1964)
Who's Minding the Store? (1963)
The Man from the Diners' Club (1963)
It'$ Only Money (1962)
Bachelor Flat (1962)
Cinderfella (1960)
Say One for Me (1959)
The Geisha Boy (1958)
Rock-a-Bye Baby (1958)
Will Success Spoil Rock Hunter? (1957)
Hollywood or Bust (1956)
The Girl Can't Help It (1956)
The Lieutenant Wore Skirts (1956)
Artists and Models (1955)
Susan Slept Here (1954)
Marry Me Again (1953)
Son of Paleface (1952)
The First Time (1952)

Shorts
The Way of Peace (1947)
Daffy Ditties: Pepito's Serenade (1946)
Choo Choo Amigo (1946)
The Lady Said No (1946)
The Unruly Hare (1945)
The Stupid Cupid (1944)
Booby Hatched (1944)
Plane Daffy (1944)
Brother Brat (1944)
Swooner Crooner (1944)
I Got Plenty of Mutton (1944)
Puss n' Booty (1943)
Scrap Happy Daffy (1943)
Porky Pig's Feat (1943)
A Hollywood Detour (1942)
The Tangled Angler (1941)
The Fox and the Grapes (1941)
You're an Education (1938)
Little Pancho Vanilla (1938)
Cracked Ice (1938)
Wholly Smoke (1938)
The Major Lied 'Til Dawn (1938)
Porky's Spring Planting (1938)
Have You Got Any Castles? (1938)
Porky the Fireman (1938)
Now That Summer is Gone (1938)
Porky at the Crocadero (1938)
The Woods Are Full of Cuckoos (1937)
Porky's Double Trouble (1937)
The Case of the Stuttering Pig (1937)
Speaking of the Weather (1937)
Porky's Railroad (1937)
Porky's Building (1937)
Porky's Romance (1937)
Porky's Road Race (1937)
Porky in the North Woods (1936)
Little Beau Porky (1936)
Porky's Poultry Plant (1936)
Hook & Ladder Hokum (1933)

Fritz Lang:

M (1931)- 7
Not as good as its reputation would have you believe. The movie suffers most from the last act, in which Peter Lorre makes an unbelievable, over-the-top melodramatic plea to save his life.

Metropolis (1927)- 8.5
Silent masterpiece, still strong and, dare I say it, relevant these days. (Metaphorical social commentary on the miserable circumstances working people live in, while the rich enjoy the good life.) I saw a restored version, but it seems more pieces have been found since.


David Lean:

Doctor Zhivago (1965)- 6.5
Like most of Lean's films I've seen, way too long. Even if the premise and story is good, one automatically loses interest after watching for such a long time. Nothing special happens here; it's all pretty standard.

Lawrence of Arabia (1962)- 7
Better than most of the period's 'epic' movies, thanks in large part to Peter O'Toole, but also thanks to the beautiful cinematography. Worth watching for that alone.

The Bridge on the River Kwai (1957)- 4
One of the most ridiculous movies I've ever seen. I couldn't relate to the characters at all. I didn't think the British officials were heroes of principle; I just thought they were pricks.


I'm not gonna review all of Frank Tashlin's shorts. I have no idea which titles matches which shorts.

Oh man, I might have to come back for Tashlin's shorts. I love his Looney Tunes work to bits.

Fritz Lang:

The Big Heat (1953)- 8.5 A dark but great film noir classic. The opening starts off a little slow and sweet, but the twist later on makes up for that and makes the film even more haunting.
M (1931)- 9.5 Mark calls Peter Lorre's ending speech melodramatic, I call it brilliant. To each their own.
Metropolis (1927)- 8.5 A big experience, but also a little convulted. Granted, I haven't seen the full version that was finally restored last year, so I might come back to rescore it later.

David Lean:

Doctor Zhivago (1965)- 8.5 Quite good, but some of it could have easily been cut out, and not everything works. When it's good, it's great, though.
Lawrence of Arabia (1962)- 10 Maybe it is too long, but the sheer ambition and grand scale more than make up for the length. I love this film to death.
The Bridge on the River Kwai (1957)- 8 Peter O'Toole is great and the story is engaging.
Brief Encounter (1945)- Will watch on Netflix soon

Fritz Lang:

Die Nibelungen - 8: A slow spectacle
Metropolis - 9: It certainly has held up well and seeing it on the big screen last year is my greatest cinema memory.
M - 9: Peter Lorre's greatest performance and M holds the title of my favourite crime film
Dr. Mabuse series - 7: Great story and characters but it doesn't hold up quite as well as M or Metropolis
Der Tiger von Eschnapur/Das Indische Grabmal - 8: Lang's Temple of Doom is intensely spellbinding.

R.W. Fassbinder:

World on a Wire - 9: A film that is nothing short of breathtaking.

Robert Altman:

Short Cuts (1993) - 6.5
This starts off great but begins to loose it’s luster around the halfway point (when Jack Lemmon’s character leaves). The large ensemble cast of characters have enough depth that you don’t feel cheated and while their stories aren’t all equally interesting, together they suck you in. What nearly ruins it is the ending/s. Talk about feeling cheated.

The Player (1992) - 7
A satire on Hollywood and how they manufacture movies that is very entertaining. Unfortunately it’s the ending that leaves me with a sour taste in my mouth. If they had ended this movie when it fades out to black and not had the ‘1 year later’ title card with all the tacked on crap that follows, it would be far more enjoyable.

Popeye (1980) - 5.5
It can be painfully dull at times with terrible songs that are sung equally bad and uninteresting subplots dragging out a very thin story but I feel it for the most part captures the spirit of Popeye. Unfortunately most of the “Popeye” feeling stuff takes place during the final 2 minutes. The casting is it’s best feature (I can no longer see Shelley Duvall without picturing Olive Oyl).

Nashville (1975) - 6
I watched this because it was on AFI’s updated top 100 list and like many movies on that list, I was disappointed. Sure Robert Altman knows how to handle a large cast but I never really get invested in any of them. The pacing is what kills this movie, too long and too much dragged out longer then necessary. I also was never a fan of his messy direction of having too much going on at once (mainly in his sound mixing).

The Long Goodbye (1973) - 6
I usually love this Phillip Marlowe detective stuff, like The Big Sleep and Murder My Sweet, but this movie just isn’t in the same league. I think Gould holds his own as Phillip Marlowe, while still nowhere near as good as Bogie or Powell, but his character is practically ruined at the end with him murdering someone (after all the great cat stuff at the beginning).

McCabe & Mrs. Miller (1971) - 5.5
It’s AFI’s top 10 westerns list that disappoints me this time around. It’s probably my least favorite on the entire list. I feel the characters are interesting but never properly explored and that isn’t good in a character driven film (since this most definitely isn’t a plot driven one). It’s Altman’s trademarks that hurt his films as far as I’m concerned. Lastly, the Leonard Cohen songs just don’t work for me.

MASH (1970) - 5.5
Another example of the AFI Top 100 list leading me astray. I was never a big MASH fan, I’ve only seen a few episodes and thought it was alright. It’s hard to believe something this mediocre spawned such a popular series. It starts off painfully slow and somewhat recovers as it goes along.

Peter Bogdanovich:

Paper Moon (1973) - 7.5
I remember really enjoying this movie. The lead players (father and daughter) have chemistry, I love the 30s setting and the B&W photography was gusty.

Directed by John Ford (1971) - 7
I’ve seen the updated version of this doc. It gives you a broad picture of his filmography and the effect it’s had on todays directors.

The Last Picture Show (1971) - 5.5
Yet another example of the AFI Top 100 list leading me astray. I found tis movie largely uninteresting. I had to watch it a second time just to be sure I wasn’t missing something but no; it’s probably the dullest coming of age movie I’ve ever seen to star horny/rebellious teenagers.

Mel Brooks:

Robin Hood: Men in Tights (1993) - 5.5
There is some laughs but it’s largely junk.

Spaceballs (1987) - 6
The jokes miss more then they hit but it was still entertaining.

History of the World: Part I (1981) - 6
This was interesting. It was just an SNL style line-up of gags from different time periods. Very hit or miss.

High Anxiety (1977) - 5.5
I love Hitchcock but this movie just bored me to death.

Silent Movie (1976) - 6.5
It was a ballsy move making a silent movie in this day and age. Just because it’s a satire on the genre doesn’t mean it can get away with all the cliches, stereotypes and recycled jokes. Most of the time it works but there are some jokes that drag on way too long and they weren’t even funny to begin with (the knight’s armor scene was agonizing). Anyways, there were some good laughs in here.

Young Frankenstein (1974) - 6.5
As much as I love Universal Monsters, I founds some of the jokes pretty lame and the story just a tad overused.

Blazing Saddles (1974) - 7
The over-the-top goofiness of it all really seems to work here. Probably my favorite of Mel’s.

The Producers (1968) - 6.5
I really like the story and characters in this one but the vast majority of the jokes fall flat (except for the Springtime for Hitler musical number).

Blake Edwards:

Sunset (1988) - 5.5
Reading the description just made me giddy. Anything taking place in classic Hollywood gets me excited but I can’t recommend this to anyone who isn’t a classic Hollywood fan (it’s just not that good a movie). I guess you can watch it to see Bruce Willis with hair.

Victor Victoria (1982) - 5.5
I just couldn’t get into this movie. Nothing about it interested me.

The Great Race (1965) - 5
What a terrible movie. Visually, it’s a cartoon come to life (like a neutered Whacky Races) but it’s a very dull movie (even with Jack Lemmon).

A Shot in the Dark (1964) - 6
I found it more entertaining then the original but still not very good.

The Pink Panther (1963) - 5.5
Boring as fuck, Peter Sellers is the only thing that kept me going. It’s all down hill after the animated titles and legendary score.

Days of Wine and Roses (1962) - 6
”This message is brought to you by AA.” In all seriousness, Jack Lemmon is great, as usual, but the message starts to wear it’s welcome.

Breakfast at Tiffany's (1961) - 7
Probably the only Blake Edwards movie I would deem good.

Operation Petticoat (1959) - 5
I saw this a while back. Despite liking the lead actors, I just didn’t care for this movie at all.

I’ve seen a couple of other Pink Panther movies but I can’t remember which ones they were. Either way, they were both largely uninteresting.

Charlie/Charles Chaplin
(Shorts, and uncredited films, are Included):

A King in New York (1957) - 5.5
This is such a disappointing movie. HUAC is an easy target. Chaplin could’ve made another classic satire on a subject most were reluctant to talk about, much as he did with The Great Dictator, but instead we got this stillborn mess. It’s a lifeless production that I found preachy in a non-clever way and it’s aimless direction instantly begins to wear on you. The part where the kid references our Constitution and founding fathers - the basic foundation of our government - to make his point and is deemed a Communist should’ve been much funnier then it was. Misfired humor aside, my biggest problem with the movie is the lack of an empathetic protagonist. It needed someone to represent us: The Tramp.

Limelight (1952) - 7.5
Autobiographical and poetically beautiful, this movie caught me off guard. If there was ever any doubt as to Chaplin’s abilities as both a serious actor and director (hell, the score is great, so add composer to that list too) then this should put an end to it. My only qualms are Calvero’s two dream sequences at the beginning (each of which runs about 6 minutes in length), which are not only painfully unfunny but they stop the story. The movie is long enough, we as an audience understand that Calvero is no longer funny (the only reason we know he used to be funny is because they tell us he was) and it was adequately reinforced after just a minute of seeing one of his dream routines. While the film ends on a sad note, where Chaplin’s character Calvero goes out receiving pity laughs from an audience cued in, it still feels uplifting somehow. This should’ve been Chaplin’s swan song but alas. Oh yeah, Claire Bloom WAS hot.

On a related note: It makes me sick that our government kicked Chaplin out of the country while he was attending the London premier for this film.

Monsieur Verdoux (1947) - 7.5
This movie was criminally overlooked upon it’s release because people just couldn’t get over Chaplin retiring the Tramp. Gone are his signature pantomime and slapstick in favor of a darker, cynical kind of comedy. It works well. Only Chaplin could make you fall in love with a murder, even sympathize with him and well, root for him - in the case of the annoying bitch. This is also one hell of a quotable movie.

The Great Dictator (1940) - 6.5
I always felt this movie was kind of messy and uneven. At times it’s hilarious (like Hinkel’s speech and the barber chairs competition) but then there are these long stretches of mediocre gags and moments of preaching. I know the world needed to hear this at the time when many countries were ignoring the problem, after all it makes great propaganda, but it just seems to stop the entertainment completely. Also, the Tramp/Jewish barber is such a passive character that I feel we never really get to know him as well as we do Hinkel (who is far more entertaining). It just feels like his whole existence is to deliver the film’s final speech that doesn’t even feel in character (hell, if feels like the whole movie is building up to that speech). I admire the message but wish it were more entertaining.

Modern Times (1936) - 8
See my review here

City Lights (1931) - 8
I appreciate this one for it’s sweeter moments. You really see the Tramp fall in love and while I have fun with the drunk millionaire, his routine begin to wear you out after a while. That said, the score is fantastic and I really like the happy ending.

The Circus (1928) - 7.5
This movie is great up to about the last 6 minutes. Suddenly The Tramp goes from jealous to selfless, with no transition at all, just from one cut to another. It’s a bad ending that would be great if they had a scene or something showing The Tramp coming to some kind of realization. Up to that point, I was really enjoying how natural the relationship felt. As it is, the ending just feels tacked on. I should mention that this may just be Chaplin’s funniest feature.

The Gold Rush (1925) - 7
To me, the movie feels like it doesn’t even start til about 20 minutes into it. The whole beginning - with the characters trapped in the cabin during the blizzard -is just incredibly superfluous and inconsequential to the overarching story. There is literally no point to the incidental character of Black Larson. I feel like Chaplin wanted to make a feature but didn’t have the material to do so, so he shoehorned in 2 more reels of gags at the beginning to make it feature length. Throw out the first two reels and you have a solid movie. I must also note that I’ve never seen the original version of this movie, only the 42 re-release.

The Kid (1921) - 7
It stars The Tramp and yet it’s not really a comedy at all. It’s a sweet little drama about The Tramp and his adaptive son/sidekick just full of pathos. To be honest, I love this movie. The only thing that I don’t like is the irrelevant dream sequence, which I’m sure was added just so this would become a feature (it’s soo borderline in length). Cut that out, and this would be a much better film. I’m surprise when Chaplin went in to score this and re-edit it 50 years later that he left the dream sequence in.

As far as his shorts go, I’ve seen many but I just recently watched A Dog's Life (worth checking out for the lunch wagon scene alone, with Charlie and his brother), The Immigrant, The Rink, and One A.M.

Buster Keaton
(Shorts and uncredited are Included):

The Cameraman (1928) - 8
This was Keaton’s first film made at MGM (and probably his last good on) where he was given a great deal of artistic freedom. After this, MGM slapped on his leash and wasted his talent (I’ve seen many of the non-Keaton directed films he was in, they’re really depressing. Hell, the whole end of his career is depressing).

Steamboat Bill, Jr. (1928) - 7
The chemistry between Keaton’s character and his Dad is what drives this for me (very reminiscent of Red and Eric from That 70s Show). It starts off well enough, but then looses focus just a little over the half way point. From there it’s just gag after gag. This was Keaton’s last film as an independent filmmaker before selling his soul to MGM.

College (1927) - 5.5
Not very memorable or entertaining. As far as silent comedies about College go, I personally prefer Lloyd’s The Freshman and even that wasn’t that great.

The General (1926) - 8
I was surprised by how good this was. Didn’t expect much of a story but was pleasantly surprised. It can get a little redundant with the trains chasing each other but overall it was a pleasure to watch.

On a side note, this film looks amazing on Blu-Ray. Supposedly it’s his only film to still have it’s original film negative and boy does it show. There is more detail on screen than I’ve ever seen in a silent film before. Now if only someone with money (like Warner) got there hands on this and spent the boatloads it would take to remove all the dust, scratches, flickering, etc. it would be a revelation. Also, this was my first time watching the movie with the Carl Davis score, which was a million times better then whatever generic score was used when I watched it on TV.

The Navigator (1924) - 7
It’s the classic ‘boy and girl accidentally become stranded together only to fall in love’ story. There is only so much you can do with a two person cast but at-least it’s short enough it never overstays it’s welcome.

Sherlock Jr. (1924) - 7
Could’ve just as easily called it ‘Buster in Movieland.’ The story isn’t really all that interesting, which is why it’s a good thing it’s short, but the visual effects are amazing. It’s a highly entertaining premise, all of which was probably breaking new ground at the time, but the ending is kind of a letdown.

Our Hospitality (1923) - 7.5
I appreciate the more story driven nature of what is one of Buster’s earliest features. I also appreciate the detail Buster puts into these period pieces, trying to capture an authentic feel. Best part is when Buster sees a husband beating his wife and intervenes with hilarious results. As always, length is a blessing.

As far as shorts go, I’ve seen One Week and Cops, to which I absolutely love Cops and have seen it multiple times. Wonderful shorts.

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Orson Welles:

The Trial (1962) - 5.5
This movie was terrible. As both an Orson Welles and Anthony Perkins fan, deeply disappointed. If you like surrealist shit that is less about telling a story or exploring interesting characters and all about mind fucking you, have at it.

Touch of Evil (1958) - 7.5
From the long opening tracking shot to gritty realism of the sets and characters, this is a very entertaining movie. I love seeing Orson in front of the camera, as well as behind. The only thing holding it back from getting an 8 is Heston pretending to be Mexican. That has to be one of the worst casting decisions ever.

Macbeth (1948) - 6
God this was boring. Still, it was well directed and Orson was great as Macbeth.

The Lady from Shanghai (1947) - 7.5
While far from perfect, it is very entertaining. Welles take on film noir is a little darker then it was at that point and a little grittier.

The Stranger (1946) - 7
As always, Welles steals the show. Too bad it really looses steam after everyone knows he’s the Nazi and are trying to capture him.

The Magnificent Ambersons (1942) - 7
It has potential but you can definitely tell that stuff is being left out. I really wish they didn’t butcher this movie.

Citizen Kane (1941) - 8
It’s been a while since I’ve seen this but I remember not really liking it the first time I watched it. Then I watched all, and I mean ALL, the supplements on the DVD and gained a significant appreciation for the film. Understanding the technical boundaries being pushed by Welles, storytelling techniques being developed on the set, and the most crucial part that I wasn’t aware of, the parallel the movies shares with Hearst’s life. Add to the fact that I actually saw this back before Rosebud became an overused parody in everything, effectively ruining the reveal at the end. Welles is masterful in his portrayal of Kane (even his makeup was masterful). Best movie ever, no, but I still really enjoy it.

Cecil B. DeMille:

The Ten Commandments (1956) - 5.5
Too long and boring at times. The costumes, sets and visual effects were ‘nice’ though. I personally prefer the Dreamworks take on this story.

The Greatest Show on Earth (1952) - 5.5
It’s been too long since I’ve seen this. I just remember a realistic portrayal of circus life that didn’t really interest me (although I got excited when the 50s Disney costumed characters showed up). It was a little melodramatic, long and the ending was lame. Jimmy Stewart was great as the clown.

Samson and Delilah (1949) - 6.5
I though this was pretty decent. Casting was great although I’m not sure why anyone would prefer Angela Lansbury to Hedy Lamarr (plot hole?).

Cleopatra (1934) - 6
I remember this being pretty crappy but great in comparison to the 60s monstrosity.

The King of Kings (1927) - 7.5
I love it. I tried watching the 60s version and just fell asleep. This silent version is just soo much more entertaining and I’ve now seen it twice.

The Ten Commandments (1923) - 6
Extremely different then the remake. This summed up in 60 minutes what the remake does in 3 hours. The rest of the movie consists of a segment in modern day San Francisco that relates to the exodus story. I found the modern day segment the more interesting of the two.

Howard Hawks:

Rio Lobo (1970) - 5.5
Didn’t really care for it at all.

El Dorado (1966) - 6
He needs to quite telling the same damn story over and doing it worse each time.

Rio Bravo (1959) - 7
Pretty good but it felt a little too crafted and anticlimactic. Definitely overrated.

Gentlemen Prefer Blondes (1953) - 5.5
It was as bad a movie as Marilyn Monroe was an actress.

The Thing from Another World (1951) - 7.5
The creature itself is lame but everything else is great. The setting, atmosphere, characters, all great.

A Song is Born (1948) - 6.5
Nothing against Danny Kaye, he’s not bad here, but his remakes are completely pointless (Ball of Fire and The Milky Way are the better movies). This just feels less edgy then the original Billy Wilder script and Cooper just felt more sincere to me.

Red River (1948) - 7
I’ll be honest, it does get slow towards the middle but that is all offset by the ending. I fucking love the ending. Monte and Wayne are excellent and Joann Dru WAS hot.

The Big Sleep (1946) - 8
One of my favorite film noirs staring my favorite Hollywood tough guy.

To Have and Have Not (1944) - 8
While it feels like a lessor Casablanca, it is still has enough personality and entertainment value to rank up there.

Ball of Fire (1941) - 7
Chemistry between the two is there and the story works well enough. The large cast of character actors keep things interesting.

Sergeant York (1941) - 6.5
Vastly overrated.

His Girl Friday (1940) - 7.5
A pretty good screwball comedy - a masterpiece if you compare it to the original (The Front Page) - that completely works due to it’s two leads. I really appreciate Cary Grant as a comedic actor.

Only Angels Have Wings (1939) - 7
A little too sappy at times but it works.

Bringing Up Baby (1938) - 7.5
Dammit, I love Cary Grant. My only qualm is that some of it can get a little too screwball, as if they wrote the random goofiness into the story simply to be goofy

Twentieth Century (1934) - 7
One of the earlier screwball comedies out there. I’m not surprised to see Carole Lombard doing comedy but John Barrymore? He was great, inspired casting. While entertaining, it’s not up to the standard that Hawks would later set with his screwball comedies.

Scarface (1932) - 6
The original movie about the rise of arrogant gangster Tony during the prohibition on alcohol (the remake wisely updated it to the modern prohibition on drugs). Insinuations of incest, as in the remake, are here. Besides that, it’s fairly standard and very underwhelming. It’s not deserving of all the attention it gets, especially since there are much better gangster movies from that time.

Frank Capra:

Pocketful of Miracles (1961) - 6
Kind of a pointless remake of one of his lesser loved films.

It's a Wonderful Life (1946) - 8
Great holiday movie. I get fat off this Capra-corn (figuratively speaking).

Arsenic and Old Lace (1944) - 8
Underrated. Once again, Cary Grant nails it.

Meet John Doe (1941) - 7
This one is a little slow and a little depressing. The Jesus parallel is heavy handed. Still good though.

Mr. Smith Goes to Washington (1939) - 7.5
This one I haven’t seen in a LONG time but I remember liking it. Inspiring.

You Can't Take It with You (1938) - 7.5
This was actually my intro to Capra. It completely caught me off guard. I just love the wacky family.

Lost Horizon (1937) - 7.5
It’s a good movie, Ronald Coleman’s the man, but I wish they’d discover the missing scenes.

Mr. Deeds Goes to Town (1936) - 7
I didn’t see this until after the Sandler remake and I actually found it less entertaining. The message is a little too much at the end.

It Happened One Night (1934) - 8
This was my second Capra and my intro to Gable, at which point I became a fan of both. Really great movie.

Lady for a Day (1933) - 6.5
I though it was good but nothing really stood out.

Dirigible (1931) - 6
It was alright, if predictable. At least Fay Wray looks good.

William Wyler:

Funny Girl (1968) - 5.5
I really didn’t care for this movie but then again, I really don’t like Streisand.

Ben-Hur (1959) - 7.5
I like the story of Ben-Hur but I really don’t care for all the Jesus stuff mixed in. It feels like two clashing stories instead of just concentrating on one. Still, epic movie and wonderful first half. Surprisingly, the silent movie is EVERY bit as good.

The Big Country (1958) - 7
See my review here.

The Desperate Hours (1955) - 7
Pretty interesting little drama about a family held hostage by Bogie.

Roman Holiday (1953) - 8
Wonderful, enchanting, lovely...what a great movie.

Detective Story (1951) - 6.5
Some really nice performances from interesting characters, bogged down only by the sprinkled in cliches and corny moments.

The Best Years of Our Lives (1946) - 7
Very human story of readjustment after war.

Mrs. Miniver (1942) - 7
The story is good, good acting and well written characters, but the whole propaganda speech at the end weighs it down.

The Little Foxes (1941) - 7.5
Very good. Davis and co all nail their parts.

The Letter (1940) - 6.5
Probably a little too simple for it’s own good.

The Westerner (1940) - 6.5
Walter Brennan is the main draw here, probably in my favorite role of his, as he expertly plays Judge Roy Bean. Brennan and his whole gang are great, even menacing, which is surprising for a character actor who is usually the comic relief. It’s Gary Cooper and Doris Davenport who drag down the movie, with their bad acting, flimsy romance, and generally uninteresting characters.

Wuthering Heights (1939) - 7
The dialogue is overblown and the story melodramatic (visa versa), cringeworthy a times, and yet I still enjoy the heck out of it. Oh well.

Jezebel (1938) - 7
While the ending kind of irritates me, everything up to that point is great. Davis is fantastic.

Dodsworth (1936) - 6.5
Overly long, or at least it feels that way, it just drags. Still, Walter Huston is great.

-----------------------------------------------------------------------------------

Fritz Lang:

The Big Heat (1953) - 7
Pretty good. Glenn Ford is perfect. I just didn’t really care for the antagonists, as they all seemed weak; that or Bannion was just too tough. He beat the shit out of everyone, wasn’t scared by anyone, and seemed much more antagonizing then any of the antagonists. I was never really worried about anything happening to him (as opposed to say Sam Spade in The Maltese Falcon, who gets his ass handed to him on a number of occasions, and who we’re reminded is only human as his hand shakes from nerves after he bluffs the Fat Man).

Fury (1936) - 6.5
Fritz Lang’s first Hollywood pic. This one has been compared to The Ox-Bow Incident but I honestly find the aforementioned a far more powerful film. This one just feels like a sensationalized depiction of an event, with a tacked on Hollywood happy ending (MGM made it, what do you expect?), while Ox-Bow was a far more evocative picture with an ending that haunts you. While I did enjoy the trial stuff; I found the rest of it to be less then stellar.

The Testament of Dr. Mabuse (1933) - 6.5
The less ambitious talky sequel to Dr. Mabuse: The Gambler, clocking in at less then half the length of the original and with Mabuse himself being the only retuning character. I have to say I was disappointed on a number of things. First off, Mabuse is barely in it. It feels like an entirely original movie with Mabuse written in as a last minute cameo. The main star of the movie is actually the character of Commissioner Lohmann (albeit a little more eccentric version of him), who was previously featured in M, and is expertly reprised by Otto Wernicke. I was also disappointed at how standard this movie felt. The direction was great, with some very nicely crafted scenes (the opening 5 minutes, with not a spoken word, is cinema at it’s very best) sprinkled throughout what is a pretty formulaic movie.

M (1931) - 7.5
This movie is a masterpiece up to the ending, which is a let down to put it nicely. I agree with Goliath about the speech, after all that build up in trying to capture him, to just hear a long speech felt kind of anticlimactic. Especially the very end with the ladies in the court saying it won’t bring their children back and that it’s our duty to protect them; that felt like tacked on propaganda and I was waiting for a war bonds advertisement of some sort. Either way, this movie is a technical marvel. Like Citizen Kane, regardless of how you feel about the story, you can appreciate the camera techniques, cinematography, editing, and most certainly the acting. I really enjoy this movie.

Spies (1928) - 6
It’s an entirely adequate spy movie. The characters are a waste. Our protagonist, agent 236, is no James Bond. In fact, he does very little spying at all and is mainly seen just meandering around until plot points come to him. Our femme fatal is no better. Their manufactured romance is so embarrassing that I wanted to turn this movie off right as it started. I hate the excuse, “well, it’s a silent movie and people instantly fell in love back then.” No they didn’t (just look at Chaplin’s The Circus). Here, they fall in love after being with each other for about 20 seconds and then they start petting each other’s hands, pecking each other’s cheeks and all the other stereotypical 20’s overacting you can think of. The story starts off fast paced but pretty much dies once they start the forced romance. The antagonist is just weak, since he doesn’t really seem to have any motive or goal (although, the twist at the end involving him was nice). This movie also didn’t need to be 3 hours long.

Metropolis (1927) - 7
I originally saw the version with title cards filling in the blanks a few years ago and just recently saw the restored version with the missing scenes reinserted (well, the vast majority of them). The new scenes really help the flow of the movie. Some things that weren’t quite clear make sense now. I didn’t even remember the Thin Man from my initial viewing and 11811 has much more of an impact. I’m still not very impressed with the movie outside of the art design, visual effects, and score (which were all very groundbreaking).

Dr. Mabuse: The Gambler (1922) - 7
Running around 4 hours long, this was originally divided up and released in German theaters separately as two parts: The Gambler and Inferno. The movie starts off with a bang, throwing us right into one of Dr. Mabuse’s elaborate schemes, this one a heist ending with stock market manipulation. After that it takes a leisurely pace that continues for the rest of part one, with moments of brilliance sprinkled throughout. Even with the pace, there is a lot going on and it can overwhelm a little. Once you get to know all the characters, which may take a little time, you really get sucked in. The only thing I didn’t care for in part one was the character of Hull (well, I also think the psychic powers thing is stupid). Part two, on the other hand, kind of looses out all the momentum built up by part one. It’s not bad but it is disappointing after such a great start. Worth checking out if you have the time and are fully awake (Dr. Mabuse is a master of disguise and if you’re not paying attention, you may not even recognize him, which can make the viewing experience confusing).

Destiny (1921) - 6.5
This could’ve been a great movie but it has one thing holding it back; the third vignette. The movie as a whole is fairly serious (the entire thing deals with Death, quite literally), as are the first two vignettes (the Arabian adventure and the Venetian romance), so the third one being a comic Chinese fantasy kind of throws off the vibe. Not only is it’s depiction of China cartoony, but it deals with a goofy magician (and terrible visual effects). I think what upsets me the most is the disgusting use of yellow face (or whatever the asian equivalent of black face is called). The framing story is probably the most interesting, as I just love the portrayal of death and the whole candle thing (the baby’s flickering candle visual effect is beautiful). If you watch this movie, skip the third vignette. It doesn’t affect the plot and it’ll make it a stronger movie.

Note: Alfred Hitchcock’s favorite film

David Lean:

A Passage to India (1984) - 5.5
Boring. It is a very epic movie, large scale, sweeping long shots, but it’s also built around a ‘I couldn’t care less’ story with dull characters.

Doctor Zhivago (1965) - 6.5
Pretty good but it starts to overstay it’s welcome. The more time I spent with the characters, the less I liked them. This was one of my Mom’s favorites when she was younger (I think she liked Omar Sharif). Fantastic score by Maurice Jarre.

Lawrence of Arabia (1962) - 7
Pretty damn good movie that would greatly benefit from some much needed editing. It’s unnecessarily long with a ton of gratuitous scenes. Fantastic score by Maurice Jarre.

The Bridge on the River Kwai (1957) - 6
After a while you kind of care about the characters but I never get fully invested enough to merit the length of the movie.

Brief Encounter (1945) - 7
I kept thinking to myself, “just have your affair and get it over with.” With that said, it’s a good movie that suffers from getting repetitive towards the end and going on too long (even with it being one of Lean’s shortest features).

Douglas Sirk:

Imitation of Life (1959) - 6
I thought it was alright. I’ve never seen the original to compare but everything in this remake is done adequately.

jpanimation wrote:Oh yeah, Claire Bloom is hot.

You mean: Claire Bloom was hot. And no, she wasn't. But you'll have to find a thread about celebrity crushes to discuss that.

I fixed it, since it was bothering you.

Glad to see you back, jpanimation. I always enjoy reading your thoughts on various movies.

The Directors: Deluxe Halloween Edition:


Roger Corman:

Frankenstein Unbound (1990)
Battle Beyond the Stars (1980)
Deathsport (1978)
Von Richthofen and Brown (1971)
Gas! -Or- It Became Necessary to Destroy the World in Order to Save It (1970)
Bloody Mama (1970)
De Sade (1969)
Target: Harry (1969)
The Wild Racers (1968)
The Trip (1967)
A Time for Killing (1967)
The St. Valentine's Day Massacre (1967)
The Wild Angels (1966)
The Tomb of Ligeia (1965)
The Secret Invasion (1964)
The Masque of the Red Death (1964)
X: The Man with the X-Ray Eyes (1963)
The Haunted Palace (1963)
The Terror (1963)
The Raven (1963)
The Young Racers (1963)
Tower of London (1962)
Tales of Terror (1962)
The Intruder (1962)
The Premature Burial (1962)
The Pit and the Pendulum (1961)
Creature from the Haunted Sea (1961)
Atlas (1961)
Last Woman on Earth (1960)
The Little Shop of Horrors (1960)
(The Fall of the) House of Usher (1960)
Ski Troop Attack (1960)
The Wasp Woman (1959)
A Bucket of Blood (1959)
She Gods of Shark Reef (1958)
Teenage Cave Man (1958)
Machine-Gun Kelly (1958)
War of the Satellites (1958)
I Mobster (1958)
The Saga of the Viking Women and Their Voyage to the Waters of the Great Sea Serpent (1957)
Sorority Girl (1957)
Teenage Doll (1957)
Rock All Night (1957)
The Undead (1957)
Attack of the Crab Monsters (1957)
Not of This Earth (1957)
Carnival Rock (1957)
Naked Paradise (1957)
Swamp Women (1956)
It Conquered the World (1956)
Gunslinger (1956)
The Oklahoma Woman (1956)
Day the World Ended (1955)
Apache Woman (1955)
1955 The Beast with a Million Eyes (1955)
1955 Five Guns West (1955)



Mario Bava:

Shock (1977)
Rabid Dogs (1974)
The House of Exorcism (197?)
Lisa and the Devil (1973)
Four Times that Night (1972)
Baron Blood (1972)
Bay of Blood / Twitch of the Death Nerve (1971)
Roy Colt and Winchester Jack (1970)
5 Dolls for an August Moon / Island of Terror (1970)
Hatchet for the Honeymoon (1969)
Danger: Diabolik (1968)
Dr. Goldfoot and the Girl Bombs (1966)
Kill Baby, Kill (1966)
Knives of the Avenger / Viking Massacre / Bladestorm (1966)
Gunman Called Nebraska (1966)
Planet of the Vampires (1965)
The Road to Fort Alamo (1964)
Blood and Black Lace (1964)
The Whip and the Body (1963)
Black Sabbath (1963)
The Evil Eye / The Girl Who Knew Too Much (1963)
Erik the Conqueror (1961)
Hercules in the Haunted World (1961)
Le meraviglie di Aladino / The Wonders of Aladdin (1961)
The Last of the Vikings (1961)
Esther and the King (1960)
Black Sunday (1960)
Giant of Marathon (1959)
Caltiki the Undying Monster (1959)
Lust of the Vampire (1956)
Ulysses (1954)

-


Wes Craven:

Scream 4 (2011)
My Soul to Take (2010)
Red Eye (2005)
Cursed (2005)
Scream 3 (2000)
Music of the Heart (1999)
Scream 2 (1997)
Scream (1996)
Vampire in Brooklyn (1995)
New Nightmare (1994)
The People Under the Stairs (1991)
Night Visions (1990)
Shocker (1989)
The Serpent and the Rainbow (1988)
Deadly Friend (1986)
Casebusters (1986)
The Hills Have Eyes Part II (1985)
Chiller (1985)
A Nightmare on Elm Street (1984)
Invitation to Hell (1984)
Swamp Thing (1982)
Deadly Blessing (1981)
Stranger in Our House / Summer of Fear (1978)
The Hills Have Eyes (1977)
Angela / The Fireworks Woman (1975)
The Last House on the Left (1972)

-


George A. Romero:

Survival of the Dead (2009)
Diary of the Dead (2007)
Land of the Dead (2005)
Bruiser (2000)
The Dark Half (1993)
Two Evil Eyes (1990)
Monkey Shines (1988)
Day of the Dead (1985)
Creepshow (1982)
Knightriders (1981)
Dawn of the Dead (1978)
Martin (1976)
The Crazies (1973)
Season of the Witch / Jack's Wife (1972)
There's Always Vanilla (1971)
Night of the Living Dead (1968)

-

<img src="http://upload.wikimedia.org/wikipedia/c ... tra%29.jpg" width="170" height="250" border="0">
Joe Dante:

The Hole (2009)
The Greatest Show Ever (2007)
Masters of Horror: The Screwfly Solution (2006)
Masters of Horror: Homecoming (2005)
Looney Tunes: Back in Action (2003)
Small Soldiers (1998)
The Warlord: Battle for the Galaxy (1998)
The Second Civil War (1997)
Runaway Daughters (1994)
Matinee (1993)
Gremlins 2: The New Batch (1990)
The 'burbs (1989)
Amazon Women on the Moon (1987)
Innerspace (1987)
Explorers (1985)
Gremlins (1984)
Twilight Zone: The Movie (1983)
The Howling (1981)
Piranha (1978)
Hollywood Boulevard (1976)

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<img src="http://upload.wikimedia.org/wikipedia/e ... ection.jpg" width="170" height="250" border="0">
Larry Cohen:

Masters of Horror: Pick Me Up (2005)
Original Gangstas (1996)
As Good as Dead (1995)
The Ambulance (1990)
Wicked Stepmother (1989)
Deadly Illusion (1988)
A Return to Salem's Lot (1987)
Island of the Alive: It's Alive III (1987)
The Stuff (1985)
Perfect Strangers (1984)
Special Effects (1984)
Q: the Winged Serpent (1982)
See China and Die (1981)
Full Moon High (1981)
It Lives Again (1978)
The Private Files of J. Edgar Hoover (1977)
God Told Me To (1976)
It's Alive (1973)
Hell Up in Harlem (1973)
Black Caesar (1973)
Bone (1972)

-


Tobe Hooper:

Masters of Horror: The Damned Thing (2006)
Masters of Horror: Dance of the Dead (2005)
Mortuary (2005)
The Toolbox Murders (2004)
Crocodile (2000)
The Apartment Complex (1999)
The Mangler (1995)
Night Terrors (1995)
Body Bags (1993)
I'm Dangerous Tonight (1990)
Spontaneous Combustion (1990)
The Texas Chainsaw Massacre 2 (1986)
Invaders from Mars (1986)
Lifeforce (1985)
Poltergeist (1982)
The Funhouse (1981)
Salem's Lot (1979)
Eaten Alive (1977)
The Texas Chain Saw Massacre (1974)
Eggshells (1969)

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<img src="http://upload.wikimedia.org/wikipedia/c ... 007%29.jpg" width="170" height="250" border="0">
Stuart Gordon:

Stuck (2007)
Masters of Horror: The Black Cat (2006)
Masters of Horror: Dreams in the Witch House (2005)
Edmond (2005)
King of the Ants (2003)
Dagon (2001)
The Wonderful Ice Cream Suit (1998)
Space Truckers (1996)
Castle Freak (1995)
Fortress (1992)
The Pit and the Pendulum (1991)
Robot Jox (1990)
Daughter of Darkness (1990)
Dolls (1987)
From Beyond (1986)
Re-Animator (1985)

-


Lucio Fulci:

Door to Silence (1991)
Voices from Beyond (1991)
Demonia (1990)
A Cat in the Brain / Nightmare Concert (1990)
The House of Clocks (1989)
The Sweet House of Horrors (1989)
Zombi 3 (1988)
Il fantasma di Sodoma / The Ghosts of Sodom (1988)
Touch of Death (1988)
Aenigma (1987)
Il miele del diavolo / Dangerous Obsession / The Devil's Honey (1986)
Murder-Rock: Dancing Death (1984)
I guerrieri dell'anno 2072 / Warriors of the Year 2072 (1983)
Conquest (1983)
Manhattan Baby (1982)
The New York Ripper (1982)
The House by the Cemetery (1981)
The Beyond (1981)
The Black Cat (1980)
City of the Living Dead / The Gates of Hell (1980)
Contraband (1980)
Zombie (1979)
They Died with Their Boots On (1978)
The Psychic (1977)
La pretora / My Sister in Law (1976)
Young Dracula / Dracula in the Provinces (1975)
Four of the Apocalypse (1975)
Challenge to White Fang (1974)
Zanna Bianca / White Fang (1973)
Don't Torture a Duckling (1972)
The Senator Likes Women Despite Appearences and Provided the Nation Doesn't Know (1972)
A Lizard in a Woman's Skin (1971)
Beatrice Cenci / The Conspiracy of Torture (1969)
One on Top of the Other (1969)
Operazione San Pietro / Operation St. Peter's (1967)
Il lungo, il corto, il gatto / The Tall, the Short, the Cat (1967)
Come rubammo la bomba atomica / How We Stole the Atomic Bomb (1967)
The Brute and the Beast / Colt Concert / Massacre Time (1966)
Come svaligiammo la banca d'Italia / How We Robbed the Bank of Italy (1966)
I due parà / The Two Parachuitists (1965)
002 operazione Luna / 002 Operation Moon (1965)
Come inguaiammo l'esercito / How We Got Into Trouble with the Army (1965)
I due pericoli pubblici / Two Public Enemies (1964)
Worst Secret Agents (1964)
I due evasi di Sing Sing / Two Escape from Sing Sing (1964)
I maniaci / Beautiful Eyes / The Maniacs (1964)
Gli imbroglioni / The Swindlers (1963)
Uno strano tipo / The Strange Type (1963)
The Masseuses (1962)
I due della legione straniera / Those Two in the Legion (1962)
Colpo gobbo all'italiana / Hunchback Italian Style (1962)
Howlers of the Dock (1960)
Ragazzi del Juke-Box / The Jukebox Kids (1959)
I ladri / The Thieves (1959)

-


Bob Clark:

Superbabies: Baby Geniuses 2 (2004)
The Karate Dog (2004)
Maniac Magee (2003)
Now & Forever (2002)
I'll Remember April (2000)
Catch a Falling Star (2000)
Baby Geniuses (1999)
The Ransom of Red Chief (1998)
Stolen Memories: Secrets from the Rose Garden (1996)
Derby (1995)
It Runs in the Family (1994)
The American Clock (1993)
Loose Cannons (1990)
From the Hip (1987)
Turk 182! (1985)
Rhinestone (1984)
A Christmas Story (1983)
Porky's II: The Next Day (1983)
Porky's (1982)
Tribute (1980)
Murder by Decree (1979)
Breaking Point (1976)
Black Christmas (1974)
Dead of Night / Deathdream / The Night Andy Came Home (1973)
Children Shouldn't Play with Dead Things (1972)

-


Frank Henenlotter:

Bad Biology (2008)
Basket Case 3: The Progeny (1992)
Frankenhooker (1990)
Basket Case 2 (1990)
Brain Damage (1988)
Basket Case (1982)

-


Tom Holland:

Masters of Horror: We All Scream for Ice Cream (2006)
Thinner (1996)
The Langoliers (1995)
The Temp (1993)
The Stranger Within (1990)
Child's Play (1988)
Fatal Beauty (1987)
Fright Night (1985)

-


Steve Miner:

Major Movie Star (2008)
Day of the Dead (2008)
Scarlett (2006)
Home of the Brave (2002)
Texas Rangers (2001)
The Third Degree (2001)
Lake Placid (1999)
Halloween H20: 20 Years Later (1998)
Big Bully (1996)
My Father the Hero (1994)
Sherwood's Travels (1994)
Forever Young (1992)
Wild Hearts Can't Be Broken (1991)
Warlock (1989)
Soul Man (1986)
House (1986)
Friday the 13th Part III (1982)
Friday the 13th Part II (1981)

-


Clive Barker:

Lord of Illusions (1995)
Nightbreed (1990)
Hellraiser (1987)

-

<img src="http://upload.wikimedia.org/wikipedia/c ... r_1994.jpg" width="195" height="250" border="0">
Michele Soavi:

Blood of the Losers (2008)
Political Target (2006)
The Goodbye Kiss (2006)
Francesco (2002)
Cemetery Man (1994)
La setta / The Sect / The Devil's Daugher (1991)
The Church (1989)
StageFright / Aquarius (1987)
Dario Argento's World of Horror (1985)

-

<img src="http://upload.wikimedia.org/wikipedia/c ... BAug09.jpg" width="135" height="250" border="0">
Eli Roth:

Hostel: Part II (2007)
Hostel (2005)
Cabin Fever (2002)

-

<img src="http://upload.wikimedia.org/wikipedia/c ... _McKee.jpg" width="135" height="150" border="0">
Lucky McKee:

The Woman (2011)
Red (2008)
Masters of Horror: Sick Girl (2005)
The Woods (2005)
May (2002)
All Cheerleaders Die (1999-2001)

The only ones I've seen out of those lists, are Scream (which I hated and was ridiculous) and both Gremlins-films (which I liked when I was a kid).

I just counted- of all the directors mentioned, and I may be off by a few numbers: I count 86 of their films total I've seen.

Haven't seen any of those except for Gremlins and Looney Tunes: Back in Action. The former is a delightful Christmas classic with it's visuals and Dante's directorial style influenced by animation that makes a statement on the modern day consumerist culture. The latter is just dismal.