The cover art for And Soon the Darkness makes it pretty clear how the movie will play out. You've got two happy pretty young women in bikinis. But there is also, and this must be where the title comes in, a creepy man and those same girls in fast escape and tormented binding.
This new American film isn't likely to become much better known than the little 1970 British horror movie it remakes. It opens exclusively at Laemmle's Sunset 5 theater in West Hollywood this Friday and premieres on DVD and Blu-ray just eleven days later. While being unable to secure a real theatrical release generally implies a lack of quality, here I suspect the decision is born more out of the limited commercial prospects that stem from not having a recognizable title, huge stars, or a radical premise.
The movie centers on two close friends: wild brunette Ellie (Odette Yustman) and more responsible blonde Stephanie (Amber Heard). A day into their group bike tour through South America, the girls go their own way, taking in the flavor of small-town Argentina. Speaking little Spanish, they give off a slightly obnoxious American tourist vibe to the local folk, as they bike, shop, and sunbathe together.
Thirty minutes into the film, the girls have a little spat and split up. While they arrange to reunite soon for lunch, Ellie doesn't show up. Her phone has been left behind at the waterfalls where she was, but there is no trace of her. A worried Stephanie is offered assistance by Michael, the aforementioned creepy man of the cover (Karl Urban, Bones in J.J. Abram's Star Trek). He arouses her suspicion, as does Chucho (Michel Noher), the man Ellie clicked with at a bar the night before.
Two things are clear. Ellie is not the first attractive young female to go missing in the area. And Calvo (César Vianco), the town's one policeman, does not offer much in the way of reassurance. Alone and increasingly concerned, Stephanie does her own investigating into her friend's disappearance, receiving little help from the townspeople.
And Soon the Darkness is surprisingly effective at generating and maintaining suspense. While the structure is absolutely about moving hot vacationing girls into foreign danger, neither phase is misplayed by director Marcos Efron, who makes his feature debut here.
Sure, most viewers aren't entering to hear the girls discuss their relationship tendencies, but we don't get the sense that time is being killed until the mystery arises. And while the bikinis don't come out by accident, they're natural vacation attire and not just titillation to keep viewers alert.
If viewers aren't already invested, then the central turn will put them on edge. The basics of the story are familiar, but all the various questions regarding the presumed abduction aren't easily answered. The movie doesn't tip its hat, misdirect, or pull an explanation out of the blue. It keeps you guessing and gives you more than that to chew on. We are successfully put in Stephanie's shoes, complete with the ample amount of Spanish dialogue going untranslated. The film's ultimate destination may not be unlike anything you've seen before, but by then you've been hooked along on a ride that you'll want to see through.
And Soon the Darkness is rated R "for some violence and brief torture." The quantifiers are appropriate, the latter thankfully. While I can't say I've seen any of the Saw or Hostel movies, I know enough about them to declare that this is not like them. Even the cover implies that torture has more of a presence than it does. And while there are a few other minor things that could warrant a mention in the MPAA's rating, for those reasonably thinking it might be, nudity is not one of them, a fact that has inspired the IMDb message board thread "NO BOOBIES = THIS MOVIE FAILS!", which seems like a bit of a rush to judgment.
VIDEO and AUDIO
Despite its title, And Soon the Darkness takes its time before providing low-light scenes. They and their nicely photographed brighter company both fare excellently in the DVD's 2.40:1 anamorphic widescreen presentation. The picture is clean, sharp, and appealing throughout. The Dolby Digital 5.1 soundtrack is also better than average, delivering nice atmosphere, precise directionality, and crisp vocals without fail.
BONUS FEATURES, MENUS and PACKAGING
Though I don't know why, Anchor Bay continues to list audio commentaries not with Special Features but on the Set Up menu. As a result, you might not notice that this disc includes a track by director Marcos Efron, editor Todd E. Miller, and cinematographer Gabriel Beristain.
Efron and Beristain do the majority of the talking and they fill the air, but their revelations are largely congratulatory and unremarkable.
A nice alternative to an ordinary making-of featurette, the "Director's Video Diary" (11:10) lets Efron talk over behind-the-scenes footage, which ranges from the technical (fights and falls) to circumstantial (a school visit revealing Amber Heard's bilingualism).
Nothing major is uncovered in the reel of Deleted Scenes (6:43), although its inessential stops do including another shot adding to the already David Caruso-like significance of Karl Urban's sunglasses.
The extras conclude with a welcome trailer for And Soon the Darkness (1:50), which, like the film, presumably won't see the inside of any American theaters.
The DVD opens with trailers for Let Me In and The Disappearance of Alice Creed. While these aren't accessible from a menu, "Also on DVD" holds a trailer for Altitude.
The DVD's main menu, its only animated one, places listings over a routine montage of clips.
Shown no less care for going basically straight to video, And Soon the Darkness is packaged with an embossed, partly glossy cardboard slipcover sliding over its Eco-Box keepcase.
CLOSING THOUGHTS
Don't let the lack of a wide theatrical release throw you; And Soon the Darkness is a well-made thriller that grips you and doesn't let go. Sure, you might have seen this kind of movie before, but quite possibly not one done as right as this. With that said, let me reiterate that the movie works largely on suspense and mystery. If you want gore and torture, keep looking.
Anchor Bay's DVD is of the same caliber of big screen fare (which this was clearly intended to be), providing a first-rate feature presentation and a decent collection of extras.
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